This award-winner from the 2007 NZ Music Awards sees the Mint Chicks performing after dark, somewhere on the edge of suburbia, while a wolf (actually a siberian husky) sparks a journey through the streets — past people wrestling with poultry, and each other. Director Sam Peacocke (Manurewa, Shihad - Beautiful Machine) displays the same enigmatic approach taken with Mint Chicks clip Walking Off a Cliff Again. The band also took out NZ Music Awards for Best Group and Album. Real Groove magazine later rated this the best New Zealand single of the decade.
An eco-anthem lurks at the heart of this infectious, upbeat Minuit number. To accompany it, director Sally Tran conjures up a claustrophobic world where people are trapped inside a decaying building (actually Spookers haunted house at Karaka), and flowers and outdoor pursuits are the stuff of museum displays. Lead vocalist Ruth Carr (complete with bird make-up) and her dancers run this way and that, but there seems to be no escape. The song plays out with Carr singing to herself because she decided no-one else would write a song with her name in it.
Clearly made by people with a love of old school Hollywood horror, So Free dredges up a classic monster squad which includes Dracula, 'Frankristein', The 'Wülf Man', and a creature born in a black lagoon— all hell bent on distressing the damsel (Arem Steel). With lovingly-detailed set-pieces and effects, the clip looks tremendous. And after underwater and night shoots in midwinter Wellington, it was fortunate to be supported by a dedicated cast and crew (including band members playing the various monsters).
A man lies under a tree, a guitar chimes, the music grows in intensity, the song becomes an impassioned declaration of love ... and people start falling from trees. Was he a daydreamer or did he fall too? Frantic animation follows, more bodies fall - with respite only from a dancer in a Warholesque sequence. HowYe was made by the Special Problems team of Campbell Hooper and Joel Kefali (makers of notable videos for Naked and Famous, Mint Chicks and Dimmer) and shot in Cornwall Park and Pt Erin Park in Auckland. The dancer is Benny Ord (formerly of the Royal NZ Ballet).
The award-winning promo for King Kapisi's debut single is a family affair: bookended by shots of his two-year-old son, directed by his sister Sima and produced by another sister, Makerita. The song is a plea to his Samoan people to remember their pre-colonial past: “feed your kids not the church”. Filmed underwater at Wellington’s Kilbirnie Aquatic Centre, the video has islander Kapisi swimming through a sea of lava-lava. Made before Kapisi signed a record contract, the video won gongs at 1997’s BFM, Mai Time, and Flying Fish awards and a 2004 NZ On Air 1000 Music Video Celebration nod.
Set in cowboy bar/truckstop 'The Cask Cleaver Rodeo Restaurant and Cabaret' and opening with a woman riding a mechanical bull, this clip is classier than a Kylie Minogue lingerie commercial. Minogue's people obviously drew the line at drunken bar room brawls complete with smashing glassware and a stage cage. Later the partying moves to a limousine. James Barr's clip is simple yet slick, and lit with a warm golden palette. Even the violent bar brawl seems somehow mellow.
Hip-hop DJ and producer P-Money moves to the dance floor with this pumping, chart topper which marks the recording debut of Australian X Factor finalist Vince Harder. In Rebecca Gin’s quirky video, P Money has a whirlwind romance which starts in a supermarket and ends in tears in a club (with a sharp contrast between the white of daytime and the blacks of the night scenes) but the “shoulder friends” are the attention grabbers here. They represent the music that people carry around with them (or, at least, until they venture down one dark alley too many).
"We are New Zealand - it's you and I" sings Minuit's Ruth Carr as images of everyday New Zealanders flash up on the screen. Directed by band member Paul Dodge, Minuit's video for 'Aotearoa' is a nostalgic trip through the archives — a celebration of NZ history starting with images of people and places, including Rangitoto, the Pink Terraces, Greytown's historic Revington's hotel through to Sir Edmund Hillary, Aunt Daisy and Ernest Rutherford, as well as national tragedies, protests and hikois — and even the six o'clock swill gets a look in.
‘Deciphering Me’, the first single from from Brooke Fraser’s second album Albertine, is a song about two people dealing with issues of vulnerability and trust. For this Juice TV award winning video, director Anthony Rose borrows from another work about a couple making a connection: Sofia Coppola’s Lost in Translation. Fraser walks through the neon landscape of Tokyo’s Shibuya shopping district (which features prominently in that film) and, on a sparkling rain-washed night, she shelters, like Scarlett Johansson, under a clear plastic umbrella.
Rebecca Gin created a simple but effective black and white video for this charity single, aimed at encouraging young people to ‘Think Twice’ before committing a crime. The line-up of singers and rappers is indeed all-star, and their mass performance footage is intercut with relevant street scenes illustrating the theme. The cast of New Zealand hip-hop royalty features Che Fu, Scribe, P-Money, Savage and DJ Sir-Vere (who initiated the project).