This collection brings together 50+ titles covering Kiwis at war. Iconic documentaries and films tell stories of terrible cost, heroism and kinship. Each title raises fundamental questions about our identity. Dr Chris Pugsley muses, "It is sobering to think that in the first half of the 20th Century the big OE for most New Zealanders was going to war."
Great War Stories is the name of a series of four-minute documentaries remembering New Zealanders in World War I, a century after its 1914 beginning. Screening during TV3's primetime news, they draw on archive material to tell seven stories of Kiwi experience in the conflict, ranging from Bess the war horse to ace pilot Keith Caldwell and Native Contingent soldier Rikihana Carkeek. NZ Herald’s Greg Dixon praised them as “an object lesson in how a tiny part can speak for the whole.” Director Anna Cottrell wrote the episodes with Dave Armstrong.
This intense newsreel reports from the war in the Pacific in Easter 1944, as American, Fijian, and New Zealand soldiers battle the Japanese in the Bougainville jungle. Cameraman Stan Wemyss found himself isolated with a Fijian patrol, amidst casualties and under fire from 'Japs'. He later recounted being so close to the action he could hear troops talking in two languages he couldn't understand; at one point he lays down his camera to pitch a grenade. Wemyss was awarded an MBE for his services as a war correspondent. He is the grandfather of actor Russell Crowe.
This telefeature follows the gruelling journey of Archibald Baxter, a pacifist who defied conscription and chose, on moral grounds, not to fight in World War I. The Otago farmer (father of poet James K), was one of 14 Kiwi 'conchies' who were jailed, disenfranchised and shipped to the war in Europe. There Baxter, played by actor Fraser Brown, was tied to a post in freezing conditions, then forced to the Front. The film continues a run of Lippy Features tales adapted from true events (Tangiwai, Until Proven Innocent); it screened on TV ONE on 22 April 2014.
On the occasion of London's Victory Parade (8 June 1946), the National Film Unit issued a special edition Weekly Review. This narrated reel culls from the NFU series to present a patriotic potted history of the war as it “affected New Zealand.” It traces the progress of NZ forces overseas, but ‘total mobilisation’ also means the home front and the women who “helped keep the country going”. With war over: “A starving world looks to us for more meat and more butter. Now our factories can make household utensils instead of grenades ...”
The trenches of World War I represented warfare on a new scale and produced facial wounds in numbers never seen before. This Top Shelf doco examines the legacy of Sir Harold Gillies and Henry Pickerill — NZ surgeons who founded modern reconstructive plastic surgery while treating these injuries — and of Sir Archibald McIndoe and Rainsford Mowlem who continued this work during World War II. This excerpt focuses on Gillies and Pickerill, and the rediscovery of the remarkable surgical models, and watercolour paintings of their patients, they used as teaching aids.
Director Karl Zohrab’s docudrama makes the case for World War I military leader Major General Sir Andrew Russell to be resurrected in Kiwi popular memory alongside the likes of Freyberg. Based on Jock Vennell's biography, the film spans Russell’s life from his Hawke’s Bay childhood to Gallipoli and the Western Front — where the New Zealand Division commander was acknowledged for his tactical nous — to the latent effect of his war experience. It screened on The History Channel for Anzac Day 2014. Colin Moy (In My Father’s Den) plays Russell in battlefield dramatisations.
Invited to compete in short film contest Tropfest NZ in 2015, Foreign Fields trains its eye on a Kiwi soldier in World War I, after he is wounded in no man's land. Shot in moody mud and khaki tones, David Gunson's film is a tribute to all who have fought in foreign lands. The self-funded short — which comes with a twist in the tail — was filmed for $3000, in just one and a half days.
At any one time between mid 1942 and mid 1944, between 15,000 and 45,000 US servicemen were camped in NZ preparing for, and recovering from, war in the Pacific. The marines brought colour and drama to the austerity of home front life. Fifty years later this TV documentary used interviews, reenactments and archive material to explore the “American invasion”. Sonja Davies recalls a Wellington street fight kicked off by a racist insult directed at Māori, and her wartime pregnancy and romance (1,500 marriages ensued from “when the Americans were here”).
