Don McGlashan wrote this rousing secular gospel number for a key scene in No. 2, Toa Fraser's cinematic tribute to the Auckland suburb of Mount Roskill. Beyond the screen it won an APRA Silver Scroll and spent 22 weeks in the charts. That sales success was helped in no small part by this Fraser-directed video which recreates the film's (eventually) joyous, party vibe. Cast and crew gather to watch the fruits of their labours and witness a backyard performance by Hollie Smith, McGlashan and the other members of the Mount Raskil Preservation Society.
A Swanndri clad Lawrence Arabia (aka James Milne) goes back to nature in this video directed by Stephen Ballantyne and shot at Arthur's Pass in Canterbury. A 60s tinged number from his first solo album, 'Talk about the Good Times' is a scathing dismissal of a former friendship anchored in an urban setting of gyms, box shaped apartments and expensive coffee. Fresh air, the bush, the wide open spaces of the river bed and Greg Chapman's Disney-esque animated animals make for a pastoral idyll to counteract the falseness and paranoia of city life.
Gramsci was the brainchild of musician Paul McLaney; ‘Easy’, the first single off Gramsci's debut album Permanence, got plenty of airplay on radio network Channel Z. Perhaps incongruously for a band named after an Italian Marxist philosopher, the song has a loose'n'funky vibe. The simple black and white music video intercuts between a goateed McLaney performing the song, and a river scene. On the riverbed is a TV showing Gramsci’s performance, and a man on a mysterious mission.
Taika Waititi's 80s extravaganza wouldn't have been complete without the man himself arriving on set in a DeLorean — the time-travelling car from Back to the Future. The clip for The Phoenix Foundation is another homage-packed example of lo-fi genius from the Oscar nominated director. Note how Eastern European-derived keyboardist Luke Buda is playing a 'Poland' synthesizer. Said Waititi: "I spotted the DeLorean parked near our flat in Mt Cook, and left a note under the wiper saying 'what year are you from?' Turns it was one of two owned by a local doctor."
Wellington trio Connan and the Mockasins spent much of their time channelling 1960's blues pop/rock — but this brief, sparse outing from their debut EP Naughty Holidays sees them tapping into a more ethereal strain of pastoral pyschedelia from the same era. Director Sam Handley’s clip (shot at Mangakino near Taupō) places the band on board an enchanted river boat, spreading delicate notes like pixie dust along the way under the watchful eye of one of the cliff faces. Connan, not unreasonably, plays a wind-up clock complete with lamps.