Yvonne Mackay is a prolific director of New Zealand television, whose work has often focused on the arts and projects made for young people. She made history as the director of The Silent One (1984), the first New Zealand feature film directed solely by a woman. These days Mackay runs Wellington company Production Shed TV.
I’m a great believer in the power of young people, especially young women, to overcome great odds even when no one else seems to believe in them. This is a trope I’ve kept throughout my career. Yvonne Mackay, in a 2012 interview with website Spectacular Optical
Kaitangata Twitch follows the adventures of 12-year-old Meredith (Te Waimarie Kessell) who faces mysterious happenings on Kaitangata island. Meredith is the only one who can apprehend the island's 'twitch' and prevent tragedy repeating. The Māori Television series was adapted from a Margaret Mahy story by long-time collaborator, director Yvonne Mackay, and was filmed in Mahy's Governors Bay hometown. Newcomer Kessell stars alongside Charles Mesure and George Henare (in a Qantas-winning turn). Twitch sold to ABC Australia and won international awards.
Kaitangata Twitch follows 12-year-old Meredith, who sees eerie visions as a Governors Bay island is drilled for mining. The Māori Television series was adapted from a Margaret Mahy story by long-time collaborator Yvonne Mackay. Mahy makes a rainbow-wigged cameo in this episode where the locals protest a subdivision, and Meredith apprehends the island's 'twitch'. Newcomer Te Waimarie Kessell stars, with Charles Mesure and George Henare. The mix of the Māori concept of wairua with a willful 21st Century teenage heroine won a Remi Award at Worldfest-Houston 2010.
In this documentary children's author Margaret Mahy is interviewed at her Governors Bay home by friend and fellow author Elizabeth Knox. Many of Mahy's beloved storybook characters also appear to put her on the spot about their origins. In this excerpt, the famous lion from A Lion in the Meadow thanks her for making him yellow, and Mahy talks about eating porridge thrice a day as a young solo mum. Yvonne Mackay directed this seamless mix of real life and Euan Frizzell-created animation. Read more about the doucmentary here.
This documentary revisits six eventful weeks in 1949. Led by cameraman Brian Brake, an all-star art team — James K Baxter as scriptwriter, composer Douglas Lilburn and painter John Drawbridge (all under 30; Drawbridge was 19) — attempt to make a 'cinematic poem' about an ascent of Mt Aspiring. Baxter's notes on the trip evolved into his poem In the Matukituki Valley. Aspiring features a lost script, Drawbridge's memories (he recalls storyboards for a snow cave light show here) and a surprise ending. View footage of the never-completed film after the excerpt.
The second, but prequel, series to The Insiders Guide to Happiness is chaos theory in action: seven young strangers whose lives intersect are linked together by a bizarre incident. Produced by the Gibson Group, The Insiders Guide mix of meta-tangle story-telling with fresh shooting and faces, saw Love become a hit with the same youth demographic as Happiness. The show went on to win a clutch of Screen Director's Guild Awards and most of the major drama gongs at the 2006 Qantas Film and TV Awards, including Best Drama, Director, Script, Actor and Actress.
The second, but prequel, series to The Insiders Guide to Happiness is chaos theory in action: seven young strangers are linked together by a bizarre incident. In this excerpt from Episode Six, Marty's (Louis Sutherland's) travel writing isn't going anywhere, Nicole (Kate Elliott) gets "wild and crazy and bad" for Halloween, and there's baking romance, sun bed sex, and scratchy shoplifting. The series won several Screen Director's Guild Awards and a clutch of gongs at the 2006 Qantas Film and TV Awards, including Best Drama, Director, Script, Actor and Actress.
The Insiders Guide to Happiness follows the interconnecting lives of eight 20-something characters — one of them dead — as they search for happiness. Dramatic, comic, sexy, surreal, the drama won critical acclaim and was a ratings success. An ambitious chaos theory-derived 'meta' concept is underpinned by strong performances from the ensemble of burgeoning acting talent, and stylishly-shot Wellington city locations. The Gibson Group production won seven awards at the 2005 NZ Screen Awards, including Best Drama and Best Director (Mark Beesley)
This series follows the interconnecting lives of eight 20-something characters — one of them dead — as they search for happiness. An ambitious 'meta' concept, strong performances from the ensemble cast and stylishly-shot Wellington locations won the Gibson Group drama awards and acclaim, particularly from its targeted youth demographic. In this excerpt from Chapter Eleven, Lindy accepts a job in Toronto but fails to tell boyfriend William; Barry and James discuss Chaos Theory and relationships; and Sam uses flowers in an attempt to fix things with Tina.
