This Elemeno P video sees the band performing inside a storage freezer in an ice cream factory. "There was no legitimate reason for shooting in a freezer," recalls director Greg Page ('Exit to the City', 'Super Gyration'). "I just enjoy torturing the bands I work with." The location was secured through Flying Fish Executive Producer James Moore, whose family owned an icecream factory in Otara. Page recalls the challenges of filming in below freezing temperatures here.
Clever lighting and plenty of rain feature on the video for this chart-topping P-Money track. As he had with Scribe's breakthrough hit 'Stand Up', P-Money melds Scribe's rapping talents with loud guitars. Directed by Greg Page, the moody widescreen clip also features Elemeno P's Justyn Pilbrow on guitar, and Sam Sheppard from 8 Foot Sativa on drums. 'Stop the Music' appeared on P-Money's second studio album, NZ Music Award-winner Magic City (2004).
Hip-hop DJ and producer P-Money moves to the dance floor with this pumping, chart topper which marks the recording debut of Australian X Factor finalist Vince Harder. In Rebecca Gin’s quirky video, P Money has a whirlwind romance which starts in a supermarket and ends in tears in a club (with a sharp contrast between the white of daytime and the blacks of the night scenes) but the “shoulder friends” are the attention grabbers here. They represent the music that people carry around with them (or, at least, until they venture down one dark alley too many).
This black and white video is certainly not the first to adopt the patented 'are these images connected, or is it all a trick' approach. A woman crouches in a nightgown; a man waits in an expensive looking chair; a confident woman in a distinctive dress enters the room, possibly for the cash. Taken from 1994's Broadcast, probably Strawpeople's most successful album, 'Trick with a Knife' features vocals by Fiona McDonald. Strawpeople founders Mark Tierney and Paul Casserly make fleeting appearances.
Life imitated art when Matt Heath and Chris Stapp transformed their Back of the Y house band into a real act. Here they make a determined bid to wrest the drinking anthem crown away from Th’Dudes’ Bliss with their own ode to the amber liquid. Heath and Stapp’s video takes the tribute to the six pack from pained conception through live performance to post gig acoustic sing-along by way of a hail of beer cans. It’s also a chance to revisit tried and true Back of the Y favourites: from flaming helmets and wrestling masks to dodgy stunts and pyrotechnics.
The video for the highest selling Kiwi song of both 2016 and 2017 was shot on a mobile phone in Fiji. Featuring beaches, pools, and partying, Don’t Worry Bout It was filmed by Auckland musician Kings while he was in Fiji for a music festival. Kings wanted to create an instrumental track with a summer feel, but added lyrics after watching his daughter run around a park without a care in the world. As of December 2017, 'Don’t Worry Bout It' held the record for the longest number of weeks (33) as the week's biggest-selling Kiwi single; it had been streamed on Spotify over six million times.
Banned by TVNZ, this Hot Grits video follows a group of friends having a party, before a night on the town. The only difference: this time it is young children doing the drinking (milk), and wigging out. 'Headlights' won two awards at Kiwi music video contest Handle the Jandle in 2008: Best Video, and Best Use of Exploitative Tactics. During filming, creative collective The Downlow Concept (TV series Hounds) attempted to control their junior cast by bribing them with sweets and toys. But when "sugar madness" kicked in, the kids were in control.
Brooke Fraser took her inspiration for ‘Albertine’ from a girl she met in Rwanda who had been orphaned by the Rwandan genocide, which claimed 800,000 lives in 1994. Believing that “faith without deeds is dead”, Fraser resolved to tell the orphan's story to the world. A similar determination to be more than just a “voyeur of tragedy” is underlined in Anthony Rose’s elegantly understated video, which deals not in terrible statistics but the humanity of everyday people in Rwanda. ‘Albertine’ won the 2007 APRA Silver Scroll for songwriting.
Aaradhna’s third album Treble and Reverb was released on hip hop label Dawn Raid and co-written and produced by P Money and Evan Short (Concord Dawn) — but its “retro/metro” sound channels the glory days of the classic early 60s girl groups rather than more contemporary styles. ‘Wake Up’, the lead-off single, is a bright, sunny song about trying to fix a broken soul. The video — directed by the award-winning Special Problems — nods to the era with an animated symphony of pop-coloured modern household objects happily distracting from the lyric’s call to action.
This video certainly has an out of the box concept: cameras follow the band as they spend a day at races, gambling the money given to them by NZ On Air to make their music video. The hope is that they they will win big and be able to afford an even better clip. Cue the finale, where the band don silly costumes and let loose with a bunch of fireworks. I'm Lame was nominated for a b-net Award, and came second at the Night Vision Film Competition in Dunedin. The song appeared on both EP PEP Sounds and The Sneaks' 2007 self-titled album.