Mixing nostalgic home movie style footage with images of Age Pryor looking slightly melancholic, this video dates from the singer's second solo release, City Chorus, released in 2003. Pryor went on to co-found the Wellington International Ukelele Orchestra, and contribute songs and vocals to ensemble album The Woolshed Sessions.
Dragon brothers Marc and Todd Hunter bestride the hills of south east New South Wales in this video for one of their latter hits. The autumnal lyrics are a good fit for a band in its later and more reflective years: Marc is celebratory in one of his last videos with the band. Todd — bass against the bush background — is gleeful, and the cow unperturbed. Written by keyboard player Alan Mansfield and his partner, Kiwi singer Sharon O’Neill, ‘Young Years’ gained added poignancy following Marc Hunter’s death in 1998. O’Neill has dedicated her performances of the song to his memory.
Early standard bearers for the Flying Nun label, The Clean ended their first incarnation with this abrasive, rollicking, darkly-humoured take on the aging process (featuring backing vocals from Chris Knox and some Robert Scott trumpet). Ronnie van Hout, who designed much of the label's early artwork, turned his hand at directing for this clip. Without a budget, he utilised the Christchurch service lanes and aging inner city buildings which housed so many of the local music industry's bars, clubs and rehearsal rooms (and a succession of early Flying Nun offices).
Crooner Marlon Williams has called 'Vampire Again' "my own demented tale of New Age self-affirmation". The song was born after he discovered he was the only person to dress up as a vampire for a screening of 1922 horror classic Nosferatu. Williams directs the music video; his portrayal of dance fiend and comical bloodsucker reflects his belief that good material can be found in the tension between serious and foolish. The video was shot and cut by veteran music photographer Steve Gullick (Nirvana). It won Best Music Video at the 2018 Vodafone NZ Music Awards.
This black and white performance music video is taken from debut album Live at Bats (2004), back when the plan was for the Fly My Pretties ensemble to be a one-off project. Written and sung by Age Pryor — with vocal help from Tessa Rain — the gentle folk song is enhanced by simple but effective shooting, and attentive use of split-screen editing. The track was recorded in Wellington's Bats Theatre.
Directed by prolific music video maker turned movie director Jonathan King, this clip for pioneering hip hop duo Dam Native won Best Video at the 1997 NZ Music Awards. It evokes the look of a sepia-tinged colonial era photo, and the art direction —Edwardian suits and tokotoko (walking stick) — are beautifully realised. The film was then deliberately scratched to help it look aged. The result makes an effective backdrop to the song’s political lyrics. DJ Sir-Vere called the track “an original Aotearoa classic”.
This was the last music video made by 80s band The Crocodiles before they left NZ for Australia. The clip features new band members Jonathan Swartz, Barton Price (who later found success with Aussie band The Models), and future solo star Rikki Morris, then aged 20. Singer Jenny Morris is in leopard print and pink lycra, and Rikki wears a very 80s combo of high-waisted white pants and argyle sweater, as the band clown around in a supermarket (now a Hutt Valley McDonalds). Dave Dobbyn makes a cameo appearance dressed in drag as Morris's mother.
A tongue in cheek paean to the joys of middle age, this jaunty, amiable rocker was an unlikely hit in the more electro-pop oriented early 80s. Written by Dave Luther, from folk pop group Hogsnort Rupert, it was the 12th biggest selling single in NZ in 1983. The all-singing, all-dancing music video, like so many of the era, was an Avalon studios television production. Less typically, by the standards of the day, it practically amounts to a major production with multiple sets and a cast of dozens while the band hams it up for all they are worth.
Nostalgia can take many forms: and certainly many a middle-aged memory swirls back to this early Sharon O’Neill video, a nostalgia further fuelled by the long lack of a decent quality master copy. The classic clip about romance in foreign climes — or perhaps a romance that unfurled somewhere else entirely — opens with O’Neill’s backlit image reflected in the water. But it is the scenes of O’Neill in a rippling pool wearing a shark tooth earring that seem to have left the longest impression on males of a certain vintage.
The concept for this 2003 video sees the Nesian boys preparing for a party while snapping and sharing (probably then-expensive) 'pixt' photos of each other and the Mystik people in their lives. The perils of public snoozing in the mobile age are shown. As music video aficionado Robyn Gallagher has noted elsewhere, this snap happy, pre-smartphone video nearly anticipates that in the future, "an entire music video will be able to be shot on a phone camera." 'For the People' was a Top 10 single from Nesian Mystik’s hit album Polysaturated.