Producer Rachel Gardner studied at the London School of Economics, and worked as a journalist at the BBC. After returning down under in 2002 she moved into producing: her work on hit show The Lion Man would result in an invitation to spend time as head of drama at Great Southern Film and Television. Gardner has worked with partner Angela Littlejohn on a run of short films, plus features Apron Strings and Show of Hands.
...it’s all about the material. The script is the one thing you have the most control over as a producer, and which is most important in securing cast and finance. Rachel Gardner, in the July 2004 issue of SPADA News
The second feature film directed by writer Anthony McCarten (Ladies' Night) is a small tale with some big themes. Set in a New Plymouth car yard, the film chronicles an endurance contest in which a car will be awarded to the person who manages to keep their hands on it the longest. As night falls, solo mother Jess (Melanie Lynskey) finds herself fending off the attentions of an obstinate competitor (Craig Hall), with a much harsher vision of the world than hers. Inspired by similar real-life contests, McCarten based the film on his novel Endurance.
In Samoan-born director Sima Urale's first feature, two mothers from two very different Aotearoa cultures must find the courage to confront the secrets of the past in order to set their sons free. Hard-working Lorna runs an old-fashioned cake shop in Otahuhu and lives with her unemployed son Barry. For Anita, the star of an Indian TV cooking show, things come to a head when her son Michael decides to meet her estranged sister Tara, who runs a no-frills curry house. Apron Strings debuted in the Discovery Section, Toronto Film Festival, 2008.
Ricky is shy and has an overbearing father. He and Telly, an extrovert misfit, slip out into the night and commandeer Ricky's father's fishing boat. They cast off and head out into the freedom of the fog. Peter Salmon's Fog highlights oppression, boredom and sex: the cultural trinity of the New Zealand small town. Shot in Ngawi, an isolated fishing village on the Wairarapa coastline, the crush of this world is palpable. Fog was selected for Critics' Week at Cannes; it also scored Chelsie Preston Crayford a gong for Best Actor in a Short Film at the NZ Film Awards.
Set in gritty backstreets somewhere in downtown Auckland, this short film follows the vicissitudes of Evan, a teenager whose life changes when he skips school and meets a beautiful and troubled stranger. Directed by Michael Duignan (A New Way Home) and produced by Rachel Gardner (Apron Strings, A Show of Hands), Truant is a convincing portrayal of that potent mixture of curiosity and desperation peculiar to adolescence. Truant screened at a number of festivals including the BFI London Film Festival and the Festival du Court Métrage à Clermont Ferrand in France.
The Lion Man, Craig Busch, and his unlikely Kamo settlers — African lions and white Bengal tigers — were a ratings and international sales success across three TV series that went behind the scenes at his Zion Wildlife Gardens animal park. In this first episode of the Great Southern TV show, Busch talks about his introduction to working with the big cats — and the scars that are part of the job. There's also a peek at the making of an award-winning Sky TV promo that featured his lions. Busch, and the park, were later to be the centre of regular controversy.
Craig Busch aka The Lion Man is a self taught big cat handler who has brought Barbary lions and white Bengal tigers to NZ. With both species extinct in the wild, Busch launched a breeding programme to add to limited numbers remaining in captivity. Great Southern Television produced three series following the often controversial Busch and his giant feline charges from the early days of his Zion Wildlife Gardens park near Whangarei (now relaunched as The Kingdom of Zion). An international sales success, the show has played in more than 120 countries.
This documentary looks at the life and work of New Zealand's most celebrated painter, Colin McCahon. The first excerpt looks at McCahon's beginnings in Timaru and Dunedin, and his explorations of modernist techniques in paintings that reconceived 'the promised land' in an endemic landscape. The second excerpt covers McCahon's time in Muriwai in the 60s and 70s, and the influence of the environment and Māori spirituality on his work. Sam Neill reads from McCahon's letters and writings. Directed by Paul Swadel, it won best documentary at the 2005 Qantas Awards.