The video was directed by Mark Williams (aka MC Slave) and the concept was born over yum cha sessions with the band. In the clip the Fat Freddy's crew are abducted by mad scientist and former child prodigy musician Boondigga (Taungaroa Emile). Taunted by FFD's soul sounds, he conducts a lab experiment to extract the music from their brains.
Set in a Grey Lynn fish'n'chip shop, this clip delivers a killer kai moana concept, when it's revealed that the greasy takeaway is merely a front for the club downstairs. Winner of Best Music Video at the 2006 Vodafone NZ Music Awards, the video features a host of cameos in addition to the members of Fat Freddy's Drop: including Danielle Cormack, Ladi6, John Campbell and Carol Hirschfeld. It was directed by Mark 'Slave' Williams, sometime MC for the band. The track was part of Fat Freddy's first studio album Based on a True Story, one of the biggest-selling in Kiwi history.
To cast the many faces in this video, director Greg Page put up an advertisement in an Asian food hall. The clip combines band PanAm rock and rolling in a warehouse, with shots of various Asian women larking around in a photo booth, and leaving (subtitled) messages for the band. Director and musician Greg Page has gone on to direct dozens more music videos (including clips for The Datsuns and Elemeno P), animated shorts, and 2003 horror movie The Locals.
This is the first music video from director Andrew Moore. The punning title is, of course, a plea to a divine figure rather than a children's author - but the Seuss characters (painted by guitarist David Mitchell) dominate this video, which is as crazed and chaotic as its soundtrack (and potentially seizure inducing at times?). David Saunders beseeches the camera, but respite comes only from a sequence filmed in a train carriage at Dunedin Railway Station. Is it possible for any New Zealander of a certain age to see that train shot and not think of the Crunchie commercial?
Don’t mess with the Black Seeds! The band members run amok in a government office when they are wrongly accused of civil disobedience. Heads get photocopied, computers get beaten up, and chaos rules in this clip made by director James Barr. Look out for Bret McKenzie, of Flight of the Conchords fame, who was a member of the band at the time. 'Hey Son' is taken from the band's 2001 debut album Keep on Pushing.
A remixed version of a lighter song from hip-hopper King Kapisi’s third album Dominant Species, this down and dirty number gets a burlesque style treatment from director Sam Peacocke. Behind the Old West frontage of ‘King Kap’s Confectionary’ store (where the new flavour is coconut), a very dapper King Kapisi presides over a hallucinatory mix of candy, dancing girls, Donnie Darko-inspired rabbit suits — and a striking smoke effect, created from ink spreading on water. Lollipop was voted Best Hip Hop Video at the 2006 Juice TV Awards.
Set in a half-painted world of city, mountains and purple skies, director Ed Davis's video is a triumph of imagination and ingenuity over reality. The result is an extended aerial journey around an acrobat on a high wire — possibly reflecting some of the lyrics of this Paul McLaney and Anika Moa duet. Don't took out best video at the Kodak Music Clip Awards in 2003.
The third single from Bic Runga's 1997 debut album Drive got to number seven in the NZ charts, 10 in Australia and 26 in Ireland. It nudged the UK charts at 96, and was included on the soundtrack of hit comedy American Pie. Directed by UK photographer/video director Karen Lamond and made to showcase Runga internationally, the video shows the singer shyly stalking the hipster of her 90s dreams, as he stocks the shelves of an Italian deli. Back at her place, the camera pulls back for an unexpected end. An earlier video for the single also exists, directed by Kiwi talent Joe Lonie.
Complete with go-go dancers and psychedelic swirls, this delightfully campy video from Garageland evokes the style of 60s music shows (eg C’mon) more than the pop-punk and grunge-filled 90s from which it came. The unusually tall aspect ratio may be an allusion to the far less widescreen televisions of the past — a look abandoned in a second music video, made for the same song. The alternative video played with screens in a different way, using the same segmented-frame style that director Gina Birch refined in another Garageland promo, Feel Alright.
This slow burning tale of a domestic appliance with a mind of its own was The Mutton Birds’ only number one hit. The sinister, surreal and partly animated video — the band’s fourth with director Fane Flaws — hints at the short films of Don McGlashan’s other project The Front Lawn. A furtive, nerdy McGlashan takes the lead with Elizabeth McRae (in her prime as Marj on Shortland Street) as his mother; the other Mutton Birds have cameos as a seedy second hand dealer (David Long) and a Salvation Army brass section (Ross Burge and Alan Gregg).