Toy Love's decision to frolic amid the crucifixes in a Dunedin graveyard for this video offended some locals — but it was water off a punk's back for this free-spirited bunch. 'Good Old Joe' ( alongside 'Amputee Song') was the flipside to their third and final single, 'Bride of Frankenstein' . After eighteen frantic months, one album and nearly 500 gigs the band called it quits in late 1980. The clip begins with an excerpt from a group interview; Chris Knox thanks their fans for buying their debut album, and cracks up at a laconic aside from guitarist Alec Bathgate — 'it could have been worse'.
‘Doomsday’ was initially released as a 12 inch 45. The video is shot in a room similar to the one featured in their classic Death and the Maiden (but the bay window isn’t quite as grand, and there are no rabbits). A blue wash runs through the first three quarters of the clip, as Graeme Downes sings off to one side — his lyrics a bleak portrayal of a doomed relationship that could end at any time. (But when?) The instrumental final minute is in full colour, with Downes back in the midst of the band. The homespuns have come off and there are smiles all round.
In 1992 songwriter and guitarist Andrew Brough left Straitjacket Fits, determined to perform his own brand of "f***ing uplifting pop music". Three years later he formed Bike with drummer Karl Buckley and bassist Tristan Mason. Debut single 'Save My Life' was a finalist in the APRA Silver Scrolls. Brough was a fan of sunny, West Coast guitar jangle and 'Save My Life' has a bob each way: guitars chime, while a morbid lyric ('Don't you try and save my life /cos' I'm already dead') floats overhead. Director Mark Tierney chooses a dreamy palette which combines orange with monochrome.
The second, double-sided Toy Love single 'Don't Ask Me' / 'Sheep' was released in April 1980 and reached number 10 on the Kiwi pop charts. That year the band signed a contract with Michael Browning — a former manager of AC/DC — and made the move to Sydney, the prize being a studio album and a way bigger audience, but disillusionment soon set in. Sheep jumps out of the gates with driving drums and guitars and lyrics about numbness and confusion, all confirming Toy Love's punk roots. The band wander aimlessly around city streets and rock out in a cramped flat. Punk lives!
The Crocodiles were on tour supporting their second album, Looking at Ourselves, when this video was shot in Dunedin. Though he’d left the touring unit, Fane Flaws still provided material and was co-writer of ‘Telephone Lover’. Dunedin’s old Bing Harris Sargood building provides the backdrop for most of the video, while the ‘live’ sections were shot at the now-defunct Shoreline Tavern. Dunedin cameraman Peter Janes directed and filmed the segment for regional news programme The South Tonight.
This dense, swirling number from Look Blue Go Purple’s first EP provides a more jaundiced view of the tale of the faithful Penelope waiting 20 years for Odysseus to return from the Trojan War. The video, directed by Pat O’Neill, is another example of a Dunedin band celebrating its local environment, and features LBGP driving a classic Borgward Isabella in and around Hoopers Inlet on Otago Peninsula, intercut with a performance from a mask party at The Oriental Tavern (with a rare on-camera appearance by Dunedin music identity Roy Colbert – in an ape’s mask). [This video is made available by The Film Archive]
This was the first music video for iconic Dunedin group The Chills. Directed by Peter Janes, the promo for the song roams around an aptly chilly looking attic while the band performs. As soap bubbles float towards the rafters, there’s fog on the breath of singer Martin Phillipps, who lulls the listener to swim into space with him. “Come along baby we'll live in our kaleidoscope world”. The early Chills song was from Flying Nun’s seminal Dunedin Double EP. It was later featured as the opening (and title) track on The Chills’ debut LP, a 1986 compilation of early songs for the band.
Dunedin band Haunted Love ticked every cliché but still won the hearts of librarians everywhere with this tale of summary justice administered to a disobedient user by two spooky, other-worldly librarians (not to mention “the best use of compact movable shelving in a music video, ever”). This video was the song’s only release and achieved considerable viral success. It was directed by Donald Ferns and filmed at Dunedin Public Library with Haunted Love’s Geva Downey and Rainy McMaster as the avenging librarians – and Henry Davidson as the hapless user.
In this charming clip Look Blue Go Purple show they know how to do video clip clowning around as well as the Flying Nun menfolk. It features the Nun trademark grainy imagery, and a touch of Len Lye-style film scratching. Not surprisingly for a song called 'Cactus Cat', there are lots of shots of cactuses and cats, both real and animated. Assorted early Flying Nun luminaries make guest appearances, including a young Robert Scott. Watch out for the so-not-LA Dunedin take on the handbag dog.
"The season's old and the leaves have turned to gold / And the wind blows cold from the south ..." The song is mournful, dreamy and elegiac, and so is the music video, from Steve Young. The clip features amiably laidback performances by the band members, hanging out in various Dunedin locations — including synchronised guitar dancing (a la the Shadows) on a wintry-looking beach: grey clouds, pale blue sky and a charming "out now on Flying Nun" drawn in the sand as the closing shot. The orange $50 note in the busking bowl is a notable 80s relic.