This infectious clip marks one of the few local music videos to have been made independently of state TV in the 70s. Spats toured their eclectic brand of music from Blerta's old bus, before finding fame by morphing into The Crocodiles. In this track vocalist Fane Flaws demonstrates a TV screen can make a valid performance tool, the band demonstrate their moves, and regular Spats accomplices Limbs Dance Company add some fun moves of their own. The video was directed by Geoff Murphy, with help from Spats. 'New Wave Goodbye' ended up on Crocodiles album Tears.
This was the song that rocketed Mark Williams to fame, and the top of the New Zealand charts. The accompanying album became the biggest selling local pop/rock release of the 70s. Williams has described how Kiwis reacted to him with "either absolute adoration or absolute disgust". Having relocating to calmer climes in Australia, he returned to Wellington in 1981 and recorded a live TV special — from which this version is taken. On first hearing the demo, Williams was not impressed; but the song transformed after the call was made during recording to "swing it a bit".
The Ray Columbus and The Invaders' 60s classic gets a modern make-over by the Mint Chicks, to mark the Invaders' induction into the NZ Music Hall of Fame. The clip was shot on the night of the Music Awards where Columbus and co were honoured. Shot in black and white, the video embraces the 60s theme, with a stage performance involving mini-skirted go-go dancers and swirly psychedelic back-projections. Backstage footage of the surviving members of The Invaders also features, as do shots from the original She's a Mod promo clip.
This weather-themed Kiwi classic spent 21 weeks in the charts, and became one of DD Smash's biggest hits. The quirky, light-hearted video was played repeatedly on Saturday chart show Ready to Roll, and won Best Music Video at the 1983 New Zealand Music Awards. It was directed by a young Andrew Shaw (of Hey Hey It’s Andy fame, later an executive at TVNZ). DD Smash singer/songwriter Dave Dobbyn hams it up in Adidas tracksuit and yellow raincoat, while drummer (and 1980s heartthrob) Peter 'Rooda' Warren appears in his speedos.
One of the great rock'n'roll songs about Auckland is the work of a Christchurch band. 'Auckland Tonight' is The Androidss' claim to fame - and yet it was the b-side of their only single. The work of a band that was never scared of a good time, it extols the virtues of a night on the town with special mention of Proud Scum and Toy Love playing at the Windsor Castle. The TVNZ video careers around rain soaked streets (with a shot of the long-gone Harbour Bridge toll booths) and offers telling glimpses of The Androidss' bête noir - the central police station.
Boh Runga and Stellar* enjoyed a breakthrough year in 1999 with their synthesis of guitars and electronic beats realised on Mix, a chart topping debut produced by Tom Bailey (of Thompson Twins fame). Jonathan King's video for 'Part of Me', the album's second single, creates a repressive, futuristic world of glass, concrete and steel where the only plants seen are those grown in strictly controlled conditions. But in amongst the soulless conformity, surveillance cameras and sterile suits, it might be too soon to completely write off Mother Nature.
Featuring chase scenes, hovering helicopters and breathtaking South American scenery, the video for 'Far From Here' sees Vince Harder on the run from police in the Chilean capital, Santiago. Harder moves across cityscapes, villages and mountain ridges, and even finds time to perform in front of a spectacular Andean backdrop, while evading capture. Harder rose to fame after coming third in the Australian edition of US show The X-Factor, and had a number one hit after collaborating with P-Money on 2010's 'Everything'. The video was shot and directed by Shae Sterling.
Don’t mess with the Black Seeds! The band members run amok in a government office when they are wrongly accused of civil disobedience. Heads get photocopied, computers get beaten up, and chaos rules in this clip made by director James Barr. Look out for Bret McKenzie, of Flight of the Conchords fame, who was a member of the band at the time. 'Hey Son' is taken from the band's 2001 debut album Keep on Pushing.
With 'Turn from the Rain', The Veils added their name to the prestigious list of bands who have recorded at London's famed Abbey Road Studios — a list which includes The Beatles, Pink Floyd and Radiohead. According to frontman Finn Andrews “The room there is so musty and still … you want any sound you make to be worth disturbing the grand silence for.” The idea of making a video at Abbey Road arrived at 2am in a Hackney flat; the performances were shot on 16mm film, an appropriately retro touch considering the venue. The recordings were later released on The Abbey Road EP.