Enid Eiriksson began working in the design department in the early days of second channel South Pacific Television. She went on to design costumes for classic fashion showcase Gloss and award-winning drama Children of Fire Mountain, plus a slew of popular entertainers — including Billy T James, The Yandall Sisters and Prince Tui Teka.
I lived and breathed this job.I loved it – especially the historical dramas. Enid Eiriksson
Writer Maurice Gee’s experiences growing up in West Auckland during World War II were the basis for this home front drama expertly realised by the producer/director team of Ginette McDonald and Peter Sharp. Twelve-year-old Rex Pascoe (Milan Borich — future singer in the band Pluto) is a war-obsessed schoolboy worried about his father’s black-market dealings. Meanwhile, American soldiers are making their presence felt but not all of their attitudes are welcome. The locals’ prejudices are about to be tested by the arrival of a GI to stay with Rex’s family.
The last drama to be made in-house by TVNZ, The Champion was written by author Maurice Gee at the behest of producer Ginette McDonald after the success of their collaboration on The Fire-Raiser. Set in Henderson, West Auckland over three weeks in early 1943, it centres on 12 year old Rex (Milan Borich — later the lead singer in Pluto) and a black American GI billeted with his family. This tough, accomplished drama looks unflinchingly at racism and prejudice — both imported and local — and is ample testimony to the skills of its writer, cast and crew.
Gloss was a popular Kiwi television drama series made by TVNZ that screened in the late 80s; it combined a wealthy family, the Redferns, with a lucrative high-fashion magazine business. Yuppies, shoulder-pads and méthode champenoise abound in this cult "glamour soap". New Zealanders wanted to see themselves as less bottom of the world and more "here we come and we are sailing" (as the infamous Cup campaign song warbled), and Gloss was just what the era demanded.
Yuppies, shoulder-pads, sports cars and méthode champenoise abound in this cult 'glamour soap'. Gloss was NZ's answer to US soap Dynasty, with the Carrington oil scions replaced by the wealthy Redferns and their Auckland magazine empire. The series epitomised 80s excess, and became something of a guilty viewing pleasure. In this Rosemary McLeod-penned pilot, a 'Remuera Revisited' plot unfolds as Brad Redfern's plans to have a quiet wedding get waylaid by ex-wife Maxine. Schoolgirl Chelsea wags, listens to her Sony Walkman and gets an unorthodox haircut.
After adapting the slimy transmogrifying Wilberforces of Maurice Gee novel Under the Mountain for the small screen, scriptwriter (and future sci-fi novelist) Ken Catran returned with his own tale of kids and extraterrestrial contact. The series follows holidaying teen Gretchen (Sarah Dunn) trying to unravel the mystery of a weathervane — a "daisy rod" which seems to have otherworldly powers — and curious objects found in a tapu swamp. Backing up this girl-power sci-fi adventure are Catherine Wilkin, Roy Billing and Utu star Zac Wallace.
After adapting Maurice Gee classic Under the Mountain for TV, writer Ken Catran wrote his own tale of teen extraterrestrial contact. While holidaying with relatives in the country astronomy-mad Gretchen discovers that a farm weathervane has mysterious powers. In this second episode of the girl-power sci-fi series, the weathervane does strange things to cars and appliances; and Gretchen and local scallywag Ronny discover a secret in a tapu swamp threatened by development. Actors Zac Wallace and Roy Billing feature, and future weatherman Jim Hickey cameos.
Kicking off with his hero Elvis Presley's song 'That's Alright,' the late Prince Tui Teka delivers a classic performance in this TVNZ-filmed variety show (one of three specials). The Yandall Sisters back-up on the smoky, Vegas-inspired set. Tui sings his hit 'E Ipo' with wife Missy, and they pay tribute to the song’s Māori lyricist Ngoi (‘Poi-E’) Pewhairangi. The songs are peppered with warmth, humour and poi action (led by a young Pita Sharples), as Tui Teka confirms his reputation as one of Aotearoa's great entertainers. The classy Bernie Allen-led band includes legendary guitarist Tama Renata.
