"We are New Zealand - it's you and I" sings Minuit's Ruth Carr as images of everyday New Zealanders flash up on the screen. Directed by band member Paul Dodge, Minuit's video for 'Aotearoa' is a nostalgic trip through the archives — a celebration of NZ history starting with images of people and places, including Rangitoto, the Pink Terraces, Greytown's historic Revington's hotel through to Sir Edmund Hillary, Aunt Daisy and Ernest Rutherford, as well as national tragedies, protests and hikois — and even the six o'clock swill gets a look in.
Wellington trio Connan and the Mockasins spent much of their time channelling 1960's blues pop/rock — but this brief, sparse outing from their debut EP Naughty Holidays sees them tapping into a more ethereal strain of pastoral pyschedelia from the same era. Director Sam Handley’s clip (shot at Mangakino near Taupō) places the band on board an enchanted river boat, spreading delicate notes like pixie dust along the way under the watchful eye of one of the cliff faces. Connan, not unreasonably, plays a wind-up clock complete with lamps.
This song from Flying Nun stalwarts The Verlaines comes from their 10 O'Clock in the Afternoon EP — the follow-up to their signature single 'Death and the Maiden'. The video was made at TVNZ's Avalon Studios where more than a few clips were marred by inappropriate treatments in the early-80s — but The Verlaines were spared unnecessary trickery, props or actors. With a simple set and an all but imperceptible transition from black and white to colour as the only effect, the focus is on the burning, claustrophobic intensity of song and performance.
This wistful, gently melodic rocker was the breakthrough single for this Australian based band of Kiwi brothers. Written by drummer Dann Hume when he was 16, it spent four months in the Australian Top 20 and was the NZ APRA Silver Scroll winner for 2005. Melbourne director Sarah-Jane Woulahan's video makes the brothers an elfin presence in the depths of a black and blue forest while the clock motif, which echoes the song's theme of passing time, takes its visual cues from vintage cinema.
This jaunty debut single from Wellington reggae band Southside of Bombay is as deceptive as the happy family sing-a-long it accompanied in Once Were Warriors (which turned it into a belated chart hit). Far from being a nursery rhyme, its lyrics are informed by composer and vocalist Ruia Aperahama’s Ratana religion and a belief in the clock ticking towards an end time. Cinematographer Richard Bluck’s Wellington-filmed video captures the band performing on the south coast, cut with archive footage of Aotearoa activism ... as Mr Wolf watches on. The song was produced by Ian Morris.