Playful graphics enhance this clip by Robert George and Matt Fraser of Wellington production house The Sauce. Daimon Schwalger, aka The Nomad, delivers his vital statistics with the help of distinctive yellow and grey text and imagery, and the clip features a tidy Holden Kingswood HQ (red upholstery).
Chris Knox wears a Madonna head-set mic and John Lennon sunglasses, with a t-shirt and bright yellow shorts, as he walks along Auckland's Ponsonby Rd singing and playing guitar. In background inserts Knox himself plays a mad air-guitar-playing chorus and censor. Very simple, but full of cheek and characteristic CK energy.
This Betchadupa video opens with frontman Liam Finn performing in a recording studio; the other band members are soon revealed playing to unusual, sometimes unprepared audiences. Drummer Matt Eccles plays an impromptu gig in a lift, Chris Garland entertains boogying kindergarteners with his guitar, and Joe Bramley on bass harasses shoppers in a cinema foyer. By the end, the band are back together. Taken off Betchadupa's self-titled EP, the catchy track was nominated for a 2000 Silver Scroll songwriting award. Lead singer Finn was around 16 at the time.
An eco-anthem lurks at the heart of this infectious, upbeat Minuit number. To accompany it, director Sally Tran conjures up a claustrophobic world where people are trapped inside a decaying building (actually Spookers haunted house at Karaka), and flowers and outdoor pursuits are the stuff of museum displays. Lead vocalist Ruth Carr (complete with bird make-up) and her dancers run this way and that, but there seems to be no escape. The song plays out with Carr singing to herself because she decided no-one else would write a song with her name in it.
"I had a vision of Shayne Carter in mirror shades playing a policeman. He agreed on the condition he wouldn't shave his mo. Of course it just added to the moment. Ian Hughes (playing the father) brought his new puppy, Olive, along because he had no-one to look after it, so we integrated it into the action. In fact much of the fun stuff he does was him just improvising on the day." Jonathan King - March 09
A drummer plays in four locations and keeps playing as he moves; and, at each, a woman is at a different stage of her life. The Booyeouw Shamble was shot in Wellington by director Sam Buys and DOP David Paul in one continuous 54 minute take. Drummer P-Hill had to follow a score taped to his snare; and each hit had to be in the correct sequence for the entire 54 minutes. In editing the footage was sped up or slowed in at least 1000 places to get the drum hits in time with the music. There were no rehearsals and there was time for only one take.
After three years of playing live, the first single from Th’ Dudes was this classic, chiming piece of pop written by Dave Dobbyn. The video was made at TVNZ’s Manchester St Studios in Christchurch. With Dobbyn taking lead vocal, there was no onstage role for Peter Urlich — so he sits at a table in the foreground of the empty nightclub set. Assistant floor manager Peter Bain-Hogg plucked a passerby off the street to play the waitress. The song would become an enduring Kiwi classic — three decades later, it closed out the final episode of Outrageous Fortune.
This Silver Scroll winner from the debut album by The Naked and Famous became a breakout hit, winning global notice and playing on a number of teen TV shows (Gossip Girls, Skins). Directed by Campbell Hooper and Joel Kefali, the promo won 10 million+ YouTube hits, playing no small part in announcing the band. Via a catalogue of Dazed and Confused-esque imagery, the clip puts its thumb on the pulse of the soaring synth-pop celebration of ‘Young Blood’: bonnet jumping, sparklers, skating and Badlands-style skylarking. The song won a Silver Scroll and an NZ Music Award.
The Datsuns make international touring look so easy. Sporting a home movie look, Stuck Here For Days kicks off with a blues slide guitar riff as Dolf, Christian, Phil and Mat Datsun travel to new, exotic locations via vans and planes. A slightly sped up travelogue follows them around international cities, as the boys check into their rooms, set up their instruments and play frenzied gigs in sweaty venues and packed festivals. Look out for Dolf, cool as a cucumber, emerging from a beer fridge.
From the time-honoured music video making tradition of "throw a party, add a horse costume and film the results" comes a frenetic clip directed by Andrew Moore. Love's Ugly Children were at their belligerent best on this song from their second album. Drummer Jason Young was the waylaid missionary; and guitarist Simon McLaren got to talk to a horse on the phone and display hitherto-unseen break-dancing skills. The carpet of their flat came off second best in an encounter with some red body paint. Extra marks for the cheese and pineapple hedgehog.