This raw and rowdy video gives a fleeting insight into the all-too-short life of Darcy Clay. Recorded on a primitive four-track tape machine, 'Jesus I Was Evil' was a demented fusion of country and garage rock that, combined with Clay's fetching Evel Knievel-style onesies, heralded the arrival of an eccentric new voice. Darcy's school friend David Gunson agreed to shoot the video for a few hundred dollars and a bottle of whisky — editor Ian Bennett ended up getting the whisky. The wry humour and energy captured in the video stands as a fitting testament to his subject.
This slickly art-directed music video makes a big nod to cult movie A Clockwork Orange, with the band delivering great performances in the Korova Milk Bar and en route to mayhem. Lead singer Jon Toogood bears an uncanny likeness to psychopath Alex (played by Malcolm McDowell in the 1971 film) in the Jolyon Watkins-directed clip. An interesting piece of trivia for the Kiwi Clockwork connections' file: an artwork from NZ artist Ted Bullmore appeared on the wall of Mr Alexander's home in the inspirational film.
Ruban Nielson’s Portland-based Unknown Mortal Orchestra explores lo-fi, funk psychedelia on this bittersweet number from their second album. The video, shot by an American cast and crew at counter-culture hangout Venice Beach in Los Angeles, follows Chris Mintz-Plasse (Superbad, Kick-Ass) as he attempts to extricate a loved one from the clutches of a panhandling, Manson Family style cult. Former Mint Chick Nielson (in black jersey and beanie) and his fellow UMO members have cameos but can’t compete with the family members dancing in the California sun.
This unlikely ode to loose pants from Christchurch hip hop duo Dark Tower reached number 29 in the charts in 2000. “I like my pants baggy, baggy, baggy, baggy, baggy / cuffs a draggin' with the crutch a saggin’.” The southern Pākekā pride on show presented a funk rap alternative to the dominant ‘urban Pasifika’ influence in NZ hip hop, and won a cult following. The video, directed by David Stubbs (Reservoir Hill) riffs off the found footage concept of (then) hit horror film Blair Witch Project; it was nominated for Best Video at 2000 NZ Music Video Awards.
NZ On Air funding gave director Chris Knox a little more budget than usual and it looks like he enjoyed the experience. Knox and Alec Bathgate perform with bandaged balaclava-like heads and weird painted face masks - English Patient meets a K-Road flower cult - while an upside down world flickers in the background. Mad but great.
Australian music video maestro Richard Lowenstein (INXS, U2, cult film Dogs in Space) directed this bouncy city-life clip for the song when Tim Finn first flew solo from Split Enz. Bright colours, video scratching, an animated sausage dog — what more could you want? Finn walks along carrying a ghettoblaster in Wayfarer sunglasses; it must be the 80s. 'Fraction too Much Friction' got to number two on the Kiwi singles charts in 1983, and number eight in Australia. That year Finn recorded a last album with Split Enz, before leaving the band he co-founded roughly a decade before.