Tele-movie Clare is based on Clare Matheson's autobiographical book Fate Cries Enough. It recreates the experiences of the author (played here by Robyn Malcolm, then fresh from Shortland Street) who for 15 years was an unwitting part of a disastrous gynaecological study at Auckland's National Women's Hospital. The study would later become known as ‘The Unfortunate Experiment', after a Metro article by Sandra Coney and Phillida Bunkle. It was also the subject of a Commission of Inquiry, whose official report led to major changes in law around health consumers' rights.
Duggan features John Bach as brooding Detective Inspector Duggan, attempting to solve murders amid the tranquillity of the Marlborough Sounds. New Zealand's answer to Inspector Morse, the show was conceived by Marion McLeod, scripted by Donna Malane and Ken Duncum, and produced by The Gibson Group; the series followed on from introductory tele-features Death in Paradise and Sins of the Father. The turquoise waters of The Sounds (shot in a number of episodes by Leon Narbey) make for an evocative setting in this sharp, classy Kiwi whodunit.
Duggan features John Bach in the title role of the brooding city detective who is called on to solve murders, amid the tranquillity of the Marlborough Sounds. In this excerpt from part one of two-parter 'A Shadow of Doubt', Duggan, initially reluctant, finds himself investigating the kidnapping of the daughter of friend Joanne Taylor (Jennifer Ward-Lealand). The cast of suspects includes Joanne's business partner (Andy Anderson). A sharp, stylish Kiwi take on the classic English whodunit, this episode features some evocative imagery by Leon Narbey.
Duggan - Sins of the Fathers is the second of two telefeatures starring a brooding, charismatic John Bach as a city detective drawn into a Marlborough Sounds murder mystery. Marion McLeod conceived the show, Donna Malane and Ken Duncum scripted it and The Gibson Group produced it. The turquoise waters of The Sounds (shot by Leon Narbey) make for the evocative setting where Duggan, drawn by the irresistible allure of explosions and dead bodies, investigates the murder of a convicted rapist. Effects are by a pre-Lord of the Rings Weta Workshop.
Before The Gibson Group TV series Duggan there were two telefeatures: Duggan - Death in Paradise, and Duggan - Sins of the Father. Marion McLeod conceived the show; Donna Malane and Ken Duncum scripted it. New Zealand's answer to Inspector Morse finds John Bach, the troubled and brooding Detective Inspector Duggan, attempting to solve murders amid the tranquillity of the Marlborough Sounds. In this excerpt from the first of the two telefeatures, a reluctant Duggan is persuaded to investigate when police fish a body out of the water.
After the assassination of scientist David Typhon, a cast of interested parties head for his secret lab in New Zealand, pursuing the truth behind rumoured experiments on humans. Among them are rabid protestors, a European infiltrator (Michael Hurst) and the strangely-gifted Cato (Greg Wise). Typhon’s People marked a rare time that writer Margaret Mahy created a story aimed at adult audiences. Blessed with an impressive cast of Kiwis, Brits (Wise, Alfred Molina), and The Castle star Sophie Lee, it sold as both a mini-series and as a 90 minute tele-movie.
This 1991 telefilm follows young undercover cop Tony (William Brandt) who gets in too deep when infiltrating a heroin ring in the underbelly of Wellington’s music and pub scene. The Kiwi noir tale was inspired by real-life undercover policeman Wayne Haussman, who was convicted of drug trafficking. Directed by Yvonne Mackay (The Silent One), it was made as a pilot for a series that never eventuated. At the 1993 NZ Film and Television Awards Undercover won Best TV Drama; Jennifer Ludlam was awarded for her role as Tony's ex-prostitute girlfriend. Cliff Curtis plays a musician.
Gibson Group production Public Eye was inspired by the British series, Spitting Image. Latex puppets caricature topical personalities, mostly drawn from the world of politics (Ruth Richardson, Helen Clark, Winston Peters etc). Their foibles are duly skewered in fast-moving comic skits such as the 'Ruatoria Rasta' segment, 'The White Way' and 'Honky Tanga'. The wickedly grotesque puppets were based on drawings by cartoonist Trace Hodgson, and built by a team headed by future Weta FX maestro, Richard Taylor.
