Hey judith key image

Hey Judith

Dribbling Darts of Love, Music Video, 1993

Shot in and around Auckland, Karyn Hay's gorgeously colourful clip follows two love birds and their associated entourage - a female body builder, a Ken doll and a punk. Although not officially in the band, Andrew Fagan appears twice in the video, once as a hooded mugger, and again as the drummer, identity concealed with a paper bag.   "One of my favourite scenes is the red lipstick on the kissing booth." Karyn Hay, May 09  

Loose change key image

Loose Change

Grayson Gilmour, Music Video, 2009

Shot by Jesse Taylor Smith on 16mm on an antique Russian Krasnogorsk camera, Loose Change features a succession of movies within movies until it seems that everyone and everything could be on a set (apart, perhaps, from the photographer in the pig's head). Piano and glockenspiel build, crash and ebb as a model helicopter fights a fire in a building (life nearly imitated art when the stovetop pyrotechnics got out of hand); and, at the meta-end, the couple watching the "Stay Indoors" message on the TV are themselves revealed to be outside on a footpath.

Room that echoes key image

Room that Echoes

Peking Man, Music Video, 1985

"I'm gonna build a room that echoes, around and around and around with its own sound." Peking Man's career peaked in 1985 with 'Room That Echoes', a number one hit that saw the band dominate the 1986 music awards. Directed by John Day, the surrealistic video features animated computer graphics of the afore-mentioned room, slowly building wall by wall and tracking against a background of stars. Margaret Urlich is the only band member present, appearing as a lone silhouetted figure dancing across a checkerboard floor.

Block of wood key image

Block of Wood

The Bats , Music Video, 1987

The trademark warm, jangling sound of veteran Flying Nun band The Bats masks a Robert Scott lyric about emotional numbness on this song from their debut album Daddy's Highway. Director Jonathan Ogilvie's clip features a chainsaw of Damocles and the ventriloquist's dummy from the album cover — and a poignant Christchurch location. The distinctive, triangular ANZ Bank Chambers (where the band members play on the balconies) and surrounding buildings at the intersection of Manchester, High and Lichfield streets were devastated in the city's earthquakes.

The crocodiles   telephone lover key

Telephone Lover

The Crocodiles, Music Video, 1980

The Crocodiles were on tour supporting their second album, Looking at Ourselves, when this video was shot in Dunedin. Though he’d left the touring unit, Fane Flaws still provided material and was co-writer of ‘Telephone Lover’. Dunedin’s old Bing Harris Sargood building provides the backdrop for most of the video, while the ‘live’ sections were shot at the now-defunct Shoreline Tavern. Dunedin cameraman Peter Janes directed and filmed the segment for regional news programme The South Tonight.

Walkie talkie man key image

Walkie Talkie Man

Steriogram, Music Video, 2004

If the Wool Board rocked, Steriogram’s ‘Walkie Talkie Man’ video would be the result. It uses wool to create people, instruments and tall buildings. A King Kong-like character scales Hollywood’s Capitol tower to kidnap singer Tyson Kennedy: inevitably, this warm fuzzy has to unravel. The ingenious stop-motion animation was made in New York by Frenchman Michel Gondry (director of feature Eternal Sunshine of the Spotless Mind, and notable promos for Radiohead and Beck). The video – and the song’s use in an iPod advert – brought Steriogram worldwide exposure.

I love my leather jacket key image

I Love My Leather Jacket

The Chills, Music Video, 1986

The Chills visited England in 1986. This video mixes a moody rehearsal room performance with reminders of London, including Big Ben, the underground and apartment buildings (British sci fi comic 2000AD can also be spied). Vocalist Martin Phillipps wears the leather jacket of the song’s title. The jacket was bequeathed to him by Chills bandmate Martyn Bull, who died of leukaemia at the age of only 22. Paired with single 'The Great Escape', the song reached number four on the New Zealand charts, early in 1987.

Keep on pushing key image

Keep On Pushing

The Black Seeds, Music Video, 2001

Made by off-duty Lord of the Rings crew and directed by James Barr, this video won The Knack Award at the 2001 Flying Fish Music Awards, and was a Handle the Jandal award-winner the same year. Shot in black and white, the clip is visually strong, but contains lots of shots of the band falling from buildings, so don’t watch it if you suffer from vertigo. And please don’t try this at home! Onetime band member Bret McKenzie (Flight of the Conchords) turns up in the final stages, with an emergency bucket.

Pressure men key image

Pressure Man

The Feelers, Music Video, 1998

This video for the debut single from Christchurch rockers The Feelers was one of the first made by director Joe Lonie after the disbanding of Supergroove (where he played bass, and learnt his craft directing their videos). It earned Lonie a nomination for Best Video at the 1998 NZ Music Awards. The video begins, as it ends, with a man fleeing from unseen forces. Lonie builds and maintains momentum with constant motion and cutting, while underlining the pressure motif by having the band performing in a boiler room, and claustrophobically running through a pipe.

Precious key image

Precious

The Jean-Paul Sartre Experience, Music Video, 1991

Flying Nun supremo Roger Shepherd says this 1991 single release saw the Jean-Paul Sartre Experience further develop its sound and push it to a poppier place. And the sweeping melody of the chorus supports that. Largely shot in a derelict pub in central Auckland (that was subsequently demolished to make way for a high rise building), the video uses a constantly moving camera and primary colours to back up the lush sound. By now the band had shortened its name to JPS Experience and added keyboard player Russell Baillie.