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Murray Reece has been director at a number of key turning points in New Zealand's television history: from the debut of our first drama series (Pukemanu), to the first tele-movie (The God Boy), to the episode of Country Calendar where Fred Dagg first showed us around the farm.
After The God Boy debuted on TV One, plaudits flowed in newspaper review columns, and Wellington’s Evening Post devoted a front-page headline to the achievement of its local production team.
– Trisha Dunleavy, in her book Ourselves in Primetime
Role/s |
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|---|---|---|---|
|
Director |
1992 |
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|
Shark in the Park |
Director |
1989 - 1992 |
|
Crimewatch |
Director |
1987 - 1995 |
|
Director |
1987 - 1990 |
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|
Rachel Dustbin's Dog and the Law |
Writer |
1985 |
|
Director |
1982 |
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|
Director |
1982 |
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|
Director |
1981 |
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|
The Deep End |
Director |
1980 |
|
Glide Time |
Director |
1978 |
|
Director |
1976 - 1977 |
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|
The God Boy |
Director |
1976 |
|
The Sullivans |
Director |
1976 - 1983 |
|
Director |
1975 - 1983 |
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|
Director |
1971 - 1972 |
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|
Director |
1971 |
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|
Frank |
Director |
1969 |
|
Actor |
1969 |
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|
A Game for Five Players |
Director |
1967 |
|
Camera |
1966 - ongoing |
The titles listed here may not reflect this person's full screenography. These are only the titles that are included in or referenced by this site.