The opening track from the second Jean-Paul Sartre Experience album indicates a significant change in tone for the band — more layered and expansive, and less angular than some of their earlier recordings. The video was directed and edited by John Chrisstoffels, who shot the stained glass windows and tile mosaics in Christchurch's Anglican Cathedral. JPSE vocalist and bass player Dave Yetton created the pulsing and spiraling video feedback effects. The band appears only fleetingly — in individual close-ups, filmed off a television screen by Chrisstoffels.
A young taxidermist lures her unsuspecting prey deep into a copse before flaying him alive - yes it's another stunning, if not a little macabre offering from the Fish'N'Clips stable. In this gorgeously shot clip, James Solomon presents a grisly affair, complete with bird butchery, knitwear and glass eyes, while the band acquit themselves extremely well with formidable performances all round.
Auckland band The Screaming Meemees shared a 45 with The Newmatics before releasing this infectious ska-pop number which became an 80s classic. In August 1981 it was the first single to enter the NZ Top 20 at No.1 and they were rewarded with a breakneck trip to Wellington for a TVNZ video made at the Avalon Studios. More produced than many early 80s Avalon clips, it comes complete with masks, white roses, pooled water and a stained glass window (perhaps inspired by reports that the ex-Catholic school boys based their early songwriting on hymns).
Peking Man's self-titled album took away a stack of awards in 1986. It also spawned chart-topper 'Room that Echoes', followed by number six hit 'Good Luck to You'. Directed by The Piano lensman Stuart Dryburgh, thw NZ Music Award-nominated video highlights sibling singers Pat and Margaret Urlich, sax and gel-assisted hairstyles. The Auckland cityscape is littered with construction cranes and glass high rises, shortly before the stock market crash of 1987; and legendary central city cafe DKD (at the back of the Civic Theatre) also takes a starring role.
Boh Runga and Stellar* enjoyed a breakthrough year in 1999 with their synthesis of guitars and electronic beats realised on Mix, a chart topping debut produced by Tom Bailey (of Thompson Twins fame). Jonathan King's video for 'Part of Me', the album's second single, creates a repressive, futuristic world of glass, concrete and steel where the only plants seen are those grown in strictly controlled conditions. But in amongst the soulless conformity, surveillance cameras and sterile suits, it might be too soon to completely write off Mother Nature.