This Shihad classic has a classic video to match. With primary colours accentuated and the energy levels of Shihad turned up to match, the band members perform and bustle about in a film studio in one extended shot, without any edits. The time and motion tomfoolery is surely handled; someone has had the bright idea of putting developing Polaroid photos at the bottom of the frame, in order to show that the whole video is unravelling in one continuous scene. Directed by Mark Hartley, Home Again was judged Best Video at the 1998 New Zealand Music Awards.
'Saturday Night' is a glorious anthem from these Auckland punk pioneers, and a classic piece of NZ rock’n’roll. An improbable ode to the joys of having “one free night a week”, it was penned by Buster Stiggs and produced by ex-Split Enzer Phil Judd (on guitar). The video, made by TVNZ, was remarkably sympathetic and, apart from lurid lighting, avoided cheap effects in favour of capturing the band’s essence. Judd and Stiggs later formed The Swingers, while this performance won singer Zero a role in the Gary Glitter stage production of Rocky Horror Picture Show.
Director Chris Graham planned an ambitious video for this song, but budget and scheduling got in the way. When Graham heard TrinityRoots were disbanding, he pitched the idea of a live video at their farewell concert in the Wellington Town Hall. Mixing in footage of land and sea, the result honours one of their anthems and captures a glimpse of the original line-up in their soulful, impassioned element. TrinityRoots regrouped in 2010, but this video preserves the final moments of their first incarnation; when their one waka was turning into three.
A heartwarming tribute to the spirit of togetherness, this Dave Dobbyn classic celebrates Aotearoa's many colours. Forklift drivers, shop owners, children and (then) asylum seeker Ahmed Zaoui lend weight to the welcome, as does the declaration at the end: "We come from everywhere. Speak peace and welcome home." Taken from 2005 album Available Light, Dobbyn's song became an unofficial anthem to many expats. Dobbyn went on to sing it at the 2006 launch of a NZ memorial in London, at concerts after the 2019 Christchurch mosque attacks — and in te reo version 'Nau Mai Rā'.
Mixing nostalgic home movie style footage with images of Age Pryor looking slightly melancholic, this video dates from the singer's second solo release, City Chorus, released in 2003. Pryor went on to co-found the Wellington International Ukelele Orchestra, and contribute songs and vocals to ensemble album The Woolshed Sessions.
This slickly art-directed music video makes a big nod to cult movie A Clockwork Orange, with the band delivering great performances in the Korova Milk Bar and en route to mayhem. Lead singer Jon Toogood bears an uncanny likeness to psychopath Alex (played by Malcolm McDowell in the 1971 film) in the Jolyon Watkins-directed clip. An interesting piece of trivia for the Kiwi Clockwork connections' file: an artwork from NZ artist Ted Bullmore appeared on the wall of Mr Alexander's home in the inspirational film.
Platetechtonics continues a collaboration between Salmonella Dub and director Steve Scott. The everyman from Salmonella Dub video Problems features, in this case in a more cartoon-like form. But the cheery aesthetic belies a cautionary tale of genetic modification, mutations and monsters. A hooky brass section functions as a warning alarm for our hallucinating protagonist, shortly before monsters of his own creation overrun his Eden-like home planet. Micro and macro cross section views highlight the consequences of our scientist's wayward experiment.
This dance pop anthem was a number one for the reality TV series-generated act TrueBliss — and the biggest selling single by a New Zealand artist in 1999. It was written (like most of the TrueBliss album) by Anthony Ioasa, an APRA Silver Scroll winning co-writer for Strawpeople's 'Sweet Disorder'. The video features a girls' night in slumber party, complete with home movies, hairbrush microphones, pillow fights, dress-ups, American Indian head-dresses and hula dancing. There is also quite a lot of moody introspection for what is essentially an unabashed love song.
'Escaping' launched Margaret Urlich in Australia: the debut single from her first solo album Safety in Numbers edged into the Aussie top 20, ultimately helping the album go triple platinum. Back home it spent three weeks at number one, and took away a NZ Music Award as single of the year. The slick music video sees Urlich in a cafe moping about a loved one, before breaking out the dance moves and demonstrating that long hair is not a career requirement to be a successful female vocalist. In 1996 Brit-based vocalist Dina Carroll successfully covered the song.
The making of this Anika Moa video arguably puts the singer's heady early rise in a nutshell. American label Atlantic Records flew an executive down to New Zealand to monitor proceedings, and ensure that the singer looked as slim on screen as possible. Moa and director Justin Pemberton came up with the idea of Moa lusting after every male she passes. The taxi is driven by actor Antony Starr (before Outrageous Fortune). As for Moa, she soon returned home from the US. A local top five hit, the song ended up on the soundtrack of Julia Roberts romance America’s Sweethearts.