After Bic Runga's debut album Drive sold — and broke — a bunch of records, another five years passed before she found time to perfect her follow-up. Fears it would join the long list of disappointing second albums proved unfounded: Beautiful Collision scored three NZ Music Awards, and became the biggest-selling local release of 2003. The album's third single 'Listening for the Weather' spent 20 weeks in the Kiwi charts. Shot mostly on DV and Super 8mm, the video offers a snapshot of life on tour: dressing rooms, concert halls, road signs...and lyrics about home not being too far away.
By 1978 UK chart success and an extended club residence in Hawaii were behind John Rowles; he was broke and looking for a hit. His earlier smash 'Cheryl Moana Marie' had been named after two of his sisters. For his comeback Rowles reprised the gesture, penning a song to sister Tania. The single topped the New Zealand charts for four weeks. This clip sees him donning a green suit to mime 'Tania' for local music show Ready to Roll. His 1978 album This is My Life did well on both sides of the Tasman, priming a 20 year stint in Australia performing on the Leagues club circuit.
The electronica of Breaks Co-op’s 1995 debut Roofers offered few hints to the more organic sounds of their second album The Sound Inside. Its hit single ‘The Otherside’ is a sun-kissed anthem (and a NZ Music Awards Single of the Year) featuring lush acoustic guitar and a soulful vocal from Andy Lovegrove. Director Tim Groenendaal’s video is an idyllic summer road trip by Holden Kingswood through the Far North and down Ninety Mile Beach (with Zane Lowe’s backseat role prefiguring the step back he would take from the band as his UK radio career blossomed).
Canadian import Tami Neilson showcased her range with fourth album Dynamite!, colouring her country roots with lashings of rockabilly and gospel — plus this track, where she channels torch singer Peggy Lee doing a “sultry nightclub blues” (as the Herald's Graham Reid put it). The black and white video reflects the deliberately retro, minimalist vibe of the song, with Neilson grooving at front and centre while guitarist, bongo drummer and a trio of doo-wop vocalists chime in behind. 'Walk' won Tami and brother Joshua Neilson the 2014 Silver Scroll songwriting award.
Set in a half-painted world of city, mountains and purple skies, director Ed Davis's video is a triumph of imagination and ingenuity over reality. The result is an extended aerial journey around an acrobat on a high wire — possibly reflecting some of the lyrics of this Paul McLaney and Anika Moa duet. Don't took out best video at the Kodak Music Clip Awards in 2003.
This 1982 novelty song was made by Dalvanius for a fee. A local take on the Stars on 45 medley single concept, the song (and video) pay tribute to the party singalongs of Dalvanius’ childhood; he told Murray Cammick in a 2001 Real Groove profile, "I was asked whether I was going to put my name on it and I said ‘f**k off'." When the song made the top five of the local charts, he "nearly dropped dead". It was a stepping stone to Dalvanius forming Maui Records – which got off to a flying start when te reo-meets-breakdancing classic ‘Poi E’ became a huge hit in 1984.
Following the demise of Pacific Funk band Big Sideways, vocalist Debbie Harwood launched a solo career with this cover of an Ashford and Simpson song written for Gladys Knight and the Pips. The single was dedicated to recently deceased Dragon keyboards player Paul Hewson, and it won Harwood a NZ Music Award (at a ceremony which provided the impetus for the formation of When the Cat’s Away). The video, produced by TVNZ at Avalon, is a straightforward studio performance, but is notable for the extended, two minute long tracking shot that comprises its second half.
After winning attention both in The Thomas Oliver Band and with his solo lap steel guitar work, Thomas Oliver took away the 2016 APRA Silver Scroll songwriting award with 'If I Move to Mars'. The video makes the most of the intragalactic theme, with a Gravity inspired/gravity-defying video made by a pair of effects wizards from Weta Workshop. The visually impressive result sees Oliver in a spacesuit, peacefully orbiting the Earth playing a custom space-guitar as the sun slowly rises behind him.
‘Cruel’ was former Fast Crew member Dane Rumble’s third solo single (and Top 20 hit). It was recognised at the 2010 APRA Silver Scrolls as the year’s most played local song on NZ radio and television. The sound of this lively piece of synth pop belies the lyric’s bitter break-up recriminations, which in this video director Ivan Slavov translates into an intergalactic tale of heartbreak featuring a lovelorn android. Inspired by Rumble’s long standing fascination with NASA’s Hubble telescope images, it won Best Solo Video at the 2010 Juice TV Awards.
“I hear the roooolling thunder”. Sir Howard Morrison’s classic bilingual rendition of the popular hymn comes from an October 1981 Royal Variety Performance, in front of Queen Elizabeth II and Prince Philip. Morrison's performance at Auckland's St James Theatre of 'Whakaaria Mai' marked a comeback for the veteran entertainer, who had been out of the spotlight working in Māori youth development. Released as a single a couple of months later, it topped the charts for four weeks, and led to the commissioning of a televised Howard Morrison Special in 1982.