Strawpeople Paul Casserly and Mark Tierney took themselves to Hong Kong (with guest vocalist Leza Corban) for this video. Corban's jazzy vocal and the chilled beats contrast with the hustle and bustle of the cityscape (still under the flight path of Kai Tak airport at the time). The trumpet is courtesy of Greg Johnson and the sampled voice is Richard Nixon talking to the Apollo 11 astronauts on the moon. Co-written by Tierney and Casserly with Anthony Ioasa, Sweet Disorder won the 1995 APRA Silver Scroll for songwriting, plus the songwriting gong at the 1996 NZ Music Awards.
This short clip marks the only known footage of John Hanlon performing his biggest hit 'Lovely Lady', via NZBC talent competition Studio One. The song ended up placing second, but went on to spend 20 weeks in the NZ charts. It reached number one, and won the 1974 APRA Silver Scroll songwriting award. Despite his immense success — he won another Silver Scroll the following year, and earned multiple RATA awards — Hanlon has faded somewhat from New Zealand’s cultural consciousness, since concentrating from 1978 on a career in advertising.
This soulful despatch from the end of a love affair won Rikki Morris the APRA Silver Scroll songwriting award for 1991. It was produced by his brother Ian (aka Tex Pistol) who contributed a suitably epic 80s drum sound and won himself Engineer of the Year at the NZ Music Awards. The family connection extended to the music video where Rikki’s then wife Debbie Harwood (from When the Cat’s Away) played the former partner in the Super 8 footage (which the pair shot themselves). A stormy surf beach offers an appropriately tempestuous supporting performance.
Auckland band The Screaming Meemees shared a 45 with The Newmatics before releasing this infectious ska-pop number which became an 80s classic. In August 1981 it was the first single to enter the NZ Top 20 at No.1 and they were rewarded with a breakneck trip to Wellington for a TVNZ video made at the Avalon Studios. More produced than many early 80s Avalon clips, it comes complete with masks, white roses, pooled water and a stained glass window (perhaps inspired by reports that the ex-Catholic school boys based their early songwriting on hymns).
Band Spats demonstrated they could write a catchy song with 'New Wave Goodbye'. But it needed the addition of singer Jenny Morris, a name change to The Crocodiles and a track called 'Tears' for the public to really sit up and take notice. In the video, drummer Bruno Lawrence hangs around next to a shady lamp post while Morris passes by, and the band's bubblegum coloured costumes positively shine against an all white set. After reaching number 17 on the NZ singles charts, 'Tears' won the APRA Silver Scroll songwriting award for 1980.
Auckland troubadour Greg Johnson won the prestigious APRA Silver Scroll songwriting award for 1997 with this moody, tortured love song from his fourth album (his first for a major label), Chinese Whispers. The elegant, uncluttered video was directed and edited by Jonathan King. The video was shot in the Auckland suburbs of Newmarket and Parnell. With a narrative straight out of Hitchcock, Johnson is cast as narrator — and both the victim and accomplice of a blonde femme fatale in what appears to be a murder ... with a mysterious handbag the only clue.
After winning attention both in The Thomas Oliver Band and with his solo lap steel guitar work, Thomas Oliver took away the 2016 APRA Silver Scroll songwriting award with 'If I Move to Mars'. The video makes the most of the intragalactic theme, with a Gravity inspired/gravity-defying video made by a pair of effects wizards from Weta Workshop. The visually impressive result sees Oliver in a spacesuit, peacefully orbiting the Earth playing a custom space-guitar as the sun slowly rises behind him.
‘Cold’ was another number one hit for dance act Deep Obsession. The video (one of two made for this track) arguably takes the title a trifle too little literally: extended studio close-ups of coldly-lit vocalists Zara Clark and Vanessa Kelly in blue eye makeup are contrasted with glimpses of the band performing live. Third member (and later director) Christopher Banks can be seen sporadically. The second of three consecutive chart-toppers for the band, ‘Cold’ saw Banks and Clark nominated for best songwriting at the 2000 NZ Music Awards.
In the early 90s Australian David Barraclough joined The Exponents as a guitarist and songwriting partner for singer Jordan Luck. ‘La La Lulu’ was one of the results. Directed by Mark Tierney, the video sees the band – besuited a la Reservoir Dogs – hard rocking in a studio then driving around a quarry, before tagging and demolishing their ride. It borrows a graphic style from US conceptual artist Barbara Kruger, flashing slogans like ‘online erotic’ over the band. ‘Lulu’ got to 13 in the NZ charts, and would be the band's final single to break the top 20.
Lydia Cole's understated yet heartfelt breakup song is accompanied by an equally understated music video. Cole performs in a darkened room which is home to a number of mirrors...plus a man and a woman (possibly the woman who got the guy?). 'Dream' was one of five finalists for the 2016 APRA Silver Scroll songwriting award, after making it through from an original list of 20. The song was released ahead of Cole's second album The Lay of the Land; after she launched a crowd-funding campaign in September 2015 to help fund it, her target was met in only five days.