Beth Tredray began working in sound at Radio New Zealand, and the National Film Unit. Often on contract to TVNZ, she worked on shows Close Up and Top Town. Going freelance as a sound recordist in the early 90s, she began moving into sound design in the mid 2000s. Since then Tredray has designed the soundtracks for hit documentary Tickled and Emmy-nominated telefilm The Golden Hour.
Challenging, rewarding, exacting, creative, exciting and technical — all the things I love about sound editing and design. I guarantee if you throw a sound design/ mix to a bunch of fellow sound people, we would all produce a very different sounding landscape. Beth Tredray
The first series of Decades in Colour sourced home movies from over 800 New Zealanders, to look back at life from the 1950s to the 1970s. Presented by Judy Bailey, it screened on Prime. Mixing lost images and new interviews, three hour-long episodes each focussed on a different decade: from the post-war suburbia of the 50s, to rugby, racing and beer in the 60s, to emerging challenges to cultural norms in the 70s, as jet travel and TV broadened perspectives and a more independent national identity emerged. A second series debuted in October 2017, focussing on work, home and play.
Decades in Colour sourced home movies from more than 800 New Zealanders to paint a picture of New Zealand life, from "the inside out". Made by company Greenstone for Prime, each one-hour episode covered a decade from the 1950s to the 1970s, from post World War II recovery through to suburbia to cultural awakening. Presented by broadcaster Judy Bailey, the clips are narrated by the home moviemakers and their subjects. Bailey called it "a unique family history of the one family to which we all belong". A second series followed in October 2017.
Tickled sounds like a comedy, but the film traces a path from quirky to the stuff of fear, mystery and intimidation. The documentary began when then TV3 reporter David Farrier saw a cash offer for athletes to fly to Los Angeles for 'Competitive Endurance Tickling'. Farrier and co-director Dylan Reeve headed to the United States, and found ticklers scared to go on camera — and threats from those behind the scenes. At the 2016 Sundance Film Festival Tickled quickly won rave reviews and sales; Vogue and The Hollywood Reporter named it one of 2016's ten best documentaries.
This documentary tells the story of New Zealand sport’s ‘golden hour’, when on 2 September 1960 in Rome, two Arthur Lydiard-coached runners won Olympic gold: 21-year-old Peter Snell in the 800 metres, then Murray Halberg in the 5000 metres. The underdog tale mixes archive footage with recreations and candid interviews (Halberg talks about his battle with disability and doubt). The NZ Herald's Russell Baillie praised the result as “riveting” and “our Chariots of Fire”. It screened on TV prior to the 2012 London Olympics and was nominated for an International Emmy Award in 2013.
Barefoot Cinema looks at the "art and life" of Alun Bollinger, whom Peter Jackson calls "the finest lighting cameraman that the country has ever produced." Goodbye Pork Pie, Vigil, Heavenly Creatures ... the path of the man known as 'AlBol' is like a screen industry growth chart. But the film is as much an affectionate account of the values and family of a "greenie good keen man", shaped around his four decades-long relationship with wife Helen. In this excerpt, 'AlBol' nails down iron in the rain at his West Coast home, and he and Peter Jackson reflect on their collaborations.
The 'art star' is renowned contemporary artist Vanessa Beecroft; this film follows her from Africa to New York and Europe in her efforts to adopt two orphaned Sudanese twins. How the process impacts on her art and personal life, and the contradictions of her mission, are provokingly documented by director Pietra Brettkelly. Art Star won best doco, director and editing at 2009's Qantas Film and TV Awards and was selected for multiple festivals, including Sundance. LA Times: "a brutally honest, remarkably self-critical reflection on foreign adoption".
Hunger for the Wild took Wellington chefs Al Brown and Steve Logan out of their fine dining restaurant and into the wilds of Aotearoa, on a fishing, foraging and hunting culinary adventure. Putting the local in 'locally sourced', each episode involves Al and Steve splitting up and collecting ingredients (and characters) for an end of episode meal. The homegrown and cooked dish is then toasted with a wine selected by Logan. Three series were produced for TVNZ by Peter Young's Fisheye films, winning a 2007 NZ Screen Award and Best Lifestyle Series at the 2009 Qantas Awards.
Over ten episodes, Ghost Hunt crisscrossed Aotearoa on a mission to find ghosts — or at least signs they might have been in the building. Presenters Carolyn Taylor (What Now?), actor Michael Hallows and actor/director Brad Hills visited locations with a reputation for hauntings, usually arriving after dark. The locales included Dunedin's Larnach Castle, Waitomo Caves Hotel, and the Fortune and St James Theatre — plus cemeteries and abandoned psychiatric hospitals. The 2006 Screentime show is not to be confused with the anime series which premiered in Japan the same year.
This award-winning lifestyle series took Wellington chefs Al Brown and Steve Logan out of their fine dining restaurant kitchen, and off on a mission to put the local in 'locally sourced' kai. In this episode it's wild food on a wild river — whitebaiting on the Mokihinui. Brownie gets a primo 'stand' and coaster advice; and Steve gets some Green Fern lager and meets a Department of Conservation ranger who tells the whitebait's perilous life story and nets a grown-up: a kokopu. Then it's riverside fritters with beurre blanc sauce and asparagus, washed down with a glass of pinot gris.
This award-winning series took Wellington chefs Al Brown and Steve Logan out of their fine-dining restaurant, to experience the local in 'locally sourced' kai. In this second episode, Al and Steve head to Tangahoe up the Whanganui River, looking for wild pig with a couple of good keen men — Baldy and Moon. Logan is with the dogs on the boar hunt; while Al's on veggies at the markets, before hitching a flying fox to sample some freshly baked organic kumara bread en route up river. The bush tucker result? Cider braised pork belly with kumara and corn mash.
