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Chris Burt is an Auckland based sound designer. Coming from a background in music (as a drummer in the Techtones and Stridulators, and as a mixer) he started in the sound industry as an assistant on Trial Run in 1983, and later designed the sound for classic short Kitchen Sink. He set up his own studio The Inside Track in 1992, and has worked on many classic Kiwi features, from Footrot Flats to In My Father's Den.
We’re just trying to help tell a story, which is why I see sound designing as an art rather than a technical exercise. Sure we do technical things to get there but ultimately we’re enhancing the story and the drama.
– Chris Burt in a 1998 On Film interview
Role/s |
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Sound |
2012 |
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Sound |
2011 |
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The Warrior's Way |
Sound |
2010 |
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Power Rangers R.P.M. |
Sound |
2009 |
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Sound |
2009 |
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Sound |
2009 |
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Sound |
2008 |
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Sound |
2008 |
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Jinx Sister |
Sound |
2008 |
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Legend of the Seeker |
Sound |
2008 - 2010 |
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Burying Brian |
Sound |
2007 |
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Power Rangers Jungle Fury |
Sound |
2007 |
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Power Rangers Operation Overdrive |
Sound |
2007 |
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Rekko |
Sound |
2007 |
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The Devil Dared Me To |
Sound |
2007 |
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Sound |
2007 |
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Sound |
2007 |
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Sound |
2007 |
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In Her Line of Fire |
Sound |
2006 |
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Sound |
2006 |
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Sound |
2006 |
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Power Rangers Space Patrol Delta |
Sound |
2005 |
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Sound |
2005 |
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Sound |
2004 |
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Fleeting Beauty |
Sound |
2004 |
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Sound |
2004 |
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Sound |
2004 |
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Power Rangers DinoThunder |
Sound |
2004 |
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Ride |
Sound |
2004 |
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Treasure Island Kids: The Battle of Treasure Island |
Sound |
2004 |
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Treasure Island Kids: The Monster of Treasure Island |
Sound |
2004 |
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Treasure Island Kids: The Mystery of Treasure Island |
Sound |
2004 |
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Cave In |
Sound |
2003 |
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Power Rangers Ninja Storm |
Sound |
2003 |
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Terror Peak |
Sound |
2003 |
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Sound |
2003 |
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100 Hours |
Sound |
2002 |
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Cupid's Prey |
Sound |
2002 |
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Sound |
2002 |
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The Vector File |
Sound |
2002 |
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This is Not a Love Story |
Sound |
2002 |
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Sound |
2002 |
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Cleopatra 2525 |
Sound |
2001 |
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Sound |
2001 |
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Dark Stories: Tales from Beyond the Grave |
Sound |
2001 |
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Sound |
2001 |
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Exposure |
Sound |
2001 |
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No-one Can Hear You |
Sound |
2001 |
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Sound |
2001 |
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Jack of All Trades |
Sound |
2000 |
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Sound |
2000 |
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Sound |
2000 |
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Trust Me |
Sound |
2000 |
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Sound |
1999 |
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Sound |
1999 |
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Sound |
1999 |
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Sound |
1999 |
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Sound |
1999 |
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Sound |
1999 |
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Sound |
1998 |
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Sound |
1998 |
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Sound |
1998 |
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Venus Blue |
Sound |
1998 |
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Wild Blue |
Sound |
1998 |
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Sound |
1997 |
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Sound |
1997 |
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Sound |
1997 |
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Sound |
1997 |
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Sound |
1996 |
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Sound |
1996 |
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Sound |
1996 |
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Sound |
1996 |
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Sound |
1995 |
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Sound |
1995 |
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Sound |
1995 |
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Sound |
1995 |
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Sound |
1994 |
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Sound |
1994 |
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Sound |
1994 |
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Sound |
1994 |
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Sound |
1994 |
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Sound |
1994 |
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Sound |
1993 |
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Sound |
1993 |
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Sound |
1993 |
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Sound |
1993 |
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Sound |
1992 |
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Sound Post-Production |
1992 |
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Sound |
1991 - 1996 |
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Sound |
1991 |
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A Bitter Song |
Sound |
1990 |
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Sound |
1989 |
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Sound |
1989 |
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Sound |
1989 |
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Sound |
1986 |
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Sound |
1984 |
The titles listed here may not reflect this person's full screenography. These are only the titles that are included in or referenced by this site.
2011 Aotearoa Film and Television Awards
Best Sound Design (Television) : for Legend of the Seeker
2005 New Zealand Screen Awards
Post-production sound - contribution to a soundtrack (shared with Richard Flynn & Gethin Creagh): for In My Father's Den
2005 Drifting Clouds Film Festival
Achievement in Sound Editing: for No Ordinary Sun
2004 Motion Picture Sound Editors Awards (United States)
One of the team nominated for Best Sound Editing in a Foriegn Feature: for Whale Rider