This black and white music video features Chong-Nee and guest vocalist Niki Ahu encouraging a neighbour to drop her two-timing boyfriend. The song peaked at number 17 on the New Zealand charts in early 2006. The video was one of three directed by Martha Jeffries for John Chong-Nee's debut album Just Getting By On Love. Jeffries later relocated to the United States, where she directed episodes of Emmy award-winning climate change series Years of Living Dangerously.
Electronic soul band Shapeshifter is one of the NZ acts whose songs were covered by international artists in Nick Dwyer’s Making Tracks TV series. Dwyer takes that relationship a step further with this infectious music video for one of the singles from their fourth album Delta. He accompanies their lyrics, about putting aside the pressures and problems of everyday life, with a series of vibrant images from around the world. Gathered during his globetrotting, they celebrate human connection and the simple pleasures afforded by music (and a NZ 1990 t-shirt).
‘Black Box’ was the winning song for Australian Idol victor Stan Walker. His first music video was shot in Sydney two days after his triumph. It's set at a mansion poolside party, with Idol finalists and family members among the extras. The black box in question might hold the records of a romantic crash, not an aviation disaster, but this recriminatory look back at a failed relationship brought sweet success for Walker. It spent 10 consecutive weeks at the top of the New Zealand singles chart, and won four Tuis at the 2010 NZ Music Awards.
Frequent collaborators singer Anika Moa and director Justin Pemberton crossed paths again for the music video of this track, from Moa's 2008 album In Swings the Tide — her first, slightly countrified album for EMI. In a tastefully furnished room, Moa wakes in a bed of chocolate satin sheets, only to find the day is nearly done for her and the mysterious bedmate sleeping next to her. Moa exhorts her lover, “please don't be mean to me 'cos I really tried ...”, before stripping the duvet off the relationship to see what's underneath.
‘Doomsday’ was initially released as a 12 inch 45. The video is shot in a room similar to the one featured in their classic Death and the Maiden (but the bay window isn’t quite as grand, and there are no rabbits). A blue wash runs through the first three quarters of the clip, as Graeme Downes sings off to one side — his lyrics a bleak portrayal of a doomed relationship that could end at any time. (But when?) The instrumental final minute is in full colour, with Downes back in the midst of the band. The homespuns have come off and there are smiles all round.
In this colourful video Australian Idol victor Stan Walker works his wardrobe and dance moves at the bottom of Auckland's Point Erin Pool, with help from singer (and aunt!) Ria Hall. Director Shae Stirling doubles up the action, thanks to copious use of split screen. Copy written for the video's premiere on website Stuff describes the song as being about knowing that a relationship is over, but trying to keep it going regardless. In the same year Walker made his big screen debut in hit movie Mt Zion, judged The X Factor NZ and opened onstage for Beyoncé.
This song is from New Zealand’s troubled winter of 1981. The Springbok Tour gave the term “riot squad” currency throughout the country — but the Auckland live music scene and the police were already enduring a very fraught relationship. This number from Auckland ska/soul band The Newmatics, released on the band’s Broadcast OR double 7" EP, was actually written about a 1980 police raid on XS Cafe in Airedale Street. The Keystone Cops music video is classic early 80s TVNZ Avalon and features actors Ross Jolly and Michael Wilson as two thirds of the 'blue shadow'.
This was the song that started it all for The Exponents. Instead of the usual TVNZ studio cheapie, the promo is a film clip, complete with fantasy 80s Christchurch night-life scenes. The song was inspired by Jordan Luck's onetime landlord, who was trapped in an abusive relationship. Locations include the Arts Centre and deco apartments opposite. Reaching number six, the song would prove to be the biggest hit on a debut studio album packed with classics. Luck later described it as "a strange song to pick as a first single"; but the right one.
'Maybe' was the title track from Sharon O'Neill's 1981 album and she wrung every drop of emotion out of the performance. The video sees her during a sad break up, wandering around the flat in satin pants and a cavalry jacket and slumping against walls as she ponders on exactly how things came to this. It's in glorious black and white apart from the relationship flashbacks during the bridge, which oddly look like a montage from a sitcom. 'Maybe' reached No.12 on the NZ Singles Chart.
‘Deb’s Night Out’ was a single from Shihad’s breakout second album Killjoy (1995). Director Chris Mauger’s video bypasses a literal take on the lyrics’ relationship paranoia for a deadpan depiction of cross-generational spirit. A young, sullen Jon Toogood is stuck in his denim jacket in the backseat with a couple of wine-guzzling oldies, en route to a suburban hall shin-dig. There the band gets down for some country and limbo dancing, the family-fun visuals contrasting with the song’s grinding guitar. Mauger’s stylistic touches include a canapé-cam.