Director Chris Graham planned an ambitious video for this song, but budget and scheduling got in the way. When Graham heard TrinityRoots were disbanding, he pitched the idea of a live video at their farewell concert in the Wellington Town Hall. Mixing in footage of land and sea, the result honours one of their anthems and captures a glimpse of the original line-up in their soulful, impassioned element. TrinityRoots regrouped in 2010, but this video preserves the final moments of their first incarnation; when their one waka was turning into three.
Wellington dub/roots act Rhombus won fans with this video for the brassy, bouncy, self referential first single from their debut album ‘Bass Player’. Director Chris Graham pays fulsome tribute to classic road movie Goodbye Pork Pie (complete with cameo from the film’s star, original 'Blondini' Kelly Johnson). There are also appearances from a number of Wellington musical heavyweights, including Fat Freddy’s Drop, Trinity Roots (with a snatch of ‘Little Things’) and MC Rizzla, also known as Tiki Taane (who features on the original track).
The video was directed by Mark Williams (aka MC Slave) and the concept was born over yum cha sessions with the band. In the clip the Fat Freddy's crew are abducted by mad scientist and former child prodigy musician Boondigga (Taungaroa Emile). Taunted by FFD's soul sounds, he conducts a lab experiment to extract the music from their brains.
The Listener described the child-friendly music of Fatcat & Fishface as sounding “like Tom Waits’ toy cupboard.” ‘Happity’ (from album Meanie) is a bogan twist on Cinderella, with an uncoordinated rabbit from Palmerston North — “the fumbliest, stubbliest bunny of all / His feet are too big and his teeth are too small” — feeling dateless before the Manawatu ball. Made with stop motion animation, the video was directed by Derek Sonic Thunders, who gained notoriety for his video ‘Songs About Drinkin’ and Dyin', in which Action Man and Barbie do unmentionable things.
This charity single, sung by Spot On presenter Ole Maiava, was made for Telethon in 1985. In the studio-shot video Maiava is supported by co-presenters Sandy Beverley on drums and Helen McGowan on maracas, backed by Eastbourne's Muritai School Choir. The song was produced by late screen composers Terry Gray (Sea Urchins and the classic 'We are the Boys' Chesdale commercial) and Rob Winch (Mark II, ‘Cruisin' on the Interislander’). The song made it to number eight in the charts. That year Telethon raised $1.5 million for the Child and Youth Development Trust.
Director Sam Peacocke’s tale of love and motor-racing was the first official music video to be made for The Checks. Set in the 1960s, it contrasts a young Japanese driver at the track with his apprehensive girlfriend who waits forlornly at home. Tapping into his own love of motor-sport and memories of being at a racetrack as a child, Peacocke made this stylish, streamlined clip for a budget of $30,000 at Hobsonville Air Base near Auckland; the meticulous attention to period detail includes authentic Lotus racing cars.
Co-written by lead singer Fiona McDonald, 'Juice' celebrates the days when she watched morning music shows as a child. Alongside scenes of children playing outside, things take a more sinister turn indoors, with one particularly nightmarish sequence showing her younger self restrained in a dentist’s chair. 'Juice' was released paired with Chickens song 'Choppers', and won Single of the Year at the 1994 NZ Music Awards. It was originally recorded by McDonald’s other band, Strawpeople, under the title 'Dreamchild'. It featured on 1994 Strawpeople album Broadcast.
‘Rain and Tears’ was inspired by a reworking of Pachelbel’s ‘Canon in D Major’ by Greek prog rockers Aphrodite’s Child (featuring Vangelis and Demis Roussos). Auckland band The Hi-Revving Tongues had their biggest hit with their version, which topped the New Zealand singles chart in 1969. This footage is from the Loxene Golden Disc contest, where they won the group award, and were nominated for best song. It’s a restrained performance which gives little hint of the band’s more psychedelic sound — or their enthusiasm for onstage pyrotechnics.
Former schoolmates having babies were Finn Andrews' inspiration for this elegant, optimistic piece of chamber pop from the second Veils album Nux Vomica (named for the poison tree which produces strychnine and a homeopathic remedy). The delightfully wry video finds the band's performance in a pink-swathed set invaded by crawling babies and toddlers. The song celebrates a single mother's right to raise her child; the band's interactions with the babies suggests they'll be content to keep the next generation at arm's length for quite some time.
A song that manages to feel fast and gentle all at once, 'Hey Little' marked the first single for Auckland band Pluto. The low-tech stylings of the music video evoke the feel of a home movie; the shots of children, pets and good times with friends and family are an appropriate match to the lyrics, which evoke a parent talking affectionately to a child. 'Hey Little' vocalist Milan Borich was first seen in front of the cameras at age 12, as one of the stars of 1940s-set TV drama The Champion.