This cascading pop song from Wellington band Fur Patrol’s debut EP Starlifter accompanies an early music video from director Greg Page. Julia Deans and her band mates appear mired in concrete in a suburban swimming pool which begins to fill — but they play on, apparently oblivious to the rising water. The pool was owned by neighbours of Page’s parents in Palmerston North, who were happy to indulge him, but it was Fur Patrol who suffered for Page’s art as they coped with water that was very cold and not especially clean.
The first single from Goldenhorse's second album is an insistent lover's plea that marries Kirsten Morrell's vocal dexterity to a driving tempo. In the music video for the Auckland folky rockers director Adam Jones disdains the big wide shot for disembodied images and details of the musicians performing. A vibrant Morrell, resplendent in red (rather than the lyric's lady in white) captures the centre of attention, with her band mates providing a textured background — and workout for the focus puller.
In 1994 Chris Knox and Alec Bathgate decided they needed more dwarfs. Having released dozens of songs as duo Tall Dwarfs, they asked fans to send in rhythm tracks, then used selected results as creative fuel for their 1997 album Stumpy. This short film brings the Dwarfs' gleefully low-fi approach to the world of album promotion. Knox and Bathgate alternate performances of various tracks from the album (including some naked keyboarding from Knox) with appearances by various offspring, mates and musicians, free-associating on the word stumpy.
Energetic and highly stylised, this clip was one of the few made for band The Exiles before they morphed into Schoool of Birds. Exiles co-founder Sean Sturm (Eye TV) has provided clues to the videos many inspirations: [1927 movie] "Metropolis, Tim Burton's first short film Vincent, the colour red, and the idea of desiring machines. Our mate Steve from the Misfits of Science sat in on drums and we CGI-ed our drummer Graham Cope in later (shh!)." The video was directed by Luke Sharpe (award-winning video Nesian 101), who later produced horror movie Housebound.
A Texan stops by "One Day At The Coffee Bar", and confronted by kaftan wearing, pot smoking beatniks, tries to enjoy a cuppa. Silly costuming, delightful comic timing and hammy performances afford this clip legendary status amongst NZ's finest.