A delightful animation accompanies this number one single from folk-poppers Avalanche City. With its big, catchy, chorus, the song delivers the feel-good factor and the video captures its quaint essence perfectly with its cast of storybook pirates and penguins. Mass exposure for the song came when it was used for TV2 promos and it took off on release, going gold in four weeks (despite being earlier available as a free download).
One of Wellington’s leading 60s bands present a dark and troubling tale of revenge via voodoo doll. The clip — made for the Studio One TV show, a regular Avengers' gig — incongruously takes its cues from music video precursors like early Beatles films and The Monkees TV series (where the default position was zany and madcap). It was shot around Oriental Bay, with one fleeting pre-Te Papa harbour vista — but the focus is mainly on the band’s antics. The Avengers gamely enter into the spirit of it all, although four on a motor scooter looks decidedly dodgy.
Annie Crummer came to attention with her cameo in ‘For Today’ in 1985 and she was a member of the high profile late 80s act When The Cats Away — but her debut solo album Language didn’t appear until 1992. This cover of a song originally recorded by Eric Clapton was its first single. It features Pacific reggae band Herbs (with the late Charlie Tumahai as duet partner). Fred Renata’s stylish video is a study in monochrome as it alternates black and white backdrops (and wardrobe for Crummer), and augments them with photos of loved ones and shadow play.
Despite the enduring success of the title track, ‘Love You Like I Should’ was the big hit from Dave Dobbyn’s first solo album Loyal. It’s an upbeat rocker complete with horns which Dobbyn has described as a “rant”. The lyrics echo the album’s themes of love and loyalty but the message of defiance to the “powers that be” seems to hark back to the messy, failed prosecution he faced after the Queen Street riot. The video captures the energy of song and performance as Dobbyn confronts the camera and backing singer Margaret Urlich models her gaucho look.
The making of this Anika Moa video arguably puts the singer's heady early rise in a nutshell. American label Atlantic Records flew an executive down to New Zealand to monitor proceedings, and ensure that the singer looked as slim on screen as possible. Moa and director Justin Pemberton came up with the idea of Moa lusting after every male she passes. The taxi is driven by actor Antony Starr (before Outrageous Fortune). As for Moa, she soon returned home from the US. A local top five hit, the song ended up on the soundtrack of Julia Roberts romance America’s Sweethearts.
The Crocodiles were on tour supporting their second album, Looking at Ourselves, when this video was shot in Dunedin. Though he’d left the touring unit, Fane Flaws still provided material and was co-writer of ‘Telephone Lover’. Dunedin’s old Bing Harris Sargood building provides the backdrop for most of the video, while the ‘live’ sections were shot at the now-defunct Shoreline Tavern. Dunedin cameraman Peter Janes directed and filmed the segment for regional news programme The South Tonight.
The Datsuns came roaring out of Cambridge in 2000 with a hybrid of heavy metal and garage rock that quickly earned them international attention, and a major label deal. For this single from their self-titled debut album, they acquired the services of English music video director Robert Hales (who had worked with Stone Temple Pilots and Nine Inch Nails). For this black and white, live performance video, Hales lets the band’s music and their swaggering energy do the talking (with plenty of slow motion shots to accentuate those long flowing locks).
The first single for short-lived Wellington band The Holidaymakers was a cover of a little-known song by American Bill Withers. It spent six weeks at number one and was the biggest-selling single in New Zealand in 1988. On a low budget director Fane Flaws created a beautifully lit video that captures the song’s infectious brightness and warmth. With a collection of lamps the only concession to props or special effects, nothing detracts from the compelling performances by vocalists Peter Marshall and Mara Finau. Sweet Lovers won Best Video at the 1988 NZ Music Awards.
The Katene Sisters were a Shortland Street creation — a vocal group from the past of nurse Jackie Manu (Nancy Brunning), who reformed for a talent quest. The other members were her cousins, but only one (Annie Crummer) appeared, allowing nurse Carrie Burton (Lisa Crittenden) to step in. Though they didn’t win, they were given a brief life outside the show when this song (written by Crummer and ex Holidaymaker Barbara Griffin) peaked at number three in the NZ charts. The video shows them getting down to business in the recording studio, with Crummer in her element.
'I Need Your Love' marked the biggest hit for the Kaukau brothers, and vocalist Karl Gordon. This performance sees Gordon grooving in satin blue waistcoat and bellbottoms, while Kevin Kaukau sneaks in a few guitar tricks inspired by Jimi Hendrix, on a guitar with an unusual attachment. Rip it Up writer Ken Williams described how the song's "ethereal, even fragile, drone jumped off the radio". It was judged Single of the Year at the 1978 NZ Music Awards; the band can be seen winning the award in the closing minutes of the Ready to Roll telecast from which this clip is taken.