A military exchange between New Zealand and the United Kingdom is the focus of this National Film Unit short. About 150 Kiwi soldiers head to London for Exercise Powderhorn in 1964, which includes guard duty at Buckingham Palace and the Tower of London. And they still have time to see the sights. Meanwhile a contingent from the Loyal Regiment in North Lancashire arrives in New Zealand for Exercise Te Rauparaha. They experience jungle warfare in a mock battle on the West Coast and practise mountain craft in the Southern Alps.
Actor Miranda Harcourt directs an ode to her broadcaster father Peter in this short documentary. The film emerges from vocal chords (via an endoscope) and uses the tools of her father’s trade as a starting point for a free-ranging meditation on repression, shell shock and family ghosts. Peter’s wartime job involved vetting messages home from the troops to check that the soldier hadn’t been killed. Post-war, Peter was dumb-struck for a year, at a time when people didn’t “talk about their deeper feelings”. Voice Over won Best Short at the 1997 NZ Film and TV Awards.
This documentary explores resurgent interest in Anzac Day and examines the Kiwi desire to “remember them” (those who served in war) — ranging from patriotism to protest to burgeoning dawn services. The doco is framed around the return of the Unknown Warrior to a Wellington tomb in 2004; and a trip to Trieste, Italy, for Gordon and Luciana Johnston and their 24-year-old granddaughter Kushla. Gordon was a World War II gunner and Luciana an Italian nurse. Kushla learns of their war experience, and the early Cold War stand-off in Trieste following Nazi surrender.
This wartime propaganda film from the NFU celebrates the role of women in the Air Force. Established in 1941 to free up men for other duties, more than 4,700 women served in the Women's Auxiliary Air Force during WWII. The film is also a recruitment vehicle. It shows WAAF members in traditional (for the time) roles such as sewing and typing. But more male-dominated jobs are being taken on as women are trained as metal workers, mechanics and drivers. And when they’re not working, the women relax by "knitting, drinking a cup of tea and talking."
This 1983 film looks at New Zealand in World War II, via a compilation of footage from the National Film Unit’s Weekly Review newsreel series which screened in NZ cinemas from 1941 - 1946. It begins with Prime Minister Savage’s “where Britain goes, we go” speech and covers campaigns in Europe, Africa and the Pacific and life on the home front. The propaganda film excerpts are augmented with narration and graphics giving context to the war effort. Helen Martin called it, "a fascinating record of documentary filmmaking at a crucial time in the country’s history".
New Zealand’s greatest war hero was the subject of this 1985 episode of This is Your Life. Charles Upham was one of only three people to receive the Victoria Cross twice and the only combat soldier. The reserved Upham has little to say about himself when confronted with Bob Parker’s red book, but is full of praise for those he served with. And they are on hand in numbers to honour their former comrade. There are stories of bravery and humour from the battles in Crete and Egypt to Colditz Castle where Upham was held after being wounded and captured.
This epic Lee Tamahori-directed promo for the 1990 Auckland Commonwealth Games imagines the stirrings of Games spirit in the mud of the Western Front, 1917. Behind the lines, soldiers from various 'British Empire' nations (Bruno Lawrence, Tony Barry and a young Joel Tobeck) lay bets to see who is the fastest. After racing they pledge to "do this again sometime eh brother" (referring no doubt to the shared joy of competition, as opposed to 1,115,597 Commonwealth war dead). The first Commonwealth Games were held in Hamilton, Ontario (Canada), in 1930.
This documentary unearths the story of the soldiers in the New Zealand Tunneling Company, whose daring World War I raids involved digging tunnels through chalk rock, laying explosives underneath enemy lines, and countermining German tunneling efforts. The story is told through the eyes of a New Zealand woman who retraces her grandfather’s war story to Arras, France, and sees the Kiwi-tagged cavern 'city' nearly 80 years later. The company played a key role on the Western Front, and was especially recruited in NZ, made up of miners, bushmen and labourers.
