Blam Blam Blam’s second hit from 1981 was angular and artsy, hook-filled but unsettling: all qualities captured in a theatrical video, directed by Andrew Shaw. Clowns, magicians, fire-eaters and trick cyclists join the band, while actors play out the saga of ‘Don’t Fight It, Marsha’. The actors — including Phillip Gordon (Came a Hot Friday), Michael Hurst and Donogh Rees (Constance) — were directed by Harry Sinclair, who would later join Blam band member Don McGlashan in The Front Lawn. The Len Lye-style scratch effects were by Jenny Pullar, the Blams’ lighting designer.
Director Chris Graham delivers five minutes of cars, comedy and eye candy in this slick who's who of the 2003 Kiwi scene. Featuring DJ Sir-Vere, VJ Jane Yee, ex sports star Matthew Ridge and Paul Holmes (well actually he was a no show — but his understudy made an appearance), the clip succeeded in planting a relatively unknown hip hop artist squarely on the front page. The result was the biggest selling Kiwi single of the year (it went platinum, and spent five weeks at number one). Named Best Video at the 2005 NZ Music Awards, it cost at least $50,000 to make.
Another treasure from director Sam Peacocke — who also directed Vodafone Award-winning Mint Chicks video Crazy? Yes! Dumb? No! — this promo channels the kind of obtuse storyline that Mint Chicks songs were known for. It opens on a tiny lego band ordering a comatose man in a rabbit hat to help them. Sulky teenagers, feuding couples and a high dive into a tin bathtub complete the outlandishly art-directed picture, before arriving at the clip's high-water mark — the bunny boils over.
This award-winner from the 2007 NZ Music Awards sees the Mint Chicks performing after dark, somewhere on the edge of suburbia, while a wolf (actually a siberian husky) sparks a journey through the streets — past people wrestling with poultry, and each other. Director Sam Peacocke (Manurewa, Shihad - Beautiful Machine) displays the same enigmatic approach taken with Mint Chicks clip Walking Off a Cliff Again. The band also took out NZ Music Awards for Best Group and Album. Real Groove magazine later rated this the best New Zealand single of the decade.
‘Black Box’ was the winning song for Australian Idol victor Stan Walker. His first music video was shot in Sydney two days after his triumph. It's set at a mansion poolside party, with Idol finalists and family members among the extras. The black box in question might hold the records of a romantic crash, not an aviation disaster, but this recriminatory look back at a failed relationship brought sweet success for Walker. It spent 10 consecutive weeks at the top of the New Zealand singles chart, and won four Tuis at the 2010 NZ Music Awards.
The perils of fast-paced celebrity culture are joyfully skewered in this "boogie-infused groove" from Auckland artist Randa (aka Mainard Larkin). Randa becomes an appendage/hostage to success when his belly button transforms into a scarlet-lipped star vocalist and goes viral. The video is a hilarious cautionary tale — Randa and his talented tummy are discovered online, he hits the studio, the hangers-on arrive, and substances are ingested. 'Rock Bottom' is directed by duo Vision Thing, and won Best Music Video at the 2019 New Zealand Music Awards.
Electronic soul band Shapeshifter is one of the New Zealand acts whose songs were covered by international artists in Nick Dwyer’s TV series Making Tracks. Dwyer takes that relationship a step further by directing this infectious music video, for one of the singles from their fourth album, Delta. He accompanies their lyrics, about putting aside the pressures and problems of everyday life, with a series of vibrant images from around the world. Gathered during his globetrotting, they celebrate human connection and the simple pleasures afforded by music (and a NZ 1990 t-shirt).
This classic video takes a band, then throws them in the back of a moving vehicle as they try to play their song without falling over. Greg Page, a music video veteran ('Verona', 'Stop the Music'), came up with the idea after rain forced the abandonment of his original plans. He argues that "what we ended up with was a piece of magic I've never quite been able to reproduce." Page talks about making two D4 videos in a single weekend, here.
In a Mika-inspired cross cultural collision, this Māori music and comedy group blends traditional Māoritanga with the metrosexual world of fashion and beauty. Founded by former C4 presenter Jermaine Leef in 2010, they launched with this video which debuted on YouTube and received 100,000 views in 10 days. From Queen Street to the beach and bush, their appearance moves from Outkast-inspired nerd chic to a style best described as high camp haka; and boy band posturing mixes with lyrics tackling what it means to be a modern 'Māori boy' (“I play my Nintendo everyday”).
A live performance music video taken from the highly acclaimed Live at Bats album. Fly My Pretties creative director Barnaby Weir is out front in this one. The not-quite-black-and-white video treatment works well for the feel of the song and the elegant and atmospheric Fly My Pretties sound.