Having already established herself as a playwright, Norelle Scott made the transition to screenwriting by co-writing early Alison Maclean short film Rud's Wife. She then began amassing a CV of screen credits, including Shortland Street, Marlin Bay and cop series Shark in the Park. Currently based in Los Angeles, the former actor and writing lecturer continues her work as a screenwriter, script consultant, and playwright. 

Being based in Los Angeles has allowed me to develop my writing in an international context, as well as providing a perspective on the aspects of New Zealand culture I value. Norelle Scott

Aroha

2001, Script Editor - Television

Tala Pasifika - A Day in the Life

1995, Script Editor - Television

Tala Pasifika was a pioneering Pacific Island drama series. This episode was one of six films that screened on TV One in 1996. The short drama follows teenage school friends Siosi (Johnny La'ulu), Matt (Faifua Amiga) and John (Robert Luisi), who are awaiting their School Certificate results. On the day he receives his grades, Siosi is beaten by his father (Ene Pataia). The following day, he discovers a tragedy has occurred within his circle of friends. This acts as a catalyst to resolve his own troubles at home. A Day in the Life won two awards at Canadian indigenous festival Dreamspeakers.

Tala Pasifika - Brown Sugar

1995, Script Editor - Television

Tala Pasifika was a pioneering Pacific Island drama series; this episode is one of six short films that screened on TV One in 1996. 'Brown Sugar' is an upbeat drama about Tiuila (Tausili Mose) and Samuelu (Johnny La'ulu), two young hopefuls who meet in a music shop. Samuelu longs to be an actor and sees his chance for fame when he meets a TV commercial producer. Tiuila belongs to an amateur vocal group who are relaxed, confident and proud of their South Auckland upbringing. They name their act 'Brown Sugar' before singing to a packed house.

Tala Pasifika - Malama

1995, Script Editor - Television

Tala Pasifika was a pioneering Pacific Island drama series; this episode is one of six films that screened on TV One in 1996. It is about Malama (Saili Williams), a young girl who lost her eyesight in the car crash that also killed her mother. Although she can't see in the physical world, Malama has gained a window to the spirit world. Her father Ta'a (a young Jay Laga'aia) still grieves and can't cope with raising the kids; his frustrations manifest as anger. When Malama and her brother attend their baptism, the family crisis hits boiling point.

Tala Pasifika - Talk of the Town

1995, Script Editor - Television

Tala Pasifika was a pioneering Pacific Island drama series; this award-winning episode is one of six films that screened on TV One in 1996. 'Talk of the Town' is an entertaining short drama about Cindy (Henry Ah-Foo Taripo), a fa'afafine who has grown up to become a cabaret performer. She breaks the fourth wall from her dressing room to tell her story, which begins in her youth when her father (Alvin Fitisemanu) is impressed by her culinary skills and assigns her to the role of family cook.

Tala Pasifika - The Cat's Crying

1995, Script Editor - Television

Tala Pasifika was a pioneering Pacific Island drama series; this episode is one of six films that screened on TV One in 1996. It's a haunting short film about a young girl named Ana (former Shortland Street star Jaime Passier Armstrong), who asks about a photo in a family album and gets an awkward brush off from her mum. When the family receives news of the tragic death of mum's sister Rose (Sela Brown), it's time for truth, and secrets from the past are revealed.

Tala Pasifika - The Hibiscus

1995, Script Editor - Television

Tala Pasifika was a pioneering Pacific Island drama series; this episode is one of six short films that screened on TV One in 1996. 'The Hibiscus' is the lighthearted tale of Sefo (Soi Paito Siulepa), a retired grandfather who arrives from Samoa and plants a hibiscus in the family's back yard. Although he has difficulty speaking English, the garden is a forum to explain history and Samoan tradition to the kids. When Mum reveals her plan to concrete the yard and put in a BBQ area, the kids come up with a compromise.

Kupe - Voyaging by the Stars

1993, Writer - Television

According to Māori legend Aotearoa was found by the explorer Kupe, chasing a wheke (octopus) from Ra'iatea, Tahiti. This documentary follows Northland building contractor Hekenukumai 'Hector' Busby, as he leads the construction of a waka hourua (a double-hulled canoe), then retraces Kupe's course across the Pacific, back to Rarotonga. Before 'Te Aurere' and her crew depart, Busby heads to Taihiti to learn navigation methods used by the great Polynesian ocean voyagers, then returns home to fell a kauri and begin his contribution to his ancestors' legacy. 