This feature dramatises an ill-fated offensive that New Zealand soldiers undertook during World War I’s Gallipoli campaign. On 8 August 1915 the Wellington Battalion briefly seized Chunuk Bair, a pivotal peak overlooking the Dardanelles; they suffered huge losses. The film pitches the attack as a formative NZ nationhood moment, with Kiwi guts and resilience countered by inept, careless British generals, as much as their Turkish foes. Filmed on an Avalon set and on the Wainuiomata coast, the story was based on Maurice Shadbolt’s classic play, Once On Chunuk Bair.
An edition of the Pictorial Parade magazine-film series, 'The New Army' provides a short potted history of Kiwis in combat overseas, from World War I to the then-current Malayan Emergency. From the First New Zealand Expeditionary Force being reviewed by King George V in England, through desert warfare and island hopping in World War II, to the New Zealand Regiment's 2nd Battalion training for jungle warfare. The reel finishes with the battalion displaying new weapons and techniques, before parading through Wellington and embarking for Malaya.
“One of nature’s gentlemen” and “very nice, always correct,” that’s the bottom line for many of the guests honouring World War II fighter ace Johnny Checketts in this 1990 This is Your Life. Checketts shot down 14 and a half enemy aircraft (one was shared) but plays down his own heroics. He can’t control the emotion though when he meets a French woman who helped rescue him after being shot down over enemy territory and who he hasn’t seen in 50 years. Checketts is also joined by friends, family and colleagues, including the man who taught him to fly.
This wartime edition of the NFU's newsreel series opens with a one and a half mile Wellington harbour swim at Evans Bay. Then it's up to Dannevirke for an A&P show for sheep dog trials and show jumping spills. The reel ends with a visit to the NZ Expeditionary Force's Christmas celebrations while fighting in Italy. There's mail from home, hospital romance, malarky in the snow as poultry and wine is chased, and Māori Battalion soldiers roast a pig. Ambulances are a reminder that war goes on; and on the frontline machine gun crews help keep "Jerry below ground".
Nola Luxford was one of the first Kiwi actors in Hollywood and a fondly remembered wartime club hostess. This documentary — made before renewed attention thanks to Carole Van Grondelle's definitive bio Angel of the Anzacs — sees Luxford bypass troubled times and adoration from author Zane Grey to recall decades in America. These encompassed pioneering radio work in the 30s and 40s, a film career, and most poignantly, her legendary World War II Anzac club that welcomed 35,000 soldiers to New York. There are also clips from her 1925 silent film The Prince of Pep.
This is a (silent) film record of the civic reception of returning World War I hero, Lieutenant John Grant. The Hawera builder won a Victoria Cross (aged 28) for raiding several German machine-gun 'nests' — via leaping into them — near Bapaume, France on 1 September 1918. Grant's citation noted he "displayed coolness, determination and valour of the highest order". Grant is wearing the NZ Army's 'lemon squeezer' hat as he plants a tree and poses for portraits, and receives plaudits for the supreme award for battlefield bravery given to Commonwealth servicemen.
In the wake of the World War II Allied invasion of Normandy, US solider Saul (future Usual Suspects star Gabriel Byrne) meets Belle, alleged to be a Nazi collaborator. He offers to stay in her cottage as Résistance accusers circle. The tragic tale of moral ambiguity during wartime was adapted from an MK Joseph novel. Shot in France in 1988, director Larry Parr’s feature debut was troubled by withdrawal of a French partner and bankruptcy of a US distributor; after festival showings it screened on NZ TV in 1995. Marianne Basler won a 1992 NZ Film Award as Belle.
The war is Europe is over and New Zealanders take to the streets to celebrate in this NFU newsreel. The relief and excitement at the end of hostilities against Germany is clearly visible on the faces of the thousands who flood into New Zealand's towns and cities. But Deputy Prime Minister Walter Nash reminds the crowd the war is not over: Japan has yet to surrender. That doesn't stop wild celebrations following the National Declaration of Peace. Civilians and servicemen alike enjoy the party, many looking the worse for wear "in advanced stages of celebration".
