NOTE: This video is currently unavailable on NZ On Screen 'I'm in Heaven' was from the third and final Dave McArtney and The Pink Flamingos album The Catch (the song was later rerecorded, with Graham Brazier on vocals, for Hello Sailor album Shipshape & Bristol Fashion). In the original video McArtney looks moodily out a window over the city and falls into a pool in speedos, and the band plays the song amidst backlit dry ice. Fast cuts match the crisp drum beats and synth. Directed by Bruce Morrison, it won Best Music Video at the 1984 NZ Music Awards. McArtney went on to provide music for Morrison’s 1986 movie Queen City Rocker.
The second, double-sided Toy Love single 'Don't Ask Me' / 'Sheep' was released in April 1980 and reached number 10 on the Kiwi pop charts. That year the band signed a contract with Michael Browning — a former manager of AC/DC — and made the move to Sydney, the prize being a studio album and a way bigger audience, but disillusionment soon set in. Sheep jumps out of the gates with driving drums and guitars and lyrics about numbness and confusion, all confirming Toy Love's punk roots. The band wander aimlessly around city streets and rock out in a cramped flat. Punk lives!
This follow-up to 1984 Narcs hit ‘Heart and Soul’ marked the first single off the trio’s second album. Recorded with US engineer Tim Kramer, 'Diamonds on China' got to 15 on the New Zealand charts. Influenced by Brit pop band Go West, 'Diamonds' is full of punchy guitar and synthesizers. Prolific music video director Fane Flaws showcases massed horns, street racing video games, his own distinctive illustrations, and drumsticks hitting the skins "like diamonds on china". Flaws' efforts resulted in one of his first accolades: Video of the Year at the 1985 NZ Music Awards.
Taika Waititi's 80s extravaganza wouldn't have been complete without the man himself arriving on set in a DeLorean — the time-travelling car from Back to the Future. The clip for The Phoenix Foundation is another homage-packed example of lo-fi genius from the Oscar nominated director. Note how Eastern European-derived keyboardist Luke Buda is playing a 'Poland' synthesizer. Said Waititi: "I spotted the DeLorean parked near our flat in Mt Cook, and left a note under the wiper saying 'what year are you from?' Turns it was one of two owned by a local doctor."
'Sierra Leone' was one of those songs that quickly stood out from the pack. Andrew McLennan's synth-pop track won his new band Coconut Rough a deal with Mushroom Records, then became a runaway hit in 1983. The video, slick for the time, features bright colours, a running motif, and African imagery. But the pressure of being in demand for a single song became an albatross around the band's neck. As McLennan told website AudioCulture, "‘Sierra Leone’ became the only song from our repertoire that people wanted to hear and no matter what we did we couldn’t follow it up."
"If you don't like the beat, don't play with the drum". Taken from Sharon O'Neill's 1983 album Foreign Affairs, the song chronicles "case 1352, a red and green tattoo". It was inspired by a prostitute who worked the streets of King's Cross. The clip starts with O'Neill hitting Auckland Airport. Look out for leopard skin tights and a dress straight off Logan's Run. Other highlights: a steamy sax solo, heavy eye shadow and backlit silhouettes in "rain-slicked avenues." Two clips for 'Maxine' exist: the Australian version won controversy for images of a fictional prostitute, shot in King's Cross.