When Bic Runga broke out in 1996, 'Drive' was the lead single from her hit album of the same name. Opting to stay with the simplicity of her original demo clearly paid off: the song earned then 20-year-old Runga the 1996 APRA Silver Scroll Songwriting Award. Director Justin Pemberton wisely creates a video that matches the song. Alternating black and white with colour provides a moody feel without drawing attention to itself, leaving Runga to deliver a delicate performance on a song that would have a major impact on her career.
Evoking nostalgia for summer holidays, Crowded House lark around at the beach with partners, kids and Lester the dog. Shot in the Bellarine Peninsula near Melbourne, the music video features bassist Nick Seymour's 1961 T-Bird convertible, plus a brief shot of the police who pulled him over for driving it unregistered, then took it around the carpark. American record executives were unimpressed with the video, which won more favour in the UK. The first fruit of a writing session by Neil and Tim Finn, the song was one of eight Finn brothers compositions on third Crowded House album Woodface.
David Kilgour, looking particularly dapper in a blue and white polka dot shirt, plays the high living rock star in this Stuart Page directed video. The backstage party and driving sequences were filmed in Dunedin and feature David's brother (and fellow Clean member) Hamish and local identities including Martin Phillipps (from The Chills) as the chauffeur. The live performance was shot at the Powerstation in Auckland and the paparazzi sequence takes place at Auckland International Airport. Special mention should be made of the "brick" mobile phone.
Director Sam Peacocke’s tale of love and motor-racing was the first official music video to be made for The Checks. Set in the 1960s, it contrasts a young Japanese driver at the track with his apprehensive girlfriend who waits forlornly at home. Tapping into his own love of motor-sport and memories of being at a racetrack as a child, Peacocke made this stylish, streamlined clip for a budget of $30,000 at Hobsonville Air Base near Auckland; the meticulous attention to period detail includes authentic Lotus racing cars.
Named after the German word for a type of gas chamber used in Nazi concentration camps, 'Gaskrankinstation' was the first single off Headless Chickens' second album Body Blow. Actor Peter Tait (Bogans, Kitchen Sink) stars as gas station attendant Ivan, whose desperate monologue drives the track, while the band play some comically tortured-looking instruments in the parking lot. Anita McNaught also makes a cameo appearance as the "lady newsreader" of Ivan's affections.
The first single from Goldenhorse's second album is an insistent lover's plea that marries Kirsten Morrell's vocal dexterity to a driving tempo. In the music video for the Auckland folky rockers director Adam Jones disdains the big wide shot for disembodied images and details of the musicians performing. A vibrant Morrell, resplendent in red (rather than the lyric's lady in white) captures the centre of attention, with her band mates providing a textured background — and workout for the focus puller.
In the early 90s Australian David Barraclough joined The Exponents as a guitarist and songwriting partner for singer Jordan Luck. ‘La La Lulu’ was one of the results. Directed by Mark Tierney, the video sees the band – besuited a la Reservoir Dogs – hard rocking in a studio then driving around a quarry, before tagging and demolishing their ride. It borrows a graphic style from US conceptual artist Barbara Kruger, flashing slogans like ‘online erotic’ over the band. ‘Lulu’ got to 13 in the NZ charts, and would be the band's final single to break the top 20.
"Samoa mo Samoa!" — King Kapisi blends his Samoan roots with hip hop culture in this video shot on Samoa's ring roads. The hip hop music video standby of the drive-by gets revised Pasifika-style, and the fire poi, papase'ea sliding rocks, lavalava, coconuts, and colourful Apia buses make this clip staunchly fa'a Samoa.
A heartwarming tribute to the spirit of togetherness, this Dave Dobbyn classic celebrates Aotearoa's many colours. Forklift drivers, shop owners, children and (then) asylum seeker Ahmed Zaoui lend weight to the welcome, as does the declaration at the end: "We come from everywhere. Speak peace and welcome home." Taken from 2005 album Available Light, Dobbyn's song became an unofficial anthem to many expats. Dobbyn went on to sing it at the 2006 launch of a NZ memorial in London, at concerts after the 2019 Christchurch mosque attacks — and in te reo version 'Nau Mai Rā'.
This dense, swirling number from Look Blue Go Purple’s first EP provides a more jaundiced view of the tale of the faithful Penelope waiting 20 years for Odysseus to return from the Trojan War. The video, directed by Pat O’Neill, is another example of a Dunedin band celebrating its local environment, and features LBGP driving a classic Borgward Isabella in and around Hoopers Inlet on Otago Peninsula, intercut with a performance from a mask party at The Oriental Tavern (with a rare on-camera appearance by Dunedin music identity Roy Colbert – in an ape’s mask). [This video is made available by The Film Archive]