Made by Turkish director Tolga Örnek, this acclaimed film’s subject is the 1915 Gallipoli campaign in World War I. A point of difference is that it is narrated by people representing both sides of the catastrophic battle. Dramatisations, restored film, interviews with experts, and poignant reading from letters and diaries (Sam Neill and Jeremy Irons for the ANZAC and British forces and Zafer Ergin for the Turks) personalises the experience of the carnage. Urban Cinefile described the international co-production as a "potent and magnificent documentary".
Though first established at Wigram in 1923, it wasn't until 1937 that the Royal New Zealand Air Force became an independent military command. This NFU documentary marks the 21st anniversary celebrations in 1958. It looks back at the RNZAF's early days and its battle-hardened contribution in World War II, then follows cadets working towards their ‘wings’ — Top Gun training Kiwi-style. The RNZAF's jets are also seen in action in Malaya; and its search and rescue role is covered. At a celebration dinner, an officer muses that one day planes may be pilotless.
In this documentary, artist Helen Pollock discusses her sculpture Falls the Shadow. Using clay from the Coromandel and the Passchendaele (Netherlands) battlefield, she created a grove of arms reaching up against a background of trees stripped bare by gunfire in World War I. The work was inspired by her father, a wartime signaller. Pollock discusses her installation and the effect of combat on New Zealand troops in the war (846 Kiwis died in two hours during the 1917 battle of Passchendaele). The work is now on permanent display at Passchendaele Memorial Museum.
"New Zealand is ready" is the message in this early propaganda film made by the National Film Unit. It follows Japan's entry into World War II in December 1941. Until then the war had been a largely remote experience for many New Zealanders. Now our own soil was threatened. Using robust language and delivery, along with pictures of New Zealand defence forces in live-fire exercises, the film seeks to reassure while warning against overconfidence. New Zealand's remoteness is presented as a plus for defence and there's a subtext of self-reliance.
In a Hollywood studio, with This is Your Life's creator Ralph Edwards prominent in the audience, Bob Parker surprises expat Nola Luxford with a high speed tour of her life. After outlining Luxford's early acting career in Hastings and Hollywood, Parker introduces radio and Olympic colleagues from her time as a pioneering US-based broadcaster — before memorable tributes from servicemen she looked after during World War II (while running a legendary New York organisation for Anzac servicemen). The so-called 'Angel of the Anzacs' died in October 1994.
This Army recruiting film was made while New Zealand was still involved in the Vietnam War. While its emphasis is on the various trades, such as carpentry, engineering and radio operation, which can be learned in the army, it doesn't shy away from the purely military aspects. Soldiers are trained in unarmed combat, parachuting and jungle warfare. Exercises at the Waiouru Army Camp involving armoured support are also featured. Women are included, but in 1966 they fulfil roles in signals and nursing to free up men for combat duties.
New Zealand Munitions was the 26th National Film Unit effort, and the longest made in the Unit's first year. The NFU was established in August 1941 to make films illustrating New Zealand's war effort. Completed in December of that year, this is a classic propaganda piece. As World War II intensifies, New Zealanders are reassured that the country has the heavy industry required to supply its army. Factories are converted to wartime needs and munitions pour out. A suitably bellicose script informs viewers "This is our striking power: men and munitions."
This early National Film Unit newsreel traces the aftermath of the World War II Battle for Crete. It shows the arrival in Egypt of defeated New Zealand soldiers after their evacuation. However more than 2000 New Zealanders were left behind and captured by the Germans. The film also features Lieutenant Winton Ryan, whose platoon acted as bodyguard to Greece's King George II — they accompanied him during his flight across Cretan mountain passes to safety. For the people back home Prime Minister Peter Fraser puts an optimistic gloss on a comprehensive defeat.
