Death Rehearsal

Toy Love, Music Video, 1980

After kicking off with the opening bars of Chopin's 'Funeral March', this live rendition of 'Death Rehearsal' invites the audience into a cartoonish, Halloween world before Toy Love members Alec Bathgate, Paul Kean, Jane Walker and Chris Knox take their foot off the brake and let rip. Music journalist Graham Reid described this song (taken from their self-titled first album) as 'kitsch-gloom' and an example of the band branching out from straight ahead punk. Knox juggles delivering witty lyrics with finishing his ciggie, while Bathgate burns up his guitar.

Four Seasons in One Day

Crowded House, Music Video, 1992

This 1993 award-winner was the first Crowded House video made in New Zealand. Director Kerry Brown and producer Bruce Sheridan wanted to emphasise the surreal, fantasy elements of the song, using distinctly Kiwi imagery. Locations included beaches and dense bush on the West Coast, the plains of Central Otago and the Victorian architecture of Oamaru. Scenes of an Anzac Day ceremony and marching girls also highlight the homeland setting. Brown took inspiration from Salvador Dali paintings for the psychedelic effects that were added in post-production.

Rumba

The L.E.D.s, Music Video, 2006

Winner of Best Video at the Undertheradar 2007 People's Choice Music Awards, the clip could be seen as director Daniel Batkin-Smith's subtle nod to early Flying Nun work (featuring bike riding, a cat, kitchen-ware, walking on a beach and a baby.)   "We liked Dan so much we asked him to join the band after he shot the clip. And he did! I was reminded how much more fun it is to ride a bike without a helmet. I really miss that." Blair Parkes - March 09 

Bitter Nest

Solid Gold Hell, Music Video, 1995

Being the sole music video Solid Gold Hell ever produced, the Flying Nun band made sure it was top shelf. However given conspicuous consumption levels, one might conclude they hadn't intended the clip for a mainstream audience. "We shot some of it at the Las Vegas Strip Club. Not sure why we are playing cards and smoking a lot - it seemed like a good idea and worked well for the lighting. I'm particularly proud of my custom made sock garters, which make a brief appearance." Guitarist Matthew Heine -  March 09

Turn of the Century

Beat Rhythm Fashion, Music Video, 1981

The video for BRF's second single contrasts images of youths in gas masks with This is New Zealand-style panoramic scenery. The song ominously describes a complacent society ignoring apocalyptic possibilities: it could be the theme song to The Quiet Earth. But like BRF's UK contemporaries the Cure and Joy Division, behind the brooding, melancholic music is a pop song with deceptive hooklines. The haunting melody emerges slowly from a funereal marching beat, while the chorus is almost ecstatic, with phased synthesised strings that seem to take flight.

Macchina

Decortica, Music Video, 2008

Illustrator/director Leah Morgan's beautifully crafted clip cleverly captures both angst and beauty through captivating special effects and a stunning palette.   "We shot against a green screen, with the band members positioned on a lazy Susan. The thing that killed me was a low angle shot where I was spinning and looking down: I turned pretty green (which must have been problematic in post)." Mathew Bosher, March 09

Azania

Herbs, Music Video, 1981

'Azania' is an impassioned anti-apartheid song written for the Auckland reggae band by law student Ross France. Led by original Herbs vocalist Toni Fonoti, it helped to establish the band’s political credentials at a time when New Zealand was split by the 1981 Springbok Tour. Azania was the name given to a post-revolutionary South Africa by the Pan African Congress. There are name checks for black African leaders Steve Biko and Nelson Mandela; and the chant “Angola! Mozambique! Zimbabwe! Azania!” was quickly incorporated into anti-tour protest marches.

Models

The Fanatics, Music Video, 2004

The darkly arresting imagery of this Fanatics video — featuring leather clad models marching in robotic unison — was almost not to be, according to director Mark Albiston. "The band said 'do what you want — but no models'. I said 'what if we put them in jars'? They said...'mmmm... ok'." This swift negotiation lead to an industrial setting (the generator room under Wellington Hospital), with an army of models being baptised, energised and commercialised. The song was later used as the opening theme for New Zealand's Next Top Model.

Buck It Up

Goodshirt, Music Video, 2003

With her second ever video, director Kezia Barnett established herself as a major industry talent. Buck It Up won Best Group Video at the Juice TV Awards 2004.   "I went to art school with Rodney. At one school ball he was the Queen of the Ball and I was the King! The video idea was influenced by my brush with death and hospital stay earlier that year. Needless to say I was delirious and had visions. You can see the band pop up throughout the video - especially Rodney." Kezia Barnett - March 09 

Destiny in Motion

Satellite Spies, Music Video, 1985

In September 1985 Satellite Spies released 'Destiny In Motion', their first single. It made waves in the NZ charts, peaking at number 14 and spending 10 weeks in the top 50. The corresponding video is stylishly minimalist. Lead singer Mark Loveys and guitarist Deane Sutherland wander darkened back alleys in the rain, and encounter a mysterious blue triangle. The song proved a good launchpad: in March of 1986 Satellite Spies found themselves opening for Dire Straits when the group arrived in New Zealand. After that, Loveys and Sutherland were destined to move in different orbits.