“I hear the roooolling thunder”. Sir Howard Morrison’s classic bilingual rendition of the popular hymn comes from an October 1981 Royal Variety Performance, in front of Queen Elizabeth II and Prince Philip. Morrison's performance at Auckland's St James Theatre of 'Whakaaria Mai' marked a comeback for the veteran entertainer, who had been out of the spotlight working in Māori youth development. Released as a single a couple of months later, it topped the charts for four weeks, and led to the commissioning of a televised Howard Morrison Special in 1982.
NOTE: This video is currently unavailable on NZ On Screen 'I'm in Heaven' was from the third and final Dave McArtney and The Pink Flamingos album The Catch (the song was later rerecorded, with Graham Brazier on vocals, for Hello Sailor album Shipshape & Bristol Fashion). In the original video McArtney looks moodily out a window over the city and falls into a pool in speedos, and the band plays the song amidst backlit dry ice. Fast cuts match the crisp drum beats and synth. Directed by Bruce Morrison, it won Best Music Video at the 1984 NZ Music Awards. McArtney went on to provide music for Morrison’s 1986 movie Queen City Rocker.
This soulful ballad highlights Chong-Nee on the mic, backed by horns and strings. The song is taken from his debut album Just Getting By On Love (2006). Inspired by classic singers like Al Green, Chong-Nee set out to record a number of songs live, including this one. Befitting the song's old school stylings, director Martha Jeffries uses an extremely narrow colour palette. Jeffries also helmed the music videos for Chong-Nee singles 'Black Widow' and 'Scenarios'.
With a super-simple yet thrillingly impressive concept, Gareth Edwards makes a rock'n'roll dream come to life in this technicolour smash up. Impressive editing and lighting, and gung-ho performances combine to embellish a terrific punk-pop song.
Shona Laing's long musical career began with '1905', a song dedicated to Henry Fonda. At 17 years old, Shona took the song to second place on talent show New Faces in 1972. Early the following year it rose to number four on the NZ top 10. This short live clip, thought to be filmed at Christchurch Town Hall, captures Shona in extreme close-up, serving to magnify the emotional intensity of the song. Don't be fooled into thinking this is a mimed performance; her voice is absolutely spot-on, and the crowd reacts with rapturous applause.
A live performance music video taken from the highly acclaimed Live at Bats album. Simply but stylishly shot and edited, this clip suits the moody style of this folk rock song from Fly My Pretties creative director Barnaby Weir.
Director Chris Graham toys with black and white in this performance-based clip, which accompanies possibly New Zealand's best-known remix. Graham shoots Scribe and company in colour, but apart from skin tones makes every ‘colour’ used either black or white: including the hoodies, caps, milk bottles ... and the dog. Film speed is tweaked to the beat, and the result is monochrome magic. Scribe is joined by a crusading crew of Kiwi hip hop luminaries (Savage, P-Money, David Dallas/Con Psy). 'Not Many' originally topped the charts as half of a double A-side, alongside 'Stand Up'.
Conservation pioneer Richard Henry tried to save the kākāpō from rats and stoats, via an island sanctuary in 1890s Fiordland. His doomed bird rescue efforts might seem an odd subject for a pop ballad. Singer/songwriter Andrew Fagan also included a paean to Antarctic explorer Ernest Shackleton on 1985 Mockers album Culprit and the King. Fagan argues that adventuring is "naturally something to aspire to. Writing pop songs about it never felt like an issue to me." This performance of the song, directed in a single shot by Brent Hansen, roams a gloomy Avalon studio.
A Texan stops by "One Day At The Coffee Bar", and confronted by kaftan wearing, pot smoking beatniks, tries to enjoy a cuppa. Silly costuming, delightful comic timing and hammy performances afford this clip legendary status amongst NZ's finest.
With departed founder member Phil Judd back in NZ, this UK written Tim Finn rocker took Split Enz even further into pop territory and away from their art rock roots. Of a piece with the most energetic New Wave of the time, it was accompanied by a video with an appropriately frenzied performance which former member and Enz historian Mike Chunn rated as one of their most infectious. The band are wearing Noel Crombie’s art-school designed suits, Neil Finn looks ridiculously young and endings don’t come much more abruptly than this one.