The Years Back was a 13-part documentary series made for television by the National Film Unit and first broadcast in 1973. Covering six decades from 1900 to 1960, it was promoted as "people and events that shaped the New Zealand of today", and content was largely influenced by what historic film had survived. Presented by Bernard Kearns, fascinating footage (including the 1931 Napier Earthquake and Jack Lovelock’s 1936 Olympic triumph) is accompanied by interviewees recalling or commenting on past events, big and small, as they unfold on the screen.
This documentary follows three amateur historians into the heart of the Libyan Sahara as they track the path of Kiwis in ‘T Patrol’, a unit of World War II’s legendary Long Range Desert Group. The LRDG braved extreme heat and desert conditions to launch surprise raids — in converted Chevrolets — deep behind enemy lines. In this excerpt the history hunters make their way to Murzuk, the scene of a raid on an Italian air base. It contains the only extant footage of the desert group in action, and surviving members of the patrol recall events and the LRDG’s ethos.
The Feltex-winning series Pioneer Women dramatised the lives of groundbreaking New Zealand women. This episode looks at the story of controversial safe-sex campaigner Ettie Rout. In World War I she travelled to Egypt to care for Kiwi soldiers; there she found venereal disease was rife, and recommended that prophylactic kits be issued and that brothels be inspected for hygiene. To the establishment her pioneering ideas on health, sex and gender were ‘immoral’ and received with hostility; while the RSA and some doctors considered her a “guardian angel of the ANZACs”.
Writer Maurice Gee’s experiences growing up in West Auckland during World War II were the basis for this home front drama expertly realised by the producer/director team of Ginette McDonald and Peter Sharp. Twelve-year-old Rex Pascoe (Milan Borich — future singer in the band Pluto) is a war-obsessed schoolboy worried about his father’s black-market dealings. Meanwhile, American soldiers are making their presence felt but not all of their attitudes are welcome. The locals’ prejudices are about to be tested by the arrival of a GI to stay with Rex’s family.
In the northern French town of Le Quesnoy, the names of local streets and landmarks serve notice of a debt to New Zealand. In the final week of World War I Kiwi soldiers freed Le Quesnoy from its German occupiers — thanks partly to a 'magic' ladder, daringly used to scale the town’s 90-foot-high ramparts. Director David Blyth heads to France for the anniversary of Le Quesnoy’s liberation, following the path of one of the liberators: his late grandfather ‘Curly’ Blyth. The doco also includes an interview with Curly, conducted by historian Christopher Pugsley.
Sedition - The Suppression of Dissent in World War II New Zealand chronicles the experiences of Kiwi pacifists during wartime. New laws affecting meetings, mail and media coverage meant that talking about pacifism could result in arrest, and imprisonment. By June 1940, holding more than one copy of a 'subversive' magazine could mean nine months hard labour. Ironically many of the MPs backing the laws had earlier been imprisoned for their anti-war beliefs; while Christian Pacifist Society leader Ormond Burton was twice decorated for bravery during World War I.
In Poppy two Kiwi soldiers discover a baby in a muddy WWI trench. For Paddy it will lead to redemption amidst the hell of war. From a David Coyle script — based on his great-grandfather’s war story — Poppy was another successful computer-animation collaboration between producer Paul Swadel and director James Cunningham (Infection, Delf). CGI evokes a bleak Western Front landscape on which the (motion-captured) human drama unfolds. Cunningham spent over 4500 hours making Poppy; the result was acclaim at Siggraph, and invites to Telluride and SXSW festivals.
It's April 1966 when young Massey student Peter (Hurst, sporting period mop and moustache) makes a surprise visit back home at the farm during study break, and is quickly put out by the archaic social mores: "ya taken to wearing a bra as well?". It's also Anzac Day, and his newfound pacifism and career plans soon put him on a collision course with his veteran father (Vere-Jones) in a surprisingly potent TV drama that pulls no punches — literally — in its depiction of a generation gap that proves irreconcilable.
