Blam Blam Blam’s second hit from 1981 was angular and artsy, hook-filled but unsettling: all qualities captured in a theatrical video, directed by Andrew Shaw. Clowns, magicians, fire-eaters and trick cyclists join the band, while actors play out the saga of ‘Don’t Fight It, Marsha’. The actors — including Phillip Gordon (Came a Hot Friday), Michael Hurst and Donogh Rees (Constance) — were directed by Harry Sinclair, who would later join Blam band member Don McGlashan in The Front Lawn. The Len Lye-style scratch effects were by Jenny Pullar, the Blams’ lighting designer.
Director Chris Graham delivers five minutes of cars, comedy and eye candy in this slick who's who of the 2003 Kiwi scene. Featuring DJ Sir-Vere, VJ Jane Yee, ex sports star Matthew Ridge and Paul Holmes (well actually he was a no show — but his understudy made an appearance), the clip succeeded in planting a relatively unknown hip hop artist squarely on the front page. The result was the biggest selling Kiwi single of the year (it went platinum, and spent five weeks at number one). Named Best Video at the 2005 NZ Music Awards, it cost at least $50,000 to make.
A live performance music video taken from the highly acclaimed Live at Bats album. Simply but stylishly shot and edited, this clip suits the moody style of this folk rock song from Fly My Pretties creative director Barnaby Weir.
The video for this Red Nose Day chart-topper makes the most of a powerhouse combination: celebrities and cute babies. Although lead singer Hammond Gamble gets his share of screen time, the result is largely devoted to close-ups of perhaps the biggest pile-up of famous Kiwis to cram into a single music video. The faces include appearances early on by Simone Kessell, Ilona Rodgers, and Aussie actor Mark Raffety — plus The Wizard, sports legends Grant Fox, John Kirwan and Jeremy Coney, newsreaders Judy Bailey and Anita McNaught, and singers Tina Cross and Suzanne Lynch.
This smoky, soul-inflected love song comes from hip hop diva Ladi6's second album The Liberation Of... (winner of the 2011 Taite Music Prize). Water might be the chosen metaphor for love here but director Faye McNeil provides no glimpses at all of the wet stuff. Instead, the deep blue oases are graphical — the work of street and graffiti artists The Cut Collective. The sands that Ladi6 treks across are dunes at Te Paki in the Far North (where it rained for all but five hours of the three day shoot). It was a Best Video finalist at the 2011 NZ Music Awards.
Another treasure from director Sam Peacocke — who also directed Vodafone Award-winning Mint Chicks video Crazy? Yes! Dumb? No! — this promo channels the kind of obtuse storyline that Mint Chicks songs were known for. It opens on a tiny lego band ordering a comatose man in a rabbit hat to help them. Sulky teenagers, feuding couples and a high dive into a tin bathtub complete the outlandishly art-directed picture, before arriving at the clip's high-water mark — the bunny boils over.
This black and white performance music video is taken from debut album Live at Bats (2004), back when the plan was for the Fly My Pretties ensemble to be a one-off project. Written and sung by Age Pryor — with vocal help from Tessa Rain — the gentle folk song is enhanced by simple but effective shooting, and attentive use of split-screen editing. The track was recorded in Wellington's Bats Theatre.
Electronic soul band Shapeshifter is one of the NZ acts whose songs were covered by international artists in Nick Dwyer’s Making Tracks TV series. Dwyer takes that relationship a step further with this infectious music video for one of the singles from their fourth album Delta. He accompanies their lyrics, about putting aside the pressures and problems of everyday life, with a series of vibrant images from around the world. Gathered during his globetrotting, they celebrate human connection and the simple pleasures afforded by music (and a NZ 1990 t-shirt).
'January's Well' is one of a number of very different looking videos Auckland singer-songwriter Reb Fountain has made with director Anton Steel. It's an eerie, gothic ghost story set in Auckland's Domain which follows the spirit of a young girl (Fountain's daughter — her son is up a tree) who goes in search of music being played in the forest and meets other ghost children along the way. The appearance of Fountain's band, The Bandits, was inspired by Todd Haynes' Bob Dylan film I'm Not There (a look with particular resonance for California born Fountain).
This award-winner from the 2007 NZ Music Awards sees the Mint Chicks performing after dark, somewhere on the edge of suburbia, while a wolf (actually a siberian husky) sparks a journey through the streets — past people wrestling with poultry, and each other. Director Sam Peacocke (Manurewa, Shihad - Beautiful Machine) displays the same enigmatic approach taken with Mint Chicks clip Walking Off a Cliff Again. The band also took out NZ Music Awards for Best Group and Album. Real Groove magazine later rated this the best New Zealand single of the decade.