Painter Grahame Sydney has been pigeonholed by some as a landscape artist, but this doumentary contends that his evocative depictions of his Central Otago surroundings are much more than just exercises in realism. Fellow locals, poet Brian Turner and actor Sam Neill discuss the emotional and artistic resonance his work holds for them. Sydney's portraits and figure studies are also examined. The production of one of his lithographs is followed from inception — as a sketch on a slab of Bavarian limestone brought to NZ over 200 years ago — to fully fledged print.
This best of special culls history and highlights from 40 seasons of the longest running show on NZ television. Farming, forestry and fishing are all on the roster, but this edition is as much about observing people and the land. There is footage of high country musters, helicopter deer capture, floods and blizzards, as well as radio-controlled dogs and mice farmers. Longtime Country Calendar figures like John Gordon and Tony Trotter share their memories, and the show sets out to catch up again with some of the colourful New Zealanders that have featured on screen.
Love, Speed and Loss is an extended documentary about racer Kim Newcombe, who turned heads in the 1970s on a König motorbike he developed and designed himself. Built around home movie footage and interviews with his charismatic, straight-talking widow Janeen, the film charts the couple's travels in Europe, and triumph on the track. Newcombe was killed racing in 1973, and posthumously finished second in that year's World 500cc Championship. Love, Speed and Loss won best documentary at the 2007 Qantas TV Awards and three Air NZ Screen gongs.
Georgina Beyer was the first transgendered person in the world to be elected to national office. This internationally lauded documentary, by Annie Goldson and Peter Wells, tells the story of Beyer's extraordinary and inspiring journey from sex worker to Member of Parliament for rural Wairarapa and handshakes with the Queen. Born George Bertrand, Georgina grew up on a Taranaki farm, before spreading her wings on the Auckland cabaret circuit. Subsequent events led her to the town of Carterton, where she became involved in local body, and then national, politics.
In the 13th episode of Epitaph's second season, Paul Gittins goes digging in Waikumete Cemetery. The epitaph for 25-year old convicted murderer Dennis Gunn, hanged in 1920 for shooting the Ponsonby Postmaster, includes an intriguing inscription: "sadly wronged". Gittins unearths the story of a post office robbery, and the first conviction in New Zealand based on fingerprint identification. The judge called the print an "unforgeable signature". Before he died, Gunn claimed innocence: "if only my brother-in-law will speak up I will be saved".
On 28 April 1995, the collapse of a viewing platform at Cave Creek, in Paparoa National Park on the West Coast, caused 17 students and a Department of Conservation Field Centre manager to plunge 40 metres into a chasm. 14 died, and four were injured. The documentary (from which NZ On Screen has three excerpts) explores what happened and why, with accounts by family members, survivors, and DoC staff. Made three years after the tragedy, the programme looked at its lasting impact on those left behind. It won Best Documentary at the 1998 NZ Television Awards.
Created by Dave Armstrong and Kerry Jimson, The Semisis was a satirical take on a contemporary Samoan-Kiwi family. In this opening episode, the Semisis handle eviction by heading to a campground with all their belongings. There romance buds, the palagi next door neighbour (Brian Sergent) proves unwelcoming, and the South African camp commander is even worse. The over the top Semisis family began as part of 90s TV sketch show Skitz; Armstrong consulted with cast members and a group of young Samoans from Porirua, while writing the scripts.
Growing up in one of New Zealand’s many convent schools before they were reordered by the Second Vatican Council in the 1960s, was an experience many found tough. This documentary explores the stories of the girls who endured the nuns’ strict rule, including interviews with Ginette McDonald, Moana Maniapoto and painter Jacqueline Fahey, plus some of the nuns themselves. They discuss discipline, education, their thoughts on becoming nuns and how despite all the rules, they wouldn’t have changed it for the world.
Pacific Monarch by New Zealand sculptor Paul Dibble was installed in front of the Manawatu Art Gallery, Palmerston North, in 1995. This film documents the production of this large scale bronze sculpture, and in doing so reveals something of its maker. Dibble's knowledge and skill in manipulating the process of bronze casting to produce his delicately balanced sculptures is evident - the casting, the welding together of all the parts, and the assembling of a team of sympathetic experts.
John O'Shea was godfather to generations of Kiwi filmmakers; he was an inspirational force committed to bringing new perspectives to the screen. As Ngati actor Wi Kuki Kaa put it, "had he been a Māori, he would have been a kaumatua years ago". This documentary backgrounds O'Shea and his pioneering indie production company Pacific Films, ranging from his efforts to put Māori on screen, to banned 60s ads. The cast provides proof positive of O'Shea's influence — amongst the ex-Pacific staff interviewed are the late Barry Barclay, Tony Williams and Gaylene Preston.
A hunter heads home, to add his latest catch to an extensive wall of animal trophies. Then he sets about making some music. But things do not go to plan: with a mouse loose in the building, the chase is on. This third film by Kiwi king of the kooky, director Grant Lahood, received a special technical award at the Cannes Film Festival. It was also judged best short film at the 1993 NZ Film and Television Awards. Filmed at Kahutara Taxidermy museum in the Wairarapa.
This doco looks at the relationship between dogs and shepherds in Kiwi sheep farming. It covers the history of dog and man, and reveals Dog Show-worthy secrets behind the dogs' training and personalities, from ‘heading dogs' who stare sheep (and geese!) "into submission" to the "loudmouth" ‘huntaways' who drive flocks on vast high country stations. This Swanndri-saturated doco is shot, scored and narrated in an old-fashioned Disney style (shepherds are "the very substance of romance"). As the title states, the canines are the stars.