This Betchadupa video opens with frontman Liam Finn performing in a recording studio; the other band members are soon revealed playing to unusual, sometimes unprepared audiences. Drummer Matt Eccles plays an impromptu gig in a lift, Chris Garland entertains boogying kindergarteners with his guitar, and Joe Bramley on bass harasses shoppers in a cinema foyer. By the end, the band are back together. Taken off Betchadupa's self-titled EP, the catchy track was nominated for a 2000 Silver Scroll songwriting award. Lead singer Finn was around 16 at the time.
Shot in alternating colour and moody black and white, this is a straightforward music video: cutting together a wahine washing her hair in a basin, with the band performing on a garbage strewn wasteland, slo-mo strolling along a city street, and singer Che Fu (Chicago White Sox cap and duffle coat) wandering a wintry North Shore beach. Director and band member Joe Lonie captures lively performances from the band's multiple members, to help bring the clip to life.
Released on an EP ahead of their second album Flik Y’Self Off Y’Self, the promo for 'Faster Hooves' showed that while Head Like A Hole had distilled the industrial-thrash of their grimy origins into a hookier, more polished sound, the band had lost none of their piss-taking humour. With the rocky outcrops of Wellington's Island Bay filling in for the Wild West, singer Nigel 'Booga' Beazley teeters precariously on a helpless donkey, in pursuit of villainous drummer Mark 'Hidee Beast' Hamill. Meanwhile the rest of band hang on nooses next to a boiling campfire pot of Wattie's finest.
This ambitious video for Head Like a Hole's cowpunk Bruce Springsteen cover was shot by commercials company Flying Fish — at vastly more expense than the low budget recording which supplies the soundtrack. There's more than a cursory nod to U2's LA rooftop video for 'Where The Streets Have No Name' (including fake radio coverage from Channel Z). But HLAH get a higher building, and, unlike U2's guerrilla effort, the apparent blessing of the city fathers (with Mayor Mark Blumsky on site). The video marked one of the last appearances of drummer Mark 'Hidee Beast' Hamill.
Musical shapeshifter SJD (short for Sean James Donnelly) released second album Lost Soul Music in 2001, early in a career that has seen him blending synthesisers, backwards voices, and a love of melody — all while working to ensure that each new album heads somewhere different from the last. His vocal on single 'A Boy' shows echoes of Beck, an artist some have cited as an influence. Co-directed by his brother Kieran and Dominic Taylor, the music video mixes lively, childlike animation with shimmering images of an unusual room and the boy inside...whose head is often a blur.
After making music overseas as part of theatre troupe Red Mole, Jan Preston and Neil Hannan headed home and founded the band that would be known as Coup D'Etat. Preston took lead vocals on this, their debut single. The video — by cinematographer Leon Narbey — sees her performing in a little red dress, while ex Hello Sailor guitarist Harry Lyon continues the colour theme. Then they head out on the highway. 'No Music on My Radio' proved a sadly apt title: local radio showed little interest. The band soon hit the airwaves (and the top 10), with 'Doctor I Like Your Medicine'.
“Hello my name is ...” This starts out as a happy video for the song ‘Operation Fob’, but the smiles soon disappear as the band walk away from set and head through Auckland city. They head for a community centre for a meeting of ‘Brothaz Anonymous’. The skeptical janitor watches from the doorway as band member and ‘bros’ gets up and express. The band then plays a series of group therapy games and eventually, bust out the guitar and ask the janitor to join in. End result? Brothaz in arms. ‘Brothaz’ was the fifth single from the hit Polysaturated album.
This evocative music video scored a double-header: it was voted best video at both the NZ Music Awards, and the NZ Film and Television Awards. Emma Paki won gongs for singing and songwriting. Director Josh Frizzell mixes images of Paki singing on the streets with often sombre portraits of locals in their element, from children to gang members. Widely regarded as Paki's magnum opus, System Virtue became one of the most played local music videos of 1994. Killing Joke's Jaz Coleman produced the song; a much lusher version later appeared on 1996 album Oxygen of Love.
Supergroove's 'Scorpio Girls' hit number three on the NZ charts in 1993 and was the band's first single to attain gold record status. It was also included as the opening track on their 1994 debut album Traction. The video, directed by Supergroove bass player Joe Lonie, translates the band's sense of fun and boundless energy to the small screen, combining live performance clips with footage of the band members, armed with torches and running through the old tunnels at North Head on Auckland's North Shore.
A triumph of imagination and creativity over budget, this now classic Jonathan Ogilvie clip cost just $250 to make, and the song is probably their best known. Coloured cellophane and a projector created the far out psychedelic look on the band members’ underwater heads; the performance shots capture the Fits on the back of a truck, going through the Lyttelton tunnel. The ever-cool Shayne Carter snarl is supported by an almost-mullet — apparently self-styled.