True Life Stories

1993 - 1994, Writer - Television

Shortland Street

1992, Writer - Television

Shortland Street is a fast-paced serial drama set in an inner city Auckland hospital. The long-running South Pacific Pictures production is based around the births, deaths and marriages of the hospital's staff and patients. It screens on TVNZ’s TV2 network five days a week. In 2017 the show was set to celebrate its 25th anniversary, making it New Zealand’s longest running drama by far. Characters and lines from the show have entered the culture — starting with “you’re not in Guatemala now, Dr Ropata!” in the very first episode. Mihi Murray writes about Shortland Street here.

Marlin Bay

1992, Writer - Television

Marlin Bay was a drama series following the comings and goings of a far-north resort and casino. Andy Anderson, Ilona Rogers, Don Selwyn, Pete Smith, Katie Wolfe and others made up the cast of earthy locals, wealthy foreigners, and city weekenders. Created by writer Greg McGee, Marlin Bay was one of the first primetime drama series from South Pacific Pictures. Kevin Smith received a 1995 Best Supporting Actor nod for his role as villain Paul Cosic. 

Homeward Bound

1992, Writer - Television

Homeward Bound was TV3’s bid for New Zealand on Air funding for a local soap opera. Set around the lives of the rural Johnson family, 22 episodes were produced for the then-nascent network (the series ultimately lost out to TVNZ’s Shortland Street). Created by Ross Jennings and written by Michael Noonan, it represented a move back to a small town way of life after the Gloss-y urban excesses of the 1980s; it also explored pressures facing country communities following the stock market crash. The cast included Liddy Holloway, Peter Elliott and a young Karl Urban.

User Friendly

1990, Writer - Film

A dog-goddess effigy possessing aphrodisiac powers is the quarry for a cast of oddball pursuers in this caper comedy — from a cosmetics tycoon to a duo of doctors using retirees as guinea pigs in a quest for eternal youth. The dog's handler is geeky Billy, aided by his girlfriend Gus and their bull terrier Cyclops. The chaotic Auckland romp was the debut feature for Gregor Nicholas (he would go on to helm acclaimed short Avondale Dogs and feature film Broken English). This excerpt features a take on Space Odyssey's docking scene, as interpreted by Benny Hill. 

Shark in the Park - Lamb to the Slaughter (Series One, Episode Three)

1989, Writer - Television

The role of women in a traditionally male dominated profession is highlighted in this episode of Wellington police drama Shark in the Park. The episode was penned by Norelle Scott and directed by Ginette McDonald. New arrival 'Wally' (Joanna Briant) faces a baptism of fire from her colleagues — and a rough ride on the streets as a drunken couple's antics escalate into major problems for the thin blue line. The third episode of season one features Robyn Malcolm in her first screen role, while Mark Wright provides some late 80s colour as an inebriated yuppie.

Scarlet Fever

1988, Actor - Short Film

Shark in the Park

1988, 1990, Writer - Television

A big smoke cousin to Mortimer's Patch, Shark in the Park was New Zealand's first urban cop show. Devised by Graeme Tetley (Ruby and Rata), it portrayed a unit policing inner city Wellington, under the guidance of Inspector Brian 'Sharkie' Finn (Jeffrey Thomas). With its focus on the working lives of the officers, the show followed the character-based storytelling of overseas programmes like The Bill and Hill Street Blues. The first season marked one of the last in-house productions for TVNZ's drama department. The next two series were made independently by The Gibson Group.

Gloss

1990, Writer - Television

Gloss was a popular Kiwi television drama series made by TVNZ that screened in the late 80s; it combined a wealthy family, the Redferns, with a lucrative high-fashion magazine business. Yuppies, shoulder-pads and méthode champenoise abound in this cult "glamour soap". New Zealanders wanted to see themselves as less bottom of the world and more "here we come and we are sailing" (as the infamous Cup campaign song warbled), and Gloss was just what the era demanded.

Rud's Wife

1986, Writer, Continuity - Short Film

“An ironic comedy about a disconnected New Zealand family” is the tagline to this early Alison Maclean short. Recently widowed Nan (Yvonne Lawley) assesses her life and the roles prescribed by her family as she readies a Sunday roast. Her new plans — “I won’t be able to make the Christmas Cake this year” — rattle the shackles of her Old Testament-bashing husband and her ex-All Black son. Nan was a comeback leading role for Lawley after time away raising a family. Written with playwright Norelle Scott, Maclean’s short screened with the About Face TV series.

Death Warmed Up

1984, As: Jeannie - Film

Pre-dating Peter Jackson's arrival (Bad Taste) by three years, New Zealand's first horror movie sees Michael Hurst making his movie debut as he fights mutants (including Bruno Lawrence) on Waiheke Island. Hurst's character is out to avenge the mad scientist who forced him to kill his parents. A grand prize-winner at a French fantasy festival (with cult director Alejandro Jodorowsky on the jury), David Blyth's splatterfest marked the first of many horrors funded by the NZ Film Commission. It was also the first local showcase of the smoothly-flowing Steadicam camera.