Filmed at Bethells Beach and in a tunnel somewhere in the Auckland suburb of Ellerslie, this award-winning video from future Whale Rider director Niki Caro traces a sea nymph, a beating heart and an elderly gentleman's struggle with his hat. Clearly reluctant to move into the 90s, the eternally rock Shayne Carter looks splendid in dark eye shadow — a look he later told RipItUp was "definitely a low point in rock". Bad Note for a Heart was judged best music video at the 1990 New Zealand Music Awards.
Don McGlashan has won the prestigious APRA Silver Scroll award twice. In 2006 Miracle Sun gained him another nomination. McGlashan's lyrics evoke a mythical summer and directly reference Opo, the 'friendly' dolphin whose visits to Opononi in the mid 1950s became the stuff of Kiwi legend. The song's sweeping chorus is bittersweet, and a lap steel guitar adds a slightly mournful tone. The black and white video mixes National Film Unit footage of Opo charming holidaymakers, with shots of McGlashan and his band heading to the Hokianga and playing a gig for locals.
The video for the highest selling Kiwi song of both 2016 and 2017 was shot on a mobile phone in Fiji. Featuring beaches, pools, and partying, Don’t Worry Bout It was filmed by Auckland musician Kings while he was in Fiji for a music festival. Kings wanted to create an instrumental track with a summer feel, but added lyrics after watching his daughter run around a park without a care in the world. As of December 2017, 'Don’t Worry Bout It' held the record for the longest number of weeks (33) as the week's biggest-selling Kiwi single; it had been streamed on Spotify over six million times.
This single from Supergroove’s second album Backspacer (1996) reached number seven in the charts, and captures the band's shift from funk to rock after the exit of rapper Che Fu and trumpeter Tim Stewart. The lyrics ask "who would you kill?". Via madcap music video logic, they’re channeled into a fictional TV show, an exercise equipment promo, a pigsty, ice-skating rink, and a burning piano on a beach. The results won Best Video at New Zealand's local music award ceremony in 1997. Bassist Joe Lonie and cinematographer Sigi Spath had won it the previous year, for 'You Gotta Know'.
One of seven singles from Bic Runga's mega-selling debut album Drive, 'Suddenly Strange' is about calling time on a relationship. Runga's bittersweet lyric is a declaration of independence that never quite becomes unequivocal. Nominated for Best Video at the 1998 NZ Music Awards, the stylishly colourful clip finds her inside a cube in various locations around Auckland — enclosed while life carries on around her, at least until the hopeful final shot. Director and graphic designer Wayne Conway (partner of Kate Sylvester) also designed the cover of the Drive album.
This video for Andrew Brough's band Bike features the group playing in a moving caravan, which is being driven by a frazzled father (Topless Women Talk about their Lives actor Ian Hughes). Says director Jonathan King: "I had a vision of Shayne Carter in mirror shades playing a policeman. He agreed on the condition he wouldn't shave his mo. Of course it just added to the moment. Ian Hughes brought his new puppy, Olive, along because he had no one to look after it, so we integrated it into the action. In fact much of the fun stuff he does was him just improvising on the day."
In 1992 songwriter and guitarist Andrew Brough left Straitjacket Fits, determined to perform his own brand of "f***ing uplifting pop music". Three years later he formed Bike with drummer Karl Buckley and bassist Tristan Mason. Debut single 'Save My Life' was a finalist in the APRA Silver Scrolls. Brough was a fan of sunny, West Coast guitar jangle and 'Save My Life' has a bob each way: guitars chime, while a morbid lyric ('Don't you try and save my life /cos' I'm already dead') floats overhead. Director Mark Tierney chooses a dreamy palette which combines orange with monochrome.
'Odyssey' is the second single for Ruby Frost (a musical persona created by Auckland singer-songwriter Jane de Jong). With a wink and nod to the DIY craft aesthetic, director Veronica Crockford-Pound’s video presents West Auckland's Bethells Beach as an alien landscape inhabited by exotic, glitter-faced creatures. Accordingly the subject matter of this electro-pop odyssey is more of the space variety than Homeric; but, for all of the astral imagery, the journey in question is actually about de Jong rediscovering her creativity after difficult times.
Ruban Nielson’s Portland-based Unknown Mortal Orchestra explores lo-fi, funk psychedelia on this bittersweet number from their second album. The video, shot by an American cast and crew at counter-culture hangout Venice Beach in Los Angeles, follows Chris Mintz-Plasse (Superbad, Kick-Ass) as he attempts to extricate a loved one from the clutches of a panhandling, Manson Family style cult. Former Mint Chick Nielson (in black jersey and beanie) and his fellow UMO members have cameos but can’t compete with the family members dancing in the California sun.
This soulful despatch from the end of a love affair won Rikki Morris the APRA Silver Scroll songwriting award for 1991. It was produced by his brother Ian (aka Tex Pistol) who contributed a suitably epic 80s drum sound and won himself Engineer of the Year at the NZ Music Awards. The family connection extended to the music video where Rikki’s then wife Debbie Harwood (from When the Cat’s Away) played the former partner in the Super 8 footage (which the pair shot themselves). A stormy surf beach offers an appropriately tempestuous supporting performance.