Clearly made by people with a love of old school Hollywood horror, So Free dredges up a classic monster squad which includes Dracula, 'Frankristein', The 'Wülf Man', and a creature born in a black lagoon— all hell bent on distressing the damsel (Arem Steel). With lovingly-detailed set-pieces and effects, the clip looks tremendous. And after underwater and night shoots in midwinter Wellington, it was fortunate to be supported by a dedicated cast and crew (including band members playing the various monsters).
If the Wool Board rocked, Steriogram’s ‘Walkie Talkie Man’ video would be the result. It uses wool to create people, instruments and tall buildings. A King Kong-like character scales Hollywood’s Capitol tower to kidnap singer Tyson Kennedy: inevitably, this warm fuzzy has to unravel. The ingenious stop-motion animation was made in New York by Frenchman Michel Gondry (director of feature Eternal Sunshine of the Spotless Mind, and notable promos for Radiohead and Beck). The video – and the song’s use in an iPod advert – brought Steriogram worldwide exposure.
‘Cruise Control’ is one of the Headless Chicken’s most poppy and accessible songs, and became a hit in New Zealand, and (in remixed form), in Australia. This studio shot promo, for the ‘Eskimos in Egypt’ remix, has Fiona McDonald and the Chickens packed into a touring car cruising to old school rear projected nighttime cityscapes. It’s dark and moody: a wry touch of Hollywood glamour mixed with early 90s Auckland - dated by Knight Rider, bling and brick-sized mobile phones.
This infectious hip hop hit marked Savage’s solo debut, after his previous recordings with The Deceptikonz. A NZ chart-topper for five weeks, it went platinum in the USA (helped by its placement in Hollywood comedy Knocked Up and as the soundtrack for its DVD menu). For her video, director Sophie Findlay created a laundromat from scratch in an empty Otahuhu shop. In it she intersperses an undersized Savage and 70s-themed dancing girls with darker, more contemporary hip hop imagery. It must be all a dream, because the pimply palagi teenager is the tough guy.
The unlikely combination of 1930s Hollywood and a Kiwi town hall knees up work delightfully in this clip from Australian production luminaries Straighty180. Wigmore's croaky charms are augmented by crowd-sourced choreography, and the most delicate of ukulele performances from a burly strummer gets the dance-floor moving. Lovely!