After making music overseas as part of theatre troupe Red Mole, Jan Preston and Neil Hannan headed home and founded the band that would be known as Coup D'Etat. Preston took lead vocals on this, their debut single. The video — by cinematographer Leon Narbey — sees her performing in a little red dress, while ex Hello Sailor guitarist Harry Lyon continues the colour theme. Then they head out on the highway. 'No Music on My Radio' proved a sadly apt title: local radio showed little interest. The band soon hit the airwaves (and the top 10), with 'Doctor I Like Your Medicine'.
Clever lighting and plenty of rain feature on the video for this chart-topping P-Money track. As he had with Scribe's breakthrough hit 'Stand Up', P-Money melds Scribe's rapping talents with loud guitars. Directed by Greg Page, the moody widescreen clip also features Elemeno P's Justyn Pilbrow on guitar, and Sam Sheppard from 8 Foot Sativa on drums. 'Stop the Music' appeared on P-Money's second studio album, NZ Music Award-winner Magic City (2004).
The lyrics to Greg Johnson's ‘Looking out on Monday’ pay tribute to the satisfaction of sleeping in, and skiving off work; they also mention recognising that “failure is in your lover’s eyes”. Johnson's long time musical collaborator Ted Brown appears in the video as the friend who pops over to Greg's place (in Los Angeles?) to say hello. 'Looking Out on Monday' is taken from 2008's Seven Day Cure, which NZ Herald critic Russell Baillie called “one of the most fully realised Johnson albums yet”. The track was included in Dustin Hoffman / Emma Thompson romance Last Chance Harvey.
‘Deb’s Night Out’ was a single from Shihad’s breakout second album Killjoy (1995). Director Chris Mauger’s video bypasses a literal take on the lyrics’ relationship paranoia for a deadpan depiction of cross-generational spirit. A young, sullen Jon Toogood is stuck in his denim jacket in the backseat with a couple of wine-guzzling oldies, en route to a suburban hall shin-dig. There the band gets down for some country and limbo dancing, the family-fun visuals contrasting with the song’s grinding guitar. Mauger’s stylistic touches include a canapé-cam.
It had to be a big ask getting all seven members of Supergroove in one shot and looking good for this video, but the result trips along with pace, great upside down special effects, and some bonus goldfish. Shot in one epic, 18 hour session, Can't Get Enough was one of the earliest Supergroove videos directed by bassist Joe Lonie, who went on to helm 50+ clips for everyone from King Kapisi to Goodshirt. In 1995 'Can't Get Enough' was the first of a trio of Supergroove videos to take away the supreme award for Best New Zealand Music Video of the year.
Drawing from Dimmer's debut album I Believe You are a Star, this early video effortlessly channels the minimalist cool that would be a Dimmer trademark. The set is dark, dominated by a red-lit 'Dimmer' sign likely inspired by one showcased in Elvis' iconic 1968 comeback special. The vocals are provided by four males in white suits — including a pint-sized version of Dimmer founder Shayne Carter, and, briefly, his late father. The first, long in gestation Dimmer album signalled a new stage in Carter's career, with sparse grooves dominating over guitars.
This dance pop anthem was a number one for the reality TV series-generated act TrueBliss — and the biggest selling single by a New Zealand artist in 1999. It was written (like most of the TrueBliss album) by Anthony Ioasa, an APRA Silver Scroll winning co-writer for Strawpeople's 'Sweet Disorder'. The video features a girls' night in slumber party, complete with home movies, hairbrush microphones, pillow fights, dress-ups, American Indian head-dresses and hula dancing. There is also quite a lot of moody introspection for what is essentially an unabashed love song.
With this arresting mixture of performance video and monstrous insect imagery, arts show maestro Mark Albiston (The Living Room) shows he is an exponent of the wham bam approach to music videos. Short sharp shots capture Shihad's energy on a set that is painted red and black. The band footage is intercut with images of a hungry praying mantis, whose darkest secrets are revealed via digital effects. The song is taken from Love is the New Hate (2005), the first album after Shihad's ill-fated decision to change their name to Pacificer.
Scribe's first single ‘Stand Up’ conquered the charts, paired as a double A-side with soon to be signature tune ‘Not Many’. But where ‘Not Many’ is a statement of personal intent, ‘Stand Up’ flies the flag for Kiwi hip hop: the video features many of the fellow musicians namechecked in the song. Shot in a basement below Auckland's Real Groovy Records in black and white (except for the ‘Not Many’ sections), Chris Graham's NZ Music Award-winning video offers an energetic, confrontational performance from Scribe, who took another five NZ Music Awards in the same year.
Though gifted with a typically driving chorus, this Naked and Famous track evokes a state of limbo and dissatisfaction. Winner of a New Zealand Music Award for Best Music Video of 2014, Campbell Hooper's clip is permeated by mist and mysterious, possibly violent events. Is that a murder playing out on screen, or merely someone getting the firewood ready? Are those men doing exercise, or punishing themselves? And is that Michelle Ang getting out of the pool? Longtime collaborator Hooper directed the video in New Zealand and the band's base in Los Angeles.