Mortimer’s Patch was a popular police series following detective Doug Mortimer (Terence Cooper), a city cop returning to his rural roots. In the first episode, scripted by Keith Aberdein (The Governor), a girl (Greer Robson) goes missing in sand dunes near the shack of an eccentric recluse. Fear and suspicion mounts, and Mortimer brings in help from the city: prejudiced detective Chris Knight (Ken Blackburn). Don Selwyn plays Sergeant Bob Storey. In this background piece, Mortimer's Patch producer Tom Finlayson writes about the show's birth, death and double resurrection.
Mortimer’s Patch was a popular drama series following Detective Sergeant Doug Mortimer (Terence Cooper) at work in the town of Cobham. Mortimer plays a city cop returning to his rural roots; Don Selwyn is Sergeant Bob Storey. The series was NZ’s first police drama, and a rare local drama to top ratings. Mortimer's Patch was made when the archetype of the ‘community cop’ everyone knew was still a powerful one, and it was a counterweight to the faceless riot policing of the Springbok Tour. Three series were made.
By the mid 1970s, Kiwi entertainer Ray Woolf was a regular television presence as a performer and host. After a stint co-hosting chat show Two on One (with Val Lamont and later Davina Whitehouse), the show morphed in 1979 into Woolf’s own singing and talk slot: The Ray Woolf Show, where he interviewed international stars, and sung and filmed clips around the country. After a season the show was reformatted to focus on music as The New Ray Woolf Show, and ran for another two years. In this period Woolf was awarded Best Television Light Entertainer multiple times.
While convalescing down under Sir Charles Pemberton (Terence Cooper) schemes to build a thermal spa in the town of Wainamu c.1900. Conflict ensues as the spa’s planned location is on Māori land. The action is seen through the eyes of youngsters: hotelier’s son Tom, and Pemberton’s granddaughter Sarah Jane; who — along with an erupting volcano — eventually impart on Sir Charles a lesson about colonial hubris. The 13-part series was a marquee title from a golden age of Kiwi kidult telly-making: it won multiple Feltex awards, and screened on the BBC in 1980.
This award-winning kidult series is set in the colonial town of Wainamu, amidst the North Island’s ‘thermal wonderland’, c.1900. It follows the challenges that Sir Charles Pemberton (Terence Cooper) faces in building a spa on Māori land. In this episode local lad Tom, son of the hotelier, is piqued by the arrival of Sir Charles and his aristocratic entourage, (particularly granddaughter Sarah Jane aka “Little Miss Prim”), whose train is late due to being spooked by natives. His gang of shanghai-toting scallywags also take on the mean local butcher.
Radio Waves charted the “lives and loves” of a commercial Auckland radio station in the age of Bee Gees and flares. Grant Bridger (‘Win Savage’) and Andy Anderson played DJs with Alan Dale as station manager; it was Dale’s screen debut, before fame in Australia (Neighbours) and the US (24, Ugly Betty). Devised by Graeme Farmer, Waves was an effort by SPTV to best TV One’s flagship soap Close to Home. While producer Tom Finlayson’s first drama was short-lived, its metro Auckland context — peopled with upbeat urban strivers — signaled a changing NZ on screen.
Radio Waves revolves around an Auckland commercial radio station. In this episode, drive-time DJ Win Savage (Grant Bridger) annoys an advertiser and doesn't seem to care. Andy Anderson is a hippy ‘jock’, Alan Dale plays urbane station manager Jack in his screen debut (before finding fame on Australia's Neighbours), and the many women on staff put up with their share of stick from all that male ego. Waves was short-lived — The Bee Gees and flares weren’t enough for viewers to shut the farm gate — but its urban strivers signaled a changing face for NZ on screen.