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Off his own bat, Ilam art student Glenn Standring got his third-year short into competition at Cannes. The minimal plot — hipster private eye Lenny Minute dryly narrates, before facing his nemesis, a rampaging giant blue “sheila doll” — allows Standring to conjure up a distinctive collage-styled cityscape, mined from a grab-bag of Americana inspirations: 50s sci-fi, jazz, the hardboiled detectives of Dashiell Hammett, plus Marlene Dietrich. After this early computer-aided short, Standring joined the Gibson Group as an animator, then directed two stylish features.
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Minute Machine Productions
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1994 Ann Arbour Film Festival (United States)
Jury Award (Best Narrative Film)
1993 Cannes Film Festival
Nominated for Palme d'Or (Best Short Film)
Festivals include
1993 Sao Paulo (Brazil), Fantasporto (Portugal), Lucerne (Switzerland)