British-born Jaquie Brown moved downunder at age 15, and began winning radio awards in the late 1990s. After co-hosting TV2's late night music show Space, she presented on C4 and reported for Campbell Live. In 2008 Brown co-created double Qantas award-winning comedy The Jaquie Brown Diaries. She played a once popular TV personality trying to recapture her fame. Since then Brown has presented parenting series Keep Calm and Carry On, and madcap game show Pop Goes the Weasel. She co-wrote Cannes-nominated short film Nothing Special, and has been a guest host on Three's primetime show The Project.
I was the lead rat in The Pied Piper of Hamelin. It’s hard to come down from that kind of level. From the lead rat, where would I go? Jaquie Brown in an interview with The Listener, 29 July 2016
This 2012 JAM TV series followed media personality Jaquie Brown as she confronted the travails of 21st Century motherhood, raising her first child Leo. Directed by Jane Andrews, the series mixed a video diary (sleep deprivation, poop and occasional joy), with reenactments, interviews, and archive material. Brown had earlier written a cheeseburger crotch n’all chronicle of her pregnancy, I’m Not Fat, I’m Pregnant. The six-part series was filmed for two half-days a week, over a year. It screened on TV One on Wednesdays at 8pm.
In this 2012 series, media personality Jaquie Brown chronicles a year as a young mother, as she raises her first child Leo. With a single rule — not to offer advice — Brown aimed to document honestly the realities of modern parenting. This first episode looks at everything from worrying nipple advice to installing car seats, from the pelvic floor to the post-baby body. Brown's candid reflections (captured in video diary 'Little Brother') are mixed with experts (Plunket nurses, baby whisperers), and a look at Kiwi child-rearing social history. The show was produced by JAM TV for TV One.
The opening episode of the Prime TV series celebrating 50 years of New Zealand television travels from an opening night puppet show in 1960, through to Outrageous Fortune five decades later. It traverses the medium's development and its major turning points (including the rise of programme-making and news, networking, colour and the arrival of TV3, Prime, NZ On Air, Sky and Māori Television). Many of the major players are interviewed. The changing nature of the NZ living room — always with the telly in pride of place as modern hearth — is a story within the story.
This edition of Prime TV’s history of New Zealand television looks at 50 years of entertainment. The smorgasbord of music, comedy and variety shows ranges from 60s pop stars to Popstars, from the anarchy of Blerta to the anarchy of Telethon, from Radio with Pictures to Dancing with the Stars. Music television moves from C’mon and country, to punk and hip hop videos. Comedy follows the formative Fred Dagg and Billy T, through to Eating Media Lunch and 7 Days. A roll call of New Zealand entertainers muse on seeing Kiwis laugh, sing and shimmy on the small screen.
TV personality Jaquie Brown plays (and plays up) herself for further delightful comic effect in the second series of The Jaquie Brown Diaries (renamed The Jaquie Brown Odyssey for DVD release). In the Qantas Award-winning TV3 satire Brown is an egomaniacal reporter looking to climb the media ladder any which way she can. This episode sees Brown googling herself, and a late-night forum post sends her spiralling towards celebrity booze binge self-destruction on K Road. In her wake Auckland’s Metro social pages set are skewered with self-referential glee.
Rocked the Nation launched in 2008 with six one hour-long shows. Production company Satellite Media ransacked the archives and interviewed protagonists, to survey 100 key moments in Kiwi music history: including smash hits, riots, TV talent shows, and sex, drugs and rock’n’roll. Hosted by Karyn Hay, the series screened on C4 during NZ Music Month, and was the channel’s highest-rating series to that date. Follow-up series counted down 100 New Zealand Pop Culture Stories (2009, hosted by Rhys Darby) and 100 New Zealand Sporting Moments (2011, hosted by Dai Henwood).
TV personality Jaquie Brown plays (and plays up) herself for delightful comic effect in this hit TV3 satire. Former Campbell Live reporter Brown plays an egomaniacal journalist looking to climb the media ladder any which way she can. Auckland's aspirational set: a cast of Metro social page alumni and wannabes, are skewered with self-referential glee. The second series was retitled for DVD release as The Jaquie Brown Odyssey; both series won acclaim and Best Comedy gongs at the Qantas Film and TV Awards. The Listener gushed: "A local sitcom that doesn't suck."
