Chris Knox mines his immediate, 1981-era surroundings for this elaborate stop-motion clip. Record players go crazy, sleeping bags swallow people, and hardly anyone on screen seems to have a face. On the telly are Springboks and protests, plus the Ready to Roll top 20 countdown. And all this unravels a full two decades before editing programme Final Cut Pro made homespun hip again, and directors like Michel Gondry (The Science of Sleep) started popularising the craft aesthetic.
'I Need Your Love' marked the biggest hit for the Kaukau brothers, and vocalist Karl Gordon. This performance sees Gordon grooving in satin blue waistcoat and bellbottoms, while Kevin Kaukau sneaks in a few guitar tricks inspired by Jimi Hendrix, on a guitar with an unusual attachment. Rip it Up writer Ken Williams described how the song's "ethereal, even fragile, drone jumped off the radio". It was judged Single of the Year at the 1978 NZ Music Awards; the band can be seen winning the award in the closing minutes of the Ready to Roll telecast from which this clip is taken.
This weather-themed Kiwi classic spent 21 weeks in the charts, and became one of DD Smash's biggest hits. The quirky, light-hearted video was played repeatedly on Saturday chart show Ready to Roll, and won Best Music Video at the 1983 New Zealand Music Awards. It was directed by a young Andrew Shaw (of Hey Hey It’s Andy fame, later an executive at TVNZ). DD Smash singer/songwriter Dave Dobbyn hams it up in Adidas tracksuit and yellow raincoat, while drummer (and 1980s heartthrob) Peter 'Rooda' Warren appears in his speedos.
Looking like Borat out on the town, Monte Video's 'Shoop Shoop ...' invaded the pop charts in 1982. The novelty song written by — and starring — veteran Auckland musician Murray Grindlay reached No 2 in New Zealand, No 11 in Australia, and was released in the UK. TVNZ's chart show Ready to Roll found itself playing host to a hedonistic video filmed at Ponsonby's Peppermint Park nightclub with scenes of flagrant alcohol and tobacco use and a cast of transvestites. Follow-up album Monte Video featured song 'You Can't Stop Me Now', which seemed like a threat.
Chosen as the theme tune of Outrageous Fortune spinoff Westside roughly four decades after it was first performed, this guitar and sax-driven rocker appeared on the first album by the legendary, on again off again Hello Sailor. Taken from music show Ready to Roll, this performance sees Brazier and band talking tough in leather about danger on the streets, and "nights like a razor blade". Harry Lyon snarls over his red guitar, Graham Brazier plays a saxophone with a price tag on it, and Dave McArtney adopts classic bored rocker pose.
By 1978 UK chart success and an extended club residence in Hawaii were behind John Rowles; he was broke and looking for a hit. His earlier smash 'Cheryl Moana Marie' had been named after two of his sisters. For his comeback Rowles reprised the gesture, penning a song to sister Tania. The single topped the New Zealand charts for four weeks. This clip sees him donning a green suit to mime 'Tania' for local music show Ready to Roll. His 1978 album This is My Life did well on both sides of the Tasman, priming a 20 year stint in Australia performing on the Leagues club circuit.
Released in April 1977, 'It Doesn't Matter Anymore' became Mark Williams' second number one single. The singer funks it up in bell-bottoms and afro, while circled by cameras on the set of long-running music show Ready to Roll. Abandoning the violins of the Buddy Holly/Paul Anka original in favour of percussion and horns, producer Alan Galbraith's arrangement demonstrates that breakup songs can be catchy indeed. By the end of 1977, Williams and Galbraith had decamped for Australia. Williams would ultimately take over vocals for Dragon.
The video that helped Steriogram get discovered by Capitol Records is a nod to all things bogan, and is accessorised in line with this song title. From mullets to car mechanics, fluffy dice to line dancing, this homage to everything West Auckland, includes a cameo from then Cultural Ambassador for Waitakere Ewen Gilmour, and white trash rhyming to boot: “I got my Holden and I’m ready for Rolling / Yeah this car ain’t stolen ...”
In the tradition of novelty songs, ‘Culture?’ was catchy to the point of contagion. Fuelled by carnival keyboards, it was The Knobz response to Prime Minister Rob Muldoon’s refusal to lift a 40% sales tax on recorded music (originally instituted by Labour in 1975), and Muldoon's typically blunt verdict on the cultural merits of pop music (“horrible”). The giddy, hyperactive video comes complete with Muldoon impersonator (Danny Faye), and casts the band as the song’s 'Beehive Boys'. In the backgrounder, Mike Alexander writes about his time as the band's manager.