Mi-Sex moved further into the futuristic sci-fi world signalled by their hit single ‘Computer Games’ with the release of their chart topping second album Space Race in 1980. The lead-off single ‘People’ emerged at a time when the world was still coming to grips with cloning, genetic engineering and test tube babies. The video showcases the band’s well honed combination of techno-pop and the more straight ahead rock’n’roll beloved of Australian pub audiences — with some visual special effects reserved for the future shock of the spoken segment.
Late 90s Flying Nun act The D4 are at their rambunctious best with this meditation on indecision in the face of endless possibilities from their second and final album. Director Wade Shotter’s one take video was made after one and a half days of rehearsals, and bravely shot on 35mm film (with the 10th take as the keeper). In a feat of engineering, logistics and timing, all of the action — cheerleaders, carnival strongmen, sets and backdrops — happened on stage (at Takapuna’s Bruce Mason Centre) and was captured in the camera with nothing added in post.
This follow-up to 1984 Narcs hit ‘Heart and Soul’ marked the first single off the trio’s second album. Recorded with US engineer Tim Kramer, 'Diamonds on China' got to 15 on the New Zealand charts. Influenced by Brit pop band Go West, 'Diamonds' is full of punchy guitar and synthesizers. Prolific music video director Fane Flaws showcases massed horns, street racing video games, his own distinctive illustrations, and drumsticks hitting the skins "like diamonds on china". Flaws' efforts resulted in one of his first accolades: Video of the Year at the 1985 NZ Music Awards.
This soulful despatch from the end of a love affair won Rikki Morris the APRA Silver Scroll songwriting award for 1991. It was produced by his brother Ian (aka Tex Pistol) who contributed a suitably epic 80s drum sound and won himself Engineer of the Year at the NZ Music Awards. The family connection extended to the music video where Rikki’s then wife Debbie Harwood (from When the Cat’s Away) played the former partner in the Super 8 footage (which the pair shot themselves). A stormy surf beach offers an appropriately tempestuous supporting performance.
This brooding collaboration with Ladi6 from Shihad frontman Jon Toogood's other project The Adults, is yet another departure from his hard rocking day job (although guitarist Shayne Carter briefly raises the temperature). Director Sam Peacocke's split screen video was shot at legendary Auckland studio The Lab (where The Adults recorded their debut album). Ladi6 anchors one side with a typically soulful performance while Toogood (uncharacteristically playing bass), Carter, drummer Gary Sullivan and engineer Nick Roughan are all serious intent beside her.