More than 20 years on, 'Treaty' remains as infectious as it does relevant, mixing haka, hip hop and funk to present a message on Māori sovereignty. Channelling the colours of the Tino Rangatiratanga flag, the video creates a fitting backdrop for lyrics delivered via the stirring vocals of Moana and the Moahunters, verses by rapper Bennett Pomana (Upper Hutt Posse, Dam Native), and elements of traditional performance. According to director Ross Cunningham, the set design was inspired by Ralph Hotere illustrations from a book of Hone Tuwhare poems.
Alien Weaponry’s first single ‘Urutaa’ was released in late 2016, following their triumph at the Smokefree Rockquest and Pacifica Beats. The band won media attention for their inclusion of te reo Māori in metal music. The video sees them performing on a soundstage, interspersed with a pocket watch motif. The watch is a reference to a series of incidents between Māori and Pākehā in the early 1800s, which resulted in an attack by Māori on visiting ship The Boyd. The band used the incident as a metaphor for continuing misunderstandings "between cultures, generations and individuals".
Launched for 2014's Māori Language Week, the NZ Music Award-nominated video for 'Aotearoa' is a showcase of Kiwi scenery and musical talent, led by main vocalist Stan Walker. 'Aotearoa' began when TV producer Mātai Smith, aware 1983’s 'Poi-E' was the last te reo song to hit number one, thought it might be nice to repeat the feat (in the end he had to settle for number two). Walker wrote the track with his Mt Zion co-star Troy Kingi and singers Vince Harder and Ria Hall. Hall calls the result “a song to celebrate our nation, our landscape, our uniqueness, our language and our people”.
This soulful invocation, sung in te reo, to Tangaroa — Māori god of the sea — comes from singer-songwriter Maisey Rika's third album. The instrumentation includes a string quartet and traditional taonga pūoro instruments played by Mahuia Bridgman-Cooper. Director Shae Stirling’s music video has a vibrant clarity. It places Rika in the bush and the forest, in the surf and on the smouldering, volcanic landscape of Whakaari/White Island as she hails Tangaroa as commander of the tides while dolphins and whales provide further evidence of his life force.
In a Mika-inspired cross cultural collision, this Māori music and comedy group blends traditional Māoritanga with the metrosexual world of fashion and beauty. Founded by former C4 presenter Jermaine Leef in 2010, they launched with this video which debuted on YouTube and received 100,000 views in 10 days. From Queen Street to the beach and bush, their appearance moves from Outkast-inspired nerd chic to a style best described as high camp haka; and boy band posturing mixes with lyrics tackling what it means to be a modern 'Māori boy' (“I play my Nintendo everyday”).
The title track from Moana and the Moahunters’ gold-selling first album celebrates wahine and Māori cultural pride, via what singer Moana Maniapoto called “haka house music”. The fusion of traditional Māori sounds with contemporary grooves got to number nine in the charts. It was co-written with Andrew McNaughton and features vocalist Hareruia Aperahama (‘What’s the Time Mr Wolf’). Kerry Brown's video cuts the group singing together with kapa haka (the acclaimed Te Waka Huia) and whānau playing. Brown also directed the video for the group’s groundbreaking ‘AEIOU’.
This was the first music video funded by New Zealand on Air. The song is a colourful plea for Māori youth to preserve their culture by learning the reo — it also doubles as a handy guide to Māori pronunciation. Director Kerry Brown created vibrant animated backgrounds to match the song’s hip-hop beats. The cameo appearances include Moana Maniapoto’s father, MC OJ and the Rhythm Slave, Mika and various crew members. The Moahunters were Mina Ripia (who went on to her own act Wai) and Teremoana Rapley (from Upper Hutt Posse, who went on to manage King Kapisi).
This uplifting promotional clip is as famous as the chartbusting song. Accompanied by Jo, the breakdancing guide, for a tour of Patea and surrounds, the Patea Māori Club are captured "bopping and twirling like piwakawaka": at the local marae, in Wellington's Manners Mall, and on Patea’s main street, where milk tankers and sheep trucks pass by the Aotea canoe remembrance arch. So does the impresario himself: Dalvanius does a pūkana out a car window. In 2010 'Poi E' re-entered the charts thanks to Taika Waititi hit Boy. A documentary on the song was released in 2016.
“I hear the roooolling thunder”. Sir Howard Morrison’s classic bilingual rendition of the popular hymn comes from an October 1981 Royal Variety Performance, in front of Queen Elizabeth II and Prince Philip. Morrison's performance at Auckland's St James Theatre of 'Whakaaria Mai' marked a comeback for the veteran entertainer, who had been out of the spotlight working in Māori youth development. Released as a single a couple of months later, it topped the charts for four weeks, and led to the commissioning of a televised Howard Morrison Special in 1982.
This heartfelt 1981 hit was the first song sung in te reo to top the NZ singles chart. It was written by Te Arawa elder George Tait for his cousin Deane Waretini, who recorded it with musicians he could only afford to pay in fried chicken. Tait based the melody on Italian Nini Rosso’s 1965 hit ‘Il Silenzio’, but the lyric refers to the linking of Pākehā and Māori cultures at the time of the construction of the Mangere Bridge. The TVNZ video features the less imposing but rather more picturesque valve tower turret, at Wellington’s historic Karori reservoir.