The Haunting of Barney Palmer is a fantasy film for children about a young boy who is haunted by his great uncle. Young Barney fears that he has inherited the Scholar family curse; a suite of 80s-era effects ramp up the supernatural suspense. The film was a co-production between PBS (United States) and Wellington's Gibson Group, which resulted in Ned Beatty (Deliverance, Network) being cast. It was written by Margaret Mahy, based on her Carnegie Award-winning novel The Haunting, and an early fruitful collaboration between her and director Yvonne Mackay.
Musician Petunia (Jennifer Ludlam) and daughters Polly and Patch are tiring of their lives as land yachting "gypsies of the motorway" in the first episode of this hyperactive children's fantasy drama written by Margaret Mahy. Their salvation could be a magic house owned by Crocodile Crosby — a used car dealer with ambitions to be a pirate — but a devious land agent (Michael Wilson) and a dastardly wealthy couple stand in the way. All powerful narrator Paul Holmes orchestrates the action which features extensive use of music and period video special effects.
Petunia and her daughters Patch and Polly have moved into their decidedly unconventional dream house in the second episode of this surreal children's fantasy drama written by Margaret Mahy and directed by Yvonne McKay. Their idyllic new life of music making is soon shattered by their home handyman neighbour from hell Branchy (Grant Tilly). But he has problems of his own with the unwelcome arrival of his three long lost, grasping and perpetually hungry sons. Special guest Jon Gadsby contributes an energetic performance as pie magnate Chicken Licken.
Heavily influenced by the mid-80s MTV-led music video boom, this madcap six part kids fantasy series focuses on an aspiring songwriter and her daughters who renounce life on a land yacht to settle in a house with a mind of its own. Based on scripts by acclaimed author Margaret Mahy (in her first collaboration with director Yvonne Mackay), it utilises then cutting edge video special effects (requiring locked off shots and no camera movement). The soundtrack is by composer Jenny McLeod while Paul Holmes' narrator is omnipotent and petulant in equal parts.
The Silent One is a mythological children's drama about the friendship between a deaf mute boy, Jonasi, and a rare white turtle. The boy's differences lead to suspicion from his Rarotongan village. When the village suffers drought and a devastating storm, the boy and turtle (also considered an ill omen) are blamed and ostracised. Adapted by Ian Mune from a Joy Cowley story, the beloved film was the first New Zealand dramatic feature to be directed by a woman (Yvonne Mackay). In the excerpt here, Jonasi is excluded from a boar hunt and first meets the turtle.
No ordinary Christmas tale, The Monster’s Christmas throws viewers into a world of friendly creatures, talking hot pools and witches with gym equipment in their cave lairs. Child find Lucy McGrath revels in the role of a plucky girl who encounters a one-eyed monster with smoke billowing from his head. The monsters need her help to steal their voices back from an evil witch. The stylings of the live action creatures were influenced by the volcanic North Island locations, and designed by Janet Williamson and cartoonist Burton Silver. Yvonne Mackay (Kaitangata Twitch) directs.
Barney Blackfoot is a mean stepfather who married Billy and Lucy's mother under false pretenses, later revealing his evil nature. Barney is helped in his exploits by his friend (a moving wardrobe), and together they set out to destroy Lucy and Billy's happy home. Designed in soft sculpture (Cabbage Patch Kids style) and filmed in live action with special effects, this Yvonne Mackay-directed short film is aimed at children and is without dialogue or narration. The early Gibson Group film was scripted by Ian Mune and scored by Jack Body.
Designer Garnet Nelson has a distinctive attitude to fashion for the rural sector, showcased in a range of clothes combining style and practicality - although the "after-five combinations" may be a step too far. This might be one of the celebrated Country Calendar spoof episodes, but the buy-in from models who could only be farmers and not actors is a sight to behold. And the fashion tips don't end there. Reporter (and long time Country Calendar producer) Frank Torley adds his own sartorial note with an unfeasibly long shirt collar that has a mind of its own.
A fictional memoir of a 12-year-old boy's holiday on his uncle's farm, Old Man's Story is also a character study of the personable, potentially dodgy ex-sailor who works there as hired hand. When an orphaned girl comes to stay, there are worries the man has crossed the line in his relationship with her. The first drama for Wellington company The Gibson Group, Old Man's Story also marks a rare screen adaptation of author Frank Sargeson, whose tales of losers and outsiders made him "one of the founders of a modern New Zealand literature" (Lawrence Jones).