The Swingers have long been umbilically tied to one composition: 1981 chart-topper 'Counting the Beat’. But the band's debut single makes clear that their gift for percussive pop was there from the start. The accompanying video sees the trio getting down to it in their union jack-emblazoned shirts; the lyrics channel the same kind of sexual frustration as Stones classic ‘(I Can’t Get No) Satisfaction’. The result is arguably in the same realm of catchy. After reaching number 19 in NZ, ‘One Good Reason’ featured in Aussie film Starstruck. Strawpeople later released a funked up version.
The opening images of this video — the swinging guitar, fingers on the fretboard — make for a defining moment in Kiwi music video history. The clip was actually shot in Australia; by the time they recorded the song, The Swingers had relocated from Aotearoa to Melbourne. They would soon be history. Aussie cinematographer/ director Ray Argall ('World Where You Live') matches the beloved composition with colourful images, quirky humour, and an infectious dance finale. In 2001 music organisation APRA voted the chart topper fourth on their list of the top Kiwi songs to date.
'Saturday Night' is a glorious anthem from these Auckland punk pioneers, and a classic piece of NZ rock’n’roll. An improbable ode to the joys of having “one free night a week”, it was penned by Buster Stiggs and produced by ex-Split Enzer Phil Judd (on guitar). The video, made by TVNZ, was remarkably sympathetic and, apart from lurid lighting, avoided cheap effects in favour of capturing the band’s essence. Judd and Stiggs later formed The Swingers, while this performance won singer Zero a role in the Gary Glitter stage production of Rocky Horror Picture Show.
'Bold as Brass', from the third Split Enz album Dizrythmia, finds the band moving on from the departure of founder member Phil Judd (replaced by a teenaged Neil Finn) and leaving behind their earlier, more complex art rock. This punchy, melodic Tim Finn/Rob Gillies composition is part off-kilter dance number, part call to arms. The video (directed by Gillies and Noel Crombie) matches the song's directness with sharp black suits and Tim Finn's combative approach to the camera — while allowing a nod to the band’s more theatrical past.
With departed founder member Phil Judd back in NZ, this UK written Tim Finn rocker took Split Enz even further into pop territory and away from their art rock roots. Of a piece with the most energetic New Wave of the time, it was accompanied by a video with an appropriately frenzied performance which former member and Enz historian Mike Chunn rated as one of their most infectious. The band are wearing Noel Crombie’s art-school designed suits, Neil Finn looks ridiculously young and endings don’t come much more abruptly than this one.