After Bic Runga's debut album Drive sold — and broke — a bunch of records, another five years passed before she found time to perfect her follow-up. Fears it would join the long list of disappointing second albums proved unfounded: Beautiful Collision scored three NZ Music Awards, and became the biggest-selling local release of 2003. The album's third single 'Listening for the Weather' spent 20 weeks in the Kiwi charts. Shot mostly on DV and Super 8mm, the video offers a snapshot of life on tour: dressing rooms, concert halls, road signs...and lyrics about home not being too far away.
By 1978 UK chart success and an extended club residence in Hawaii were behind John Rowles; he was broke and looking for a hit. His earlier smash 'Cheryl Moana Marie' had been named after two of his sisters. For his comeback Rowles reprised the gesture, penning a song to sister Tania. The single topped the New Zealand charts for four weeks. This clip sees him donning a green suit to mime 'Tania' for local music show Ready to Roll. His 1978 album This is My Life did well on both sides of the Tasman, priming a 20 year stint in Australia performing on the Leagues club circuit.
The electronica of Breaks Co-op’s 1995 debut Roofers offered few hints to the more organic sounds of their second album The Sound Inside. Its hit single ‘The Otherside’ is a sun-kissed anthem (and a NZ Music Awards Single of the Year) featuring lush acoustic guitar and a soulful vocal from Andy Lovegrove. Director Tim Groenendaal’s video is an idyllic summer road trip by Holden Kingswood through the Far North and down Ninety Mile Beach (with Zane Lowe’s backseat role prefiguring the step back he would take from the band as his UK radio career blossomed).
This short clip marks the only known footage of John Hanlon performing his biggest hit 'Lovely Lady', via NZBC talent competition Studio One. The song ended up placing second, but went on to spend 20 weeks in the NZ charts. It reached number one, and won the 1974 APRA Silver Scroll songwriting award. Despite his immense success — he won another Silver Scroll the following year, and earned multiple RATA awards — Hanlon has faded somewhat from New Zealand’s cultural consciousness, since concentrating from 1978 on a career in advertising.
Canadian import Tami Neilson showcased her range with fourth album Dynamite!, colouring her country roots with lashings of rockabilly and gospel — plus this track, where she channels torch singer Peggy Lee doing a “sultry nightclub blues” (as the Herald's Graham Reid put it). The black and white video reflects the deliberately retro, minimalist vibe of the song, with Neilson grooving at front and centre while guitarist, bongo drummer and a trio of doo-wop vocalists chime in behind. 'Walk' won Tami and brother Joshua Neilson the 2014 Silver Scroll songwriting award.
Prank phone calls were more radio DJ Kevin Black’s on-air stock in trade, but he fronted an unlikely Top 20 hit with this spoof of Deane Waretini’s 1981 chart topper ‘The Bridge’. With more than a little help from his Radio Hauraki creative team, a plea for cross cultural harmony was transformed into a novelty song celebration of a largely unsung domestic appliance. Blackie was front and centre with the souped up fridge in the video shot by TVNZ in Wellington, but producer Kim Adamson was the singer and co-writer (in addition to playing the dodgy salesman).
After winning attention both in The Thomas Oliver Band and with his solo lap steel guitar work, Thomas Oliver took away the 2016 APRA Silver Scroll songwriting award with 'If I Move to Mars'. The video makes the most of the intragalactic theme, with a Gravity inspired/gravity-defying video made by a pair of effects wizards from Weta Workshop. The visually impressive result sees Oliver in a spacesuit, peacefully orbiting the Earth playing a custom space-guitar as the sun slowly rises behind him.
Winner of Video of the Year 2006 at the Juice TV Awards, the clip was shot over two and a half days, and required dancers attached to elastic strings to move at half speed to achieve the puppet effect.Self confessed dance fanatic Kezia Barnett literally searched the world for the hero marionette doll. "I looked in Paris, Amsterdam, London, Berlin, Auckland and Prague. I eventually bought one in Prague. We changed her hair, face, skin and clothes to match Sarah's."Kezia Barnett, March 09
This 1982 novelty song was made by Dalvanius for a fee. A local take on the Stars on 45 medley single concept, the song (and video) pay tribute to the party singalongs of Dalvanius’ childhood; he told Murray Cammick in a 2001 Real Groove profile, "I was asked whether I was going to put my name on it and I said ‘f**k off'." When the song made the top five of the local charts, he "nearly dropped dead". It was a stepping stone to Dalvanius forming Maui Records – which got off to a flying start when te reo-meets-breakdancing classic ‘Poi E’ became a huge hit in 1984.
This heartfelt 1981 hit was the first song sung in te reo to top the NZ singles chart. It was written by Te Arawa elder George Tait for his cousin Deane Waretini, who recorded it with musicians he could only afford to pay in fried chicken. Tait based the melody on Italian Nini Rosso’s 1965 hit ‘Il Silenzio’, but the lyric refers to the linking of Pākehā and Māori cultures at the time of the construction of the Mangere Bridge. The TVNZ video features the less imposing but rather more picturesque valve tower turret, at Wellington’s historic Karori reservoir.