A last-minute addition to their 1979 album Graffiti Crimes, 'Computer Games' was a huge hit for Mi-Sex, reaching number one in Australia, two in Canada and five in NZ. Computers and arcade games were a real novelty in 1979 and the band's synth-driven sounds were a perfect match. The video starts with the band breaking into the Sydney data centre for then-supercomputer giant ControlData. Printers spew paper forth, and as the band performs, old school graphics including a driving game and TIE fighters, are projected behind them. Advance one level on green!
Chart-topper 'Brother' is about Smashproof's South Auckland neighbourhood, and how the hip hop trio want it to change — crime and violence are not the only options. It's an urgent message, delivered via a powerful, Tui award-winning drive-by video from music video director Chris Graham. The clip made it into mainstream news media for a scene bluntly inspired by a high profile incident, where a businessman stabbed a young tagger. Singer-songwriter Gin Wigmore features during the chorus. 'Brother' broke local chart records, after spending eleven weeks at number one.
Rebecca Gin created a simple but effective black and white video for this charity single, aimed at encouraging young people to ‘Think Twice’ before committing a crime. The line-up of singers and rappers is indeed all-star, and their mass performance footage is intercut with relevant street scenes illustrating the theme. The cast of New Zealand hip-hop royalty features Che Fu, Scribe, P-Money, Savage and DJ Sir-Vere (who initiated the project).
Soul songstress Hollie Smith looks gorgeous in a fierce kind of way, in this clip directed by Preston McNeil. Auckland bars Hotel DeBrett and Sale St gleam, and there are clowns, stylish assassins and a mysterious crime. Not to mention celebrity cameos galore — including Danielle Cormack, future Westside actor Pana Hema-Taylor, and music TV hosts Shavaughn Ruakere, Nick Dwyer and Helena McAlpine. Topping it all off: surely the longest credits sequence in the history of Kiwi music videos.
From The Phoenix Foundation’s second album Pegasus, ‘Hitchcock’ is an eerie “electro noir” instrumental tribute to the great film director. Reuben Sutherland’s remarkable clip (which he shot, directed, animated and edited) features a choreographed army of Russian Lada cars — created out of images shot with a stills camera and layered 90 times. What follows is a surreal, conservation-themed revisiting of the Cold War as the electric powered Ladas of the ‘Petrol Crimes Bureau’ are pitted against a gas guzzling 4x4 (bedecked with the Stars and Stripes).
Set in London, this music video offers a Bonnie and Clyde-style tale, inspired by lyrics which contrast life for rich and poor, and speak of “churning butter into diamonds”. After opening with the discovery of a body in a wedding dress, the clip offers up a prelude to the death. The video contrasts the pair’s apparent romantic entanglement with their escalating crime spree, from petty theft to armed robbery. The widescreen clip was directed by London-based Kiwis Claire Littler and Ralph Matthews.
This is one of four videos directed by Kiwi-born Andrew Dominik for band Straitjacket Fits. The brooding, disdainful 'Cat Inna Can' was the first single from the the Fits' third album, Blow, recorded in LA after the departure of guitarist Andrew Brough. The meowing guitars are matched with circling, swooping camerawork, in a video shot in a Sydney warehouse and cooling tower. Dominik went on to direct acclaimed crime films Chopper, The Assassination of Jesse James by the Coward Robert Ford, and Killing Them Softly — the latter two starring Brad Pitt.