Blessed with a topnotch cast, this hour long drama chronicles the final 48 hours of leave before three soldiers head off to Bosnia. One soldier is forced to share a car with the man who caused his demotion; the trio go on to use their break for various encounters with lovers, families and strangers. Based on a story by Richard Lymposs, whose experiences helped inspire 1986 teen rebel movie Queen City Rocker, The Call Up was shown as part of the debut season of one-off Kiwi dramas which screened in primetime, under the Montana Sunday Theatre mantle.
In 2007 Willie Apiata, of the NZ Army's elite SAS unit, was awarded the Victoria Cross for carrying a wounded soldier to safety while under fire in Afghanistan. This documentary had exclusive access to Corporal Apiata, from the moment he was told about the VC to his decision a few weeks later to gift the medal to the nation. The shy soldier struggles to deal with his sudden celebrity, and military bosses have to cope with the dual demand of handling media interest in the VC win while still keeping the work of the SAS relatively secret.
Home by Christmas sees Gaylene Preston returning to the hidden stories of ordinary New Zealanders. Inspired by attempts to get her father Ed to reveal his WWII experiences, this finely-balanced docu-drama moves between three strands: Preston’s father (Goodbye Pork Pie's Tony Barry, in a Qantas award-winning performance) retelling his story; recreations of Ed’s wartime OE; and life for the woman he left behind in Greymouth. The dream cast sees Preston’s own daughter Chelsie Preston Crayford playing Preston's mother Tui, alongside Martin Henderson.
This documentary tells the story of Moana Ngārimu the sole soldier from the Māori Battalion to be awarded (posthumously) the Victoria Cross during WWII. On 26th March 1943, at Tebaga Gap in Tunisia, the Second Lieutenant took a key position and defended it (as well as injured men) overnight, before being killed in a counter-attack. He was 24. The doco was made for TVNZ for the 50th anniversary of his death. It looks at his life and features moving archive and interviews with Ngārimu's friends and family in Ruatoria, and battalion comrades. Presented by Wira Gardiner.
Produced by Stanhope Andrews, Country Lads was used to advocate for a reorganised government filmmaking body to publicise the war effort, before screening in cinemas as the first National Film Unit production. Lads shows footage of soldiers as they leave for the front. Adolf Hitler had called the Kiwi soldiers "poor deluded country lads"; but here the description is co-opted as a compliment. A national character is expressed — pioneers who had "helped make this country what it is: happy, prosperous and free" — and is used to underpin the soldiers' mission.
Porokoru Patapu (John) Pohe was the first Māori pilot in the RNZAF. Nicknamed 'Lucky Johnny', he was a WWII hero who flew an amazing 22 missions, was involved in the legendary 'Great Escape' from Stalag Luft III, and insisted on removing his blindfold when he faced a German firing squad. This award-winning docu-drama tells Pohe's extraordinary life story. When the doco screened on Māori Television, Listener reviewer Diana Wichtel called it "a terrific yarn", and it won Best Documentary Aotearoa at the 2008 Wairoa Māori Film Festival Awards.
In Gaylene Preston's moving documentary, seven elderly women recall their personal experiences of World War II. Their intimate, unadorned stories are filmed talking-heads style, interspersed with personal photographs and period newsreel clips. From tragic love stories to long-suppressed revelations of sex and death, War Stories is a richly revealing touchstone of New Zealand history. It received international acclaim, Kevin Thomas in the LA Times enthused that Preston takes "a simple idea and turns it into a rich, universal experience".
In Gaylene Preston's War Stories, her mother Tui revealed that she had fallen for another man while her husband was off at war. In Home by Christmas, inspired by an audio interview with her father Ed, Preston looks again at her parents' life during wartime. In this behind-the-scenes doco, veteran actor Tony Barry talks about the acting techniques which allowed him to "be, rather than play, Ed"; Preston reveals that Barry's distinctive voice is almost a carbon copy of her father's; and Chelsie Preston Crayford talks about portraying her own grandmother.
