Auckland band LEISURE’s statement on the YouTube page for this song says: "with the world in its current state of flux, sometimes we just need to switch off and float away from it all." The video for the group's first single takes note, as a camera roams through a series of tableaux – from street to bedroom, passing various people chilled to a state of inertia – before following their gaze to the next still life. Directed by Joel Kefali (Royals), the clip won Best Music Video at the 2017 NZ Music Awards. The song featured on supernatural teen TV show Shadowhunters and HBO comedy Insecure.
The first single off mutli-platinum 1998 album Supersystem helped bring Christchurch rockers The Feelers to a wide audience. For the video, director Joe Lonie has been given the resources to pull out all the stops — maintaining momentum with constant motion and cutting, while underlining the pressure motif by having the band performing in a boiler room, and claustrophobically running through a pipe. 'Pressure Man' was nominated for Best Video at the 1998 New Zealand Music Awards. Lonie had first begun making music videos while playing bass for Supergroove.
The urgent, pulsating 'Just a Little Bit' was the second single for Auckland electropop duo Kids of 88. On a set lit by suitably retro fluorescent light tubes, director Tim van Dammen's clip echoes the video for the band's debut 'Our House' — but with models fighting each other rather than having paint poured over them. Van Dammen's aim was to create "a fight, but shot to look like an orgy" — and, by the end of the video, the line between passion and aggression is all but indistinguishable. The single and video were both winners at the 2010 Vodafone NZ Music Awards.
The Datsuns came roaring out of Cambridge in 2000 with a hybrid of heavy metal and garage rock that quickly earned them international attention, and a major label deal. For this single from their self-titled debut album, they acquired the services of English music video director Robert Hales (who had worked with Stone Temple Pilots and Nine Inch Nails). For this black and white, live performance video, Hales lets the band’s music and their swaggering energy do the talking (with plenty of slow motion shots to accentuate those long flowing locks).
After roughly five years as a member of all woman band Cassandra's Ears, Jan Hellriegel launched her solo career with this 1992 single. The much admired video captures a seductive performance from the singer, and cuts it together with smoky pool halls, leopard print, classical sculptures, night driving and boy scouts — unlikely slow motion images, which nevertheless suit the raw emotion of the song. The clip was directed by Chris Mauger, who also utilised black and white on Ngaire chart-topper 'To Sir with Love'. 'The Way I Feel' got to number four on the NZ charts.
After a legal skirmish with ex drummer Shelton Woolright over rights to the Blindspott name ended in stalemate, the reformed members of New Zealand’s alt-metal institution opted to continue as Blacklistt. For ‘Burn’, the third promo from the band's 2013 self-titled album, London-based expat director Anthony Plant (By Your Side) transforms the brutal combat of Thai kickboxing into a slow motion ballet. “This clip was made to really showcase the beauty and peace of Muay Thai,” he explained. “...despite it being an aggressive sport there is a real spirituality that surrounds it.”