This appropriately moody music video saw director Florian Habicht (Kaikohe Demolition) collaborating with musician Steve Abel, who had contributed to the soundtrack of Habicht's movie Woodenhead. The video moves between two puppets on a lonely plain, and close-ups of Abel and the guest vocalist who joins him on the track: Kirsten Morrell from Goldenhorse. The song is taken from Abel's award-winning debut album Little Death (2006). Habicht and Abel would work together again on the video for Abel's song 'Best Thing'. The puppets were created by Kiwi Oliver Smart.
This award-winning puppetry/comic book creation follows a put upon heroine enduring jibes from the cool crowd about her hairstyle. She resolves to rectify her situation using a new 'Hairagami Set'. The video was created by duo Trophy Wife (Ian and Rebecca Hart), who later revealed that the Hairzilla monster was a late addition, after US record label Sub Pop felt uncomfortable with "school shooting imagery". The clip won Best Music Video at the 2008 Vodafone NZ Music Awards. Check out the true to life puppets of band members Jonathan Bree and Heather Mansfield.
The lyrics detail the intensity of thwarted love, and the accompanying video is a DIY delight — mixing an origami fortune teller concept with back-projected Animalia-style shadow puppets. From the 2008 EP This Machine, this video marked the first collaboration between design studio Special Problems (Campbell Hooper and Joel Kefali) and the band. The fertile partnership would go on to yield multiple music videos (including the breakout promo for ‘Young Blood’), plus the artwork on a number of their releases.
Do robots dream of mechanical owls? A young woman in distress wakes up to find she has a 'robot problem' in her apartment. As the wee ‘bots (resembling animated cuisenaire rods) cause mayhem, she calls for help on her rat-phone. Roused from the Winter Gardens, an exterminator and his giant caged owl come to the rescue. The promo was one of several shot for The Mint Chicks by Crystal Bear-winning short film director Sam Peacocke (Manurewa). To create the miniature robots, life-size puppets were shot in front of a green screen, then composited into the action.
Winner of Video of the Year 2006 at the Juice TV Awards, the clip was shot over two and a half days, and required dancers attached to elastic strings to move at half speed to achieve the puppet effect.Self confessed dance fanatic Kezia Barnett literally searched the world for the hero marionette doll. "I looked in Paris, Amsterdam, London, Berlin, Auckland and Prague. I eventually bought one in Prague. We changed her hair, face, skin and clothes to match Sarah's."Kezia Barnett, March 09