Tom Parkinson

Tom Parkinson has produced a run of popular television comedies, in the process helping launch the television career of comic legend Billy T. James. His extensive screen resume includes the long-running skit show Issues, teenage feature film Alex, and the internationally-successful goldrush serial Hunter's Gold. In the process, Parkinson has become one of Australasia's most prolific producers of international co-productions.

Tom Parkinson was born in the Indian city of Jabalpur. His parents were British citizens who had stayed on in India, after moving there during World War II. Parkinson went to choir school in England. A number of his extended family had relocated to New Zealand, and Parkinson considered moving there. Instead he began studying fine art and art history in London, then in 1961 began working as a runner at nearby Shepperton Studios.

Parkinson worked his way up the filmmaking ladder, mostly on the production side. His interests in comedy and music were evident from early on. In his twenties he was writing material for a hit West End theatre show featuring comedy troupe The Alberts. He went on to produce for the theatre and for TV music series Supershow, and was one of the original members of cult ensemble The Bonzo Dog Doo-Dah Band.

In 1970 Parkinson produced a documentary on champion Canadian race horse Nijinsky, narrated by Orson Welles. Two years later he made his directorial debut with the horror movie Disciple of Death, a failed star vehicle for British DJ Mike Raven.

Parkinson moved down under in 1975, the year that the New Zealand Broadcasting Corporation was being reborn as two channels. His first New Zealand show was a ten-minute comedy show called Clobber Shop. Surprised that the number of Māori working at Avalon television centre was so few, he enlisted actor, singer and headmaster Don Selwyn to front a comedy sketch for the show, set in a Māori television station. Parkinson's friendship with Selwyn would span more than thirty years, and see him appearing on Parkinson-produced shows ranging from Issues to Kiwi Concert Party, and directing the 1991 Isambard Productions' short Don't Go Past With Your Nose in the Air.

In 1976 Parkinson directed family adventure series Hunter's Gold. Set in 1860s Central Otago, this tale of a boy searching for his prospector father was one of the most expensive television dramas yet made in New Zealand. The show's international success - the BBC rescreened it twice - helped spawn a long trail of antipodean kidult serials, including Parkinson's next drama series Gather Your Dreams, which followed a 30s-era vaudeville troupe.

During a 1978 visit to an Auckland sports club Parkinson watched with trepidation and increasing admiration as a rowdy, inebriated audience were conquered by cabaret performer Billy T James. "It was quite astonishing," Parkinson recalled. "His timing was extraordinary."

Parkinson put Billy T. into late seventies variety TV show Radio Times, which was born after Parkinson heard original recordings of pre-fifties Kiwi radio shows. Parkinson created the part of dashing compere Dexter Fitzgibbon especially for James. It was all part of a long term Parkinson-plan that would see James graduating to Billy T's own iconic song and skit show, and then sitcoms.

In 1978 Parkinson was appointed head of entertainment for Television New Zealand. The period both before and after the appointment saw him producing and supervising 250 hours of programming a year, from McPhail and Gadsby, Gliding On, Mastermind, Opportunity Knocks, A Drop of Kulcha, That's Country, to wrestling success On the Mat. He also began working on international co-productions, including a 1983 special featuring Gene Kelly and the Royal NZ Ballet.

Tom quit six years later, initiating and leading the TV3 team that applied for, and gained, New Zealand's first commercial television licence. Then he set up Isambard, a studio and production company, initially for TV3. The company's output combined locally-aimed content with international co-productions (a Black Beauty series with London Weekend Television, educational show Magic Box, The Black Stallion, and High Tide).

Aside from acclaimed but shortlived ensemble drama Homeward Bound, much of the local output was comedy-based: long-running sketch show Issues, Letter to Blanchy (which he occasionally directed for), Pete and Pio, and the sitcom version of The Billy T James show.

In the nineties feature films entered the Isambard picture, thanks to two co-productions with Australia. Action comedy Cops and Robbers (featuring Issues performers Rima Te Wiata and Mark Wright) made only a small splash. The other movie was an adaptation of Tessa Duder's bestseller Alex, about a fifteen-year-old swimmer trying to win selection to the 1960 Olympics.

Having been offered the project by TVNZ's international department, Parkinson saw in Alex the makings of a "terrific" film for teenagers. Reviews crossed the gamut, though Sunday Times critic Mark Knowles wrote that the film's dominant impression is "of something that's simply, remarkably likeable".

In 1995, Isambard announced its part in a $120 million international co-production deal, involving a series of family-orientated feature films. Ultimately only one of the planned movies would emerge from the increasingly troubled company: The Climb, an awardwinning rite of passage tale set in Baltimore, and shot around Auckland. Brit veteran John Hurt starred.

In 1997 Parkinson was appointed chief executive of Australian company Crawford Productions. Among the many international co-productions that he worked on during this period were popular children's shows The Saddle Club and Guinevere Jones, World War II-era mini-series Tribe, and a TV version of Nevil Shute's end of the world novel On the Beach.

In 2002 Parkinson established his own Australian-based company, Avoca Media Holdings, which buys and sells rights to film and television productions. He continues to pursue a number of interests, including the development of video games.