Nick Ward broke into feature screenwriting with pool comedy Stickmen. An instant Kiwi hit, Stickmen won Ward a 2001 NZ Film Award for best script. He went on to originate and co-write hit romance Second-Hand Wedding, and reconvened with Wedding director Paul Murphy for 2011 follow-up Love Birds. Ward has also penned episodes of TV series Outrageous Fortune and Burying Brian, and horror flick The Ferryman.
A screenplay does not magically spring from nowhere. A writer spends long hours crafting it and sweating blood to create it. Nick Ward, in a May 2006 interview with Onfilm
Edwin Rouper has a habit of annoying people within seconds of meeting them. Cursed with 'Koontz-syndrome', a neurological condition in which temper and confidence dominate, he travels to Hollywood, trying to assemble a team of stars to raise awareness for the Koontz cause. Jason Stutter’s mock-documentary gleefully skirts the borderland between the koontz 'condition', and an expletive with a very similiar sound. Acting newbie Bryce Campbell scored an LA comedy award as Edwin; Raybon Kan, Jeremy Corbett and scribe Nick Ward cameo as sundry wackos.
Comedy Rest for the Wicked showcases an all-star aged A-team of Kiwi actors — among them Ian Mune, John Bach, and Gloss boss Ilona Rodgers. Gravel-voiced Tony Barry (the man who uttered the immortal line "goodbye pork pie") stars as Murray, a retired detective going undercover in an upmarket rest-home. Frank hopes to catch his longtime nemesis (Bach). Instead he finds himself in the company of the randy, and the unexpectedly dead. The "sweet, rather knowing little movie" (Linda Burgess, Dominion Post) marks the feature debut of ad veteran Simon Pattison.
Nothing Trivial was a dramedy that kept score on the lives and loves of five friends in a pub quiz team called Sex on a Stick. The cast of City Lifers shifted to the suburbs and nearing middle age was led by Shane Cortese, Tandi Wright, Nicole Whippy, Debbie Newby-Ward and Blair Strang. Created by Rachel Lang and Gavin Strawhan, (the veteran writers behind Go Girls, Maddigan’s Quest, and Mercy Peak) the popular South Pacific Pictures production screened for three seasons on TV ONE. A fan-driven campaign saw NZ On Air fund a tele-movie to wrap up the series.
Armed with his trusty ray gun and protected by his pith helmet Lord Broadforce's exotic species search on an alien planet is going swimmingly ... until the dame gets colonial angst. The short is based on the sci-fi world of Dr Grordbort created by Weta Workshop's Greg Broadmore (designer on District 9, King Kong) in which Victorian steampunk meets star-trekking trophy hunting. The live action-CGI film is another impressive product of Media Design School's 3D animation programme: created by 11 students over 22 weeks under the direction of James Cunningham.
Director Paul Murphy follows Second Hand Wedding with a romance featuring comedian Rhys Darby, songs by Queen and ... a duck. Darby plays heartbroken nice guy Doug: after a close encounter with a native duck (a paradise shelduck) with emotional problems, he enlists expert help from a sassy animal specialist (played by Brit Sally Hawkins, a Golden Globe-winner for feature Happy-Go-Lucky). True to rom-com form, love ensues ... eventually. NZ Herald reviewer Russell Baillie called Love Birds “an endearingly funny, if sugar-coated local romantic comedy”.
This live-action CGI short attempts to find the answer as to why UFO sightings have been in decline recently. The truth is indeed out there, but in this sci-fi spoof, it turns out to be the result of alien bureaucratic cover-ups, outsourcing and an unorthodox use of space probes The film was made by students in the 3D Productions course that director James Cunningham teaches at Media Design School — a one day green screen shoot, 14 weeks of post-production. Written by Nick Ward, First Contact won selection to computer graphics conference SIGGRAPH 2011.
Das Tub kickstarted an award-winning run of CGI short films for Media Design School students working under their 3D animation tutor, director James Cunningham. Part live-action, part CGI, its tale of a German u-boat crew facing danger under the ocean pays homage to submarine classic Das Boot — before a Pythonesque twist which features a cameo from writer Nick Ward. Short, sharp and lovingly rendered, the film won 'best short short' at the 2011 Aspen Shortsfest, while Cunningham (Poppy, Infection) took Best Director at the Honolulu Film Awards.
A classic case of the little movie that could, Second-Hand Wedding is a feel-good tale of garage sales, and the ties that bind. Worried that her mother’s zeal for bargains might ruin her big day, Cheryl (Holly Shanahan) delays unveiling her wedding plans. When Mum (Geraldine Brophy) finds out the information second-hand, she does not react well. Both actors won NZ Film and TV Awards for their work, and the Kapiti Coast-set film was a bonafide Kiwi hit: breaking out from its independently made origins into the all-time Top 10 for NZ films at the local box office.
A group of young tourists charter a yacht and go cruising in the South Pacific. In a dense fog, they come across an old, sick Greek man on a sinking boat and rescue him. They have no idea of how evil he is and how brutal their night is to become. Thanks to the special weapon he is holding, this man has the power to inhabit other people's bodies. The Ferryman approaches - he's after the old Greek as the path to the afterlife is close and there is a payment to be made.
After her husband is jailed, matriarch Cheryl West (Robyn Malcolm) decides the time has come to set her family on the straight and narrow. But can the Wests change old habits? So begins the six-series long saga of the Westie dynasty. Hugely popular at home (beloved by public, critics and awards-nights alike), and imitated overseas, Outrageous Fortune has been a flag-bearer for TV3 and contemporary NZ telly drama; the series proved — in all its grow-your-own glory — that genre TV in NZ could be so much more than overseas stories pasted to a local setting.
The Strip centres around 30-something Melissa (Luanne Gordon), who sheds a legal career to set up a male strip revue. Created by Alan Brash, The Strip played to a certain demographic's desire for ogling naked men (warmed up by 1987 play Ladies Night and 1997 film The Full Monty), but with a focus on female characters, as Melissa juggles business with raising a teenage daughter. Taking cues from Ally McBeal (with fantasy sequences to match) the Gibson Group tale of g-strings, feminism and red light romance screened for two series on TV3 and sold internationally.
The Big Art Trip was a TVNZ arts series that took the form of a road trip around New Zealand visiting artists in their homes or studios. The series featured two presenters — design writer and art historian Douglas Lloyd Jenkins teamed with screenwriter Nick Ward in the first series, and with musician Fiona McDonald in the second. Ward and McDonald were very much the neophytes — the everyperson asking questions on behalf of the audience that allowed Lloyd Jenkins to background, contextualize and explain what was being seen, heard and experienced.
Thomas, Jack and Wayne are best mates. At night they're the Stickmen, who tour the Wellington pub scene playing pool with ever-increasing stakes. These peak when they enter a tournament run by vicious crime boss ‘Daddy'. Can they pocket the money and win the girls? Rothwell's first feature was a Kiwi take on the UK urban underbelly genre (Lock, Stock etc). "Smart, stylish and effortlessly entertaining" (Dominion Post) the film was a hit with the young male demographic and won several 2001 NZ Film and TV Awards (including best director, script, and actor).