TV personality Jaquie Brown plays (and plays up) herself for delightful comic effect in this hit TV3 satire. Brown plays an egomaniacal reporter looking to climb the media ladder any which way she can. Auckland's aspirational set: a cast of Metro social page alumni and wannabes, are skewered with self-referential glee. The show won Best Comedy at the 2009 Qantas Film and TV Awards. This episode sees Jaquie striving to exit Woman's Day's 'Plump it Hottie' section, appropriating a tampon, and performing in a celeb singalong.
Pop Goes the Weasel was C4's twisted answer to iconic British pop quiz Never Mind the Buzzcocks, embracing a shambolic DIY approach with oversized props, lots of ribbing and an oiled up man in tights (the Weasel) handling the judging. It's fair to say that not every joke has aged well. This trans-Tasman stoush pits a young Dai Henwood and Evan Short from Concord Dawn, against Scott Owen from The Living End and a DJ called 'the Doctor'. Overseeing it all is quizmistress supreme, Jaquie Brown. Director Toa Fraser pops in to embarrass Henwood with a prank call.
Pop Goes the Weasel started life as a radio quiz on Channel Z and Kiwi FM, before winning a spot on youth TV channel C4. The fast and loose game show ran for three seasons. It marked production company thedownlowconcept's first foray into television. The collective would go on to create critically acclaimed comedy series Hounds and long-running hit 7 Days, another panel show adapted from radio beginnings. Quiz mistress Jaquie Brown presides over teams of comedians and musicians while a greased up, squealing human 'weasel' awards the points.
Campbell Live launched on 21 March 2005, in a slot following TV3’s primetime news bulletin. Over the next decade it gathered acclaim, awards (including Best News Investigation in its first year) and the odd controversy. Strongly identified with host John Campbell, the show mixed softer stories with a number of pieces of advocacy journalism, including stories on child poverty in low decile schools, and homeowners affected by the Christchurch quakes. News of Campbell Live’s end in 2015 won extensive media coverage, and an unsuccessful petition to keep the show on air.
Written by Helena Brooks and comedian Jaquie Brown, Nothing Special could be seen as a cautionary tale: it's good to love your son, but not so good to think he's Jesus reincarnate. How can Billy escape the crazed adoration of his doting Mum? By striving to be the most boring man he can be. Featuring an aptly quirky soundtrack (Blerta's 'Dance All Around The World') and a very funny performance by Alison Routledge as the quintessential overzealous Mum, Nothing Special was chosen for competition in the short film section at Cannes (2005).
Late night music show Space launched on TV2 in 2000, with a pair of hosts introducing live performances, interviews, music videos and occasional silliness. The show marked the first ongoing screen gig for Jaquie Brown, who appeared with future X Factor New Zealand host Dominic Bowden. When Bowden left in 2002, he was replaced by Hugh Sundae. The final season was helmed by Jo Tuapawa and ex Space researcher Phil Bostwick. Space was made by production company Satellite Media, whose credits include many shows involving music (Ground Zero, Rocked the Nation).
This TV2 promo is a cover of Sonny and Cher classic ‘I Got You Babe’. A roll call of turn of the century Kiwi celebrities take turns performing, starting with late actor Kevin Smith and actor/sometime Strawpeople singer Stephanie Tauevihi. Other stars include Jay Laga’aia, Havoc and Newsboy, Erika Takacs from band True Bliss, What Now? hosts, Shortland Street's Katrina Devine, and Spike the penguin from Squirt. Also popping by are Bart and Lisa from The Simpsons, and Aussie Portia de Rossi (then appearing on American show Ally McBeal). The promo was made by Saatchi & Saatchi.
Irreverent 90s youth show Havoc launched the TV careers of hosts Mikey Havoc and Jeremy ‘Newsboy’ Wells (the pair worked together at radio station 95bFM). This first episode played on MTV (then run by TVNZ). Guests are Shortland Street actor Angela Bloomfield, Metro editor Bill Ralston and musician Darcy Clay. Amongst pop culture montages, videos and archive (future MP Lockwood Smith hosts kids’ knowledge test The W Three Show), Newsboy meets Hustler magazine centrefold Kimberly. The show is date-stamped by Spice Girls, drum’n’bass, Sodastream and Wells’ gelled hair.
TV3's late night news show was devised in 1990 to provide a mix of credible news and entertainment. Once the serious news of the day was dispensed with, the brief was that the show could be a bit "off" with few rules - and the freedom to push boundaries. That's exactly what presenters like Belinda Todd, Bill Ralston, Dylan Taite and David Farrier proceeded to do in the show's often infamous "third break". Meanwhile, newsreaders including Joanna Paul, Janet Wilson, Leanne Malcolm and Carolyn Robinson did their best to keep a straight face. "Yo Nightliners!"