A last-minute addition to their 1979 album Graffiti Crimes, 'Computer Games' was a huge hit for Mi-Sex, reaching number one in Australia, two in Canada and five in NZ. Computers and arcade games were a real novelty in 1979 and the band's synth-driven sounds were a perfect match. The video starts with the band breaking into the Sydney data centre for then-supercomputer giant ControlData. Printers spew paper forth, and as the band performs, old school graphics including a driving game and TIE fighters, are projected behind them. Advance one level on green!
Taking as its subjects a boy discovering new sounds on the radio and a soundtrack that gives purpose to a woman’s life, ‘Misty Frequencies’ is a soulful hip-hop hymn to the power of music. Che Fu’s music video places the singer and his band in a giant Tetris-like computer game before plugging into a bush setting (locations representing his musical yin and yang of technology and passion?). A magic mushroom prefigures the tree ferns collapsing in a heap of CGI bricks. ‘Misty Frequencies’ won the 2002 APRA Silver Scroll for Che Fu and co-writer Godfrey de Grut.
Mi-Sex moved further into the futuristic sci-fi world signalled by their hit single ‘Computer Games’ with the release of their chart topping second album Space Race in 1980. The lead-off single ‘People’ emerged at a time when the world was still coming to grips with cloning, genetic engineering and test tube babies. The video showcases the band’s well honed combination of techno-pop and the more straight ahead rock’n’roll beloved of Australian pub audiences — with some visual special effects reserved for the future shock of the spoken segment.