This militant debut from rappers Upper Hutt Posse marked New Zealand’s first hip hop record. Dean Hapeta announces himself with a history lesson proudly namechecking the great Māori warrior chiefs of the 19th Century — Hōne Heke, Te Rauparaha, Te Kooti — and their Māori Battalion successors. ‘E Tu’ is also a personal manifesto, with promises to preach the truth but not to brag or wear gold chains. Hapeta's down the barrel delivery carries a degree of confrontation rarely seen from New Zealand musicians up to that point.
Music legend Prince Tui Teka performs his greatest hit ‘E Ipo’ in this excerpt from a TVNZ special recorded at Auckland’s Mandalay Ballroom. Based on a traditional Indonesian folk melody, ‘E Ipo’ was written by Teka with Ngoi (‘Poi E’) Pewhairangi, when he was courting her niece (and his future wife) Missy. The two join Tui Teka on stage (along with Pita Sharples’ Te Roopu Manutaki cultural group) for a rousing rendition performed with his trademark verve and humour. The song reached number one, following te reo-dominated chart-toppers 'The Bridge' (sung by Deane Waretini) in 1981, and Howard Morrison's 1982 version of 'How Great Thou Art'.
This uplifting promotional clip is as famous as the chartbusting song. Accompanied by Jo, the breakdancing guide, for a tour of Patea and surrounds, the Patea Māori Club are captured "bopping and twirling like piwakawaka": at the local marae, in Wellington's Manners Mall, and on Patea’s main street, where milk tankers and sheep trucks pass by the Aotea canoe remembrance arch. So does the impresario himself: Dalvanius does a pūkana out a car window. In 2010 'Poi E' re-entered the charts thanks to Taika Waititi hit Boy. A documentary on the song was released in 2016.
This evocative music video scored a double-header: it was voted best video at both the NZ Music Awards, and the NZ Film and Television Awards. Emma Paki won gongs for singing and songwriting. Director Josh Frizzell mixes images of Paki singing on the streets with often sombre portraits of locals in their element, from children to gang members. Widely regarded as Paki's magnum opus, System Virtue became one of the most played local music videos of 1994. Killing Joke's Jaz Coleman produced the song; a much lusher version later appeared on 1996 album Oxygen of Love.
Set in a half-painted world of city, mountains and purple skies, director Ed Davis's video is a triumph of imagination and ingenuity over reality. The result is an extended aerial journey around an acrobat on a high wire — possibly reflecting some of the lyrics of this Paul McLaney and Anika Moa duet. Don't took out best video at the Kodak Music Clip Awards in 2003.
Blam Blam Blam’s second hit from 1981 was angular and artsy, hook-filled but unsettling: all qualities captured in a theatrical video, directed by Andrew Shaw. Clowns, magicians, fire-eaters and trick cyclists join the band, while actors play out the saga of ‘Don’t Fight It, Marsha’. The actors — including Phillip Gordon (Came a Hot Friday), Michael Hurst and Donogh Rees (Constance) — were directed by Harry Sinclair, who would later join Blam band member Don McGlashan in The Front Lawn. The Len Lye-style scratch effects were by Jenny Pullar, the Blams’ lighting designer.
One can imagine the concept for Davis' hysterically violent clip looking rather average on paper. "Band beats snot out of each other". But the mastermind behind some of NZ's most outstanding moving images knew what he wanted - and went ahead and NAILED it. (Check out his intriguing "making of" appended to this clip.) "The original footage was shot freeform then retimed with Twixtor [effects software], to time with the music. In fact the clip stars on the RE:VISION FX website, to show off the capabilities of Twixtor" Ed Davis March 09
Set at the apex of the magnificent Te Mata Peak, Ed Davis' spectacular one shot wonder appears devilishly loaded. Opening on a transmitter tower, we pan to discover our brooding hero slouched in front of TV. Cropping to widescreen allows Davis to cleverly frame the action and draw focus, as our axe wielding hero busts a valve, unleashing a world of hurt upon the offending appliance. Backing away from the dispute, amidst breathtaking scenery, we close on the root of evil - the loathsome tower.
The lead single off Maisey Rika’s 2009 self-titled EP is accompanied by a delicate and moody music video. After catching up with supportive friends, Rika continues singing her song about starting over in Auckland's Albert Park. Then she hits the road in in the back of a ute, playing her way through Auckland city and on into the countryside. The 'Letting Go' single helped Rika's EP reach the NZ Top 40, following on from her previous double-platinum success — when at age 13 she released an award-winning album of traditional Māori song, E Hine.
Upper Hutt Posse were the first group to release a hip hop record in New Zealand, with their politically charged breakthrough 1988 single 'E Tu'. On this single from 1992, they make something of a return to their reggae roots. By now the group had expanded from the original four-piece, and included Teremoana Rapley — also part of Moana and the Moahunters — on additional vocals. The song would later appear on the soundtrack of Once Were Warriors, with Posse members Dean and Matt Hapeta (aka D-Word and MC Wiya) making cameo appearances in the film.