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Sam Pillsbury's The Scarecrow was the first Kiwi movie to win invitation to the prestigious Cannes Film Festival. The part-Kiwi, part-American filmmaker has also worked in documentary, and made a run of feature films and television movies.
Big money and big talk don’t make good films. Wit, style, dedication, passion, commitment and conviction make good films...
– Sam Pillsbury, in a 1982 Listener interview
Role/s |
|||
|---|---|---|---|
|
Endless Bummer |
Director |
2008 |
|
Where the Red Fern Grows |
Director |
2003 |
|
Director |
2001 |
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|
Subject |
2000 |
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|
Free Willy 3: The Rescue |
Director |
1997 |
|
Eerie, Indiana |
Director |
1991 |
|
Starlight Hotel |
Director |
1987 |
|
Producer |
1986 |
||
|
Asst. Director |
1981 |
||
|
The Scarecrow |
Director |
1981 |
|
The Greatest Run on Earth |
Director |
1980 |
|
Against the Lights |
Director |
1978 |
|
A Family of Ours |
Director |
1978 |
|
Birth, with R.D. Laing |
Director |
1978 |
|
Barry Doesn't Live Here Anymore |
Director |
1977 |
|
Mum'll Be Home in the Morning, Dear |
Director |
1977 |
|
Jailbird |
Director |
1977 |
|
Mostly by Accident |
Director |
1977 |
|
The Big Smoke |
Director |
1977 |
|
Men and Supermen |
Director |
1975 |
|
Director |
1974 |
||
|
Director |
1974 |
||
|
Marae |
Director |
1974 |
|
Wahine Day |
Director |
1973 |
|
Asst. Director |
1972 |
||
|
Switched On |
Director |
1970 |
See all interviews › Related interviews:
Sam Pillsbury is a self-described American-Kiwi who has made films in both New Zealand and the US. He began his prolific career at the National Film...