Children of Gallipoli gave NZ viewers, for the first time, a Turkish view of the Gallipoli story. Produced for TVNZ and Turkish TV, the documentary focuses on four young people, two Turks and two New Zealanders, all descended from men who fought at Gallipoli in 1915. Travelling to Turkey, the New Zealanders explore the battle site and meet the other two participants and together, they gain an insight into the grim reality of what their ancestors went through. Seeing it through their eyes charges the film with a strong emotional resonance.
Six Māori Battalion soldiers camped in Italian ruins wait for night to fall. In the silence, the bros-in-arms distract themselves with jokes. A tohu (sign) brings them back to reality, and they gather to say a karakia before returning to the fray. Director Taika Waititi describes the soldiers as young men with "a special bond, strengthened by their character, their culture and each other." Shot in the rubble of the old Wellington Hospital, Tama Tū won international acclaim. Invited to over 40 international festivals, its many awards included honourable mentions at Sundance and Berlin.
Māori Battalion - March To Victory tells the story of the New Zealand Army's (28th) Māori Battalion that fought in campaigns during World War ll. Produced, directed and written by Tainui Stephens, the documentary tells the stories of five men who served with the unit. Narration (by actor George Henare), remembrances, visits to historic sites, archival footage, and graphic stills create a respectful and stirring screen testament to the men who fought in the Battalion.
This documentary tells the stories of the New Zealand soldiers who were part of the identity-defining Gallipoli campaign in World War I. In the ill-fated mission to take a piece of Turkish coastline, 2721 New Zealanders died with 4752 wounded. As part of research, every one of the then-surviving Gallipoli veterans living in New Zealand was interviewed, with 26 finally filmed. Shot at a barren, rocky Gallipoli before the advent of Anzac Day tourism, this important record screened on Easter Sunday 1984, and won a Feltex Award for Best Documentary.
Actor Wi Kuki Kaa (1938 - 2006) plays Tiare, a Vietnam War veteran who is dislocated by his experiences of war, and homelessness. He wanders the city streets, collecting ephemera in plastic bags. Nancy Brunning plays his daughter, who, with her own daughter, visits their reluctant koro (old man) to convince him to visit his ancestral home. The result is a moving story about a man jolted to find his turangawaewae (place to stand), and the whanau that helps him get there. Directed by Peter Burger, the film was selected for Critics' Week at the 2003 Cannes Film Festival.
Actor Robyn Malcolm visits the towns of Passchendaele and Ypres in Belgium. Both are near the cemetery where her great uncle, Private George Salmond, is buried. Salmond, an ANZAC signaler, was among the 18,500 New Zealand casualties of World War I. He was killed in the Battle of Passchendaele in 1917, a victim of a battle recognised as a tragedy of poor planning and preparation. Local war experts pay tribute to the New Zealand soldiers' mettle, and Malcolm looks at the site and reflects on Uncle George and his sacrifice on foreign whenua.
A live broadcast of the Anzac Day dawn service at Waikumete Cemetery in Auckland. This is New Zealand's largest war cemetery and a service is held here each year. This service commemorates all service personnel who have served overseas for New Zealand. Waitakere Mayor Bob Harvey speaks, Returned Services Association members, politicians and the public lay tributes. Miriama Kamo provides a commentary. This programme marked the beginning of TV ONE's Anzac Day coverage, which ran on air all day.
This post war newsreel features footage of Māori Battalion solders returning from WWII onboard the ship Dominion Monarch, into Wellington Harbour. The soldiers are greeted with a huge pōwhiri and ensuing hākari at Aotea Quay where the kaimoana and pia flow freely. The reel then follows the regional celebrations of men returning home in Kuku and Ngaruawahia. The narrator soberly recalls the casualty rate of the Māori Battalion (five men in seven). This footage features in the documentary, Maori Battalion - March to Victory.
Lawrence 'Curly' Blyth volunteered for World War 1 despite being under age. In 1916 his rifle brigade was sent to the Western Front, where he fought for 23 days amongst the mud of the Somme. In the final weeks of WW1 Blyth helped liberate the strategic French town of Le Quesnoy from German forces, later winning a French Legion of Honour for his efforts. In this documentary his grandson, director David Blyth, uses interviews and stock footage to chronicle the times at war of his bossy yet personable grandad, who died in 2001, aged 105.
An annual television event that comes from the Tomb of the Unknown Warrior at the National War Memorial in Wellington. Diplomats from all over the world lay wreaths in this ceremony, along with Governor General Anand Satyanand, politicians Trevor Mallard and John Key, and Wellington mayor Kerry Prendergast. Ian Johnstone provides a knowledgeable and unobtrusive commentary that brings historical context to proceedings. The coverage is beautifully shot and thoughtfully directed by Ron Pledger.
A profile of the Returned Services’ Association on its fiftieth anniversary, taken from 1960s current affairs show Compass. The RSA’s varied roles include welfare, watchdog, and keeper of the flame. The Taumaranui RSA bar makes a good return in a town that is officially dry; meanwhile in Wellington we watch two retired army officers describing an RSA fact-finding trip to South East Asia. The brief Anzac day footage includes a lively Dawn Parade gathering that packs Wellington railway station.
New Zealand is a nation that has been scarred by war: from the horrendous loss of lives at Gallipoli to the decimation of the 28th Māori Battalion, Kiwis have gone to war in their 1000s, and many have not returned. This Our People, Our Century edition explores the experiences of soldiers, and the families who waited at home. It also examines the long tradition of protest against war, from the anti-Vietnam movement to the more recent anti-nuclear protests. The script by Philip Temple, won a best documentary script award at the 2000 NZ TV Guide Television awards.
During WWII the Post Office photographed letters, enabling mass mailing to soldiers via rolls of film. Post Office worker Ngaire (Yvette Reid) deals with mail for soldiers serving overseas. On this small, handsomely-framed canvas, writer-director Paolo Rotondo explores how war and distance affect relationships. Dead Letters makes a persuasive case that the memories preserved in words and film contain their own magic, even when that magic is tinged with sadness and death. It won best short screenplay at the 2006 New Zealand Screen Awards.
This documentary follows a 32-strong "mob of veterans" (the oldest is 95) on their trip to unveil a war memorial in London's Hyde Park. The memorial honours New Zealand's service in war alongside Britain. The ceremony took place on November 11th 2006, with attendees including Prime Ministers Helen Clark and Tony Blair, The Queen and ... Dave Dobbyn. For many of the elderly vets it is effectively their second OE; they remember war stories and lost mates, flirt with journalists and endure the pitfalls of airport drudgery and jet-lag.
Between 1964-1972, 4,000 young New Zealanders volunteered for service in Vietnam. Itching to get out into the world and do something exciting, the thrills were soon replaced by the grim reality of war. Things deteriorated further when they returned home to face an angry public; they were told to get out of their uniform quickly and not to tell anyone where they had been. This documentary gives the soldiers a chance to tell their stories for the first time. Interspersed with the interviews are 8mm film clips and selected official war footage.
Political cartoonist Malcolm Evans tells his father's story of war in this documentary. Major Hilary Evans was exempt from conscription but he chose to fight in World War II. He was a prisoner of war who escaped and lived rough in Italy's hills and mountains to avoid recapture. Using his father's letters and diaries as well as interviews with people in parts of Italy, Evans builds up a picture of his father, the soldier. My Father's War in Italy played as part of the Documentary New Zealand strand on TV One.
Vietnam veteran Frank Metcalfe revisits the country he served in 35 years before as a young officer, and recollects war stories, including an incident of friendly fire. This time accompanied by his son, soldier-turned-producer Matthew Metcalfe, he is gladdened by how vibrant Vietnam has become. "I look at this place, and I can't help but think what on earth were we doing." Father and son are saddened no memorial exists for Kiwis who fought in Vietnam. In 2008 the Government formally acknowledged the Vietnam